Opera Gallery

Hermann Nitsch (Vienna 1938-2022 Mistelbach) BFGP_26_21, 2021 Acrylic on canvas 200 x 300 cm Provenance: acquired directly from the artist

Galerie Dina Vierny

robert couturier

Robert Couturier (France, 1905-2008) Hommage à Millet, 1994 Bronze H 75.5 x W 27.5 x D 14.5 cm Signed: Couturier, numbered 5/6 and inscribed with the Coubertin foundry mark on the base Provenance: Galerie Dina Vierny, Paris Literature: V. Da Costa, Catalogue raisonné de l'œuvre sculpté de Robert Couturier, vol. III, 1998, n° 422, ill. p. 383; V. Da Costa, Robert Couturier, Paris, 2000, ill. p. 182; F. Horvat, Horvat photographie Couturier, Paris, 2005, ill. p. 93 Exhibitions: L'Isle-sur-la-Sorgue, Campredon, Robert Couturier, 1996, ill. p. 62; Paris, Musée Maillol, Robert Couturier fête ses 100 ans au Musée Maillol, 2005; Saint-Tropez, Galerie Lucas Ratton; Saint-Tropez, XAIPE, 2023

Thomas Deprez Fine Arts

emile fabry

Emile Fabry (Verviers 1865-1966 Brussels) A monumental triptych, including: Le péché originel, Les Déesses de la Vie and Prométhée & Pygmalion, circa 1896 Oil on canvas 246 x 138 cm | 249 x 205.5 cm | 245 x 140 cm All canvases waxed and retouched The middle panel carrying a certificate by Edmond Delescluze, the artist's son-in-law, dated April 6th 1990 Provenance: by descent in the family of the artist, after his death in 1966; former collection Suzanne Fabry and Edmond Delescluze, the artist’s daughter and son-in-law; triptych dismantled and sold separately, with different provenances on request; United again for the first time under single ownership, 2023 Literature: a list of contemporary press critiques available on request; Jacqueline Guisset, Emile Fabry 1865-1966, Brussels, Fonds du Patrimoine de Woluwe-Saint-Pierre, 2000, ill. pp. 75, 77 & 78; Sébastien Clerbois, L’Esotérisme et le Symbolisme belge, Anvers, Pandora Publishers, 2012, ill. p. 104 Exhibitions: Exposition du Cercle Pour l'Art, Brussels, 1896; Retrospective Emile Fabry, Woluwe-Saint-Pierre, Centre culturel, 2000

Galerie Flak

Ritual figure, Ngbaka or neighbouring cultures Ubangi, Democratic Republic of the Congo, early 20th century Carved wood, beads and metal H 32 cm Provenance: collection David Henrion, Brussels; collection Didier Claes, Brussels; collection Richard Carchon, private collection, California Literature: Claes. Premium Art from Black Africa/Art premier d’Afrique Noire, Didier Claes, Bruxelles, 2005; Ubangi. Art and Cultures from the African Heartland, Grootaers, Bruxelles, Fonds Mercator, 2007, p. 121, #3.13; African Impressions. Tribal Art and Currents of Life/Empreintes d’Afrique. L’art tribal au fil des fleuves, B. Von Lintig & H. Dubois, 5 Continents, 2011, pp. 82-83, #31 Exhibition: Ubangi. Art and Cultures from the African Heartland, Afrika Museum, Berg en Dal, The Netherlands, 13 October 2007–31 March 2008

Zidoun-Bossuyt Gallery

José Parla (Miami, 1973) Illuminating Crossroads, 2023 Acrylic and oil paint on canvas 121.9 x 213.4 cm

Pauline's Jewellery Box

Edwardian fancy yellow cushion cut diamond ring Ring set with a fancy yellow cushion cut diamond weighing 7.80 carats. Clarity is VS2. Surrounded by bright and lively white diamonds and mounted in platinum. Accompanied by a GIA certificate Provenance: private collection, London

Repetto Gallery

Bram Bogart (Delft 1921–2012 Sint-Truiden) Groenland, 1991 Mixed media 71.5 x 76 cm Signed and dated on the left side

Serge Schoffel - Art Premier

Bamileke Ku n'gan society mask Cameroon, 19th-early 20th century Wood, hair, cowrie shells, St. Christopher's medal H 33 cm (with the hair: circa 110 cm) Provenance: collected in situ circa 1960 by Klaus Paysan, photographer and author from Stuttgart, Germany (1930-2011); the mask was a gift from King Fon Happi III of Bana; Boris Kegel-Konietzko, Hamburg, Germany Literature: published in Kosmos magazine, 1961

VKD Jewels

gold, diamond, ruby and sapphire earclips

Van Cleef & Arpels Pair of 18k gold earclips, each set with three small flower elements of diamonds, rubies and sapphires France, circa 1960 Signed VCA USA, Made in France, 750, French assay marks for gold and numbered 18695 Provenance: private collection

Gilden's Art Gallery

alexander calder

Alexander Calder (Lawnton 1898-1976 New York) Eclipse, 1961 Gouache on wove paper 55 x 74.5 cm Signed and dated lower right: Calder 61 This work is registered in the archive of the Calder Foundation with the application n° A11010 Provenance: Nicholas Guppy (1925-2012); acquired directly from the artist; Sotheby's Parke Barnet, 3 December 1981, lot 535; Renton Family, Thaxted, Essex, United Kingdom (after 1981) Exhibition: Calder, 12 July-10 August 1980, Kettle's Yard, Cambridge, cat. n° 17 (incorrectly titled Red moon)

Giammarco Cappuzzo Fine Art

Willem Eversdijck (Dutch, circa 1620-1671) Unknown Zeeland family, circa 1665 Oil on canvas 138 x 194 cm Provenance: Horace Buttery, London; Christie's London, 20 November 1925, lot 97, bought by Frank Partridge London; (probably) Lady Bertha Schaul Baron (1899-1981); property of a Lady, Christie's London, 10 May 1935, lot 46, bought by W. Sabin, London; Christie's London, 24 February 1939, lot. 57, bought by Berendt; Christie's London, 17 March 1939, lot 23, bought by Suttle; Viorel Virgil Tilea C.B.E. (1896-1972) at Sotheby's London, 28 November 1951, lot 147; Antonio Roque' Rivero (1918-2015), Barcelona Literature: F. van der Ploeg, C.E. Zonnevylle-Heyning, Brave koppen en gladde aangesigten, Middelburg, 1999, pp. 112-114 & p. 136, n° WE5, ill. n° 107

Baronian

david nash

David Nash (Esher, 1945) Red Slices, 2020 Redwood H 68 x W 66 x D 18 cm Exhibition: David Nash, 5 August-10 September 2023, Baronian, Knokke

Galerie Ary Jan

léon spilliaert

Léon Spilliaert (Ostend 1881-1946 Brussels) Tree in the winter, 1943 Ink drawing 51.2 x 35.2 cm Signed lower right and dated lower left Provenance: Madeleine Spilliaert, sister of the artist and in her family by descent

Nicolás Cortés Gallery

francisco de goya y lucientes

Francisco de Goya y Lucientes (Spain, Fuendetodos 1746-1828 Bordeaux, France) Adoration of the Cross Oil on canvas 134 x 89 cm Provenance: Chapel of the Santa Cruz (now the chapel of San Roque) in the parish church of Nuestra Señora de la Asunción (Our Lady of the Assumption, formerly dedicated to St Anthony of Padua), Torrecilla de Valmadrid, near Zaragoza, until 1968-70; Don Jaime de Paraíso de Andéríz, Zaragoza, to 1971; private collection, Barcelona (now London) Literature: Gudiol, Goya, Barcelona, 1970, vol. I, p. 33 and 240, cat. 37 (image, vol II, pp. 50-51, figs. 52 and 53); A. Martínez Beltrán, Goya en Zaragoza, 1971, Ayuntamiento de Zaragoza; p. 155; J. Camón Aznar, Francisco de Goya, Zaragoza, 1981, vol 1, pp. 62-63, ill., p. 243; R. De Angelis., La obra pictórica completa de Goya, Noguer, 1975, p. 90, n° 40 (as Devotis al pie de una Cruz); José-Luis Morales y Marín, Goya, Pintor Religioso, Aragon, 1990, n° 11, p. 50; J. Gudiol, Goya, Barcelona, 1985, 2nd edition, vol. 1, p. 96, n° 34, fig. p. 168; P. E. Mangiante, Goya e l’Italia, Rome, 1992, pp. 20-21; A. Ansón Navarro, Goya y Aragón: Familia, amistades y encargos artísticos, Aragon, 1995, p. 93.; P.E. Mangiante, Goya e Italia, Zaragoza, 2007, p. 34 y 38; Fundación Goya, J.C. Lozano Llopis, J. Wilson-Bareau, and others, Museo de Zaragoza, La memoria de Goya, (1828-1978): [Museo de Zaragoza., 7 de febrero-6 de abril de 2008, Aragón, 2008, p. 126, fig. 89 [as attributed]; Dr Arturo Ansón Navarro, Goya. Un joven pintor en formación, Zaragoza, 2021; La Estella de Corrado Giaquinto en España-Da Antonio González Velázquez a Francisco Bayeu a Goya, Exhibition Catalogue, Museo de Zaragoza, 24 June-26 Sep 2021, pp. 110-111 (ill.) Exhibition: Zaragoza, Museo de Zaragoza, 2008 La memoria de Goya, (1828-1978), n° 117

Galerie Hioco

Buddha head Thailand, Lopburi period, 13th-14th century Sandstone H 35 cm Provenance: Vérité collection, France

Bernard Bouisset

Gold and platinum necklace entirely set with diamonds 'Antique Cut' (35 carats) Circa 1900

Tobogan Antiques

machauld (né en 1835) et eug. cornu (1827-1899)

Machauld (France, born in 1835) and Eugène Cornu (France, 1827-1899) Bust of a Greek goddess, circa 1867 Silvered and gilded bronze, enamel, red marble H 64 cm; base 22 x 21 cm Signed: Machauld et Eug. Cornu, G. Viot et Cie Fondeurs The tiara and collar necklace that adorn the bust are finely decorated with stylised floral motifs of polychrome champlevé enamel. It rests on a molded base and square plinth made of Antique red marble Literature: Rapport du Jury International, Exposition Universelle de 1867 à Paris, 1868, t. III, groupe III, classe XV, chapitre II, § 2, pp. 45-46; 1851-1900, Le arti decorative alle grandi esposizioni universali, Daniel Alcouffe, Marc Bascou, Anne Dion-Tenenbaum et Philippe Thiébaut, Idealibri, 1988, pp. 136-138; Les merveilles de l’Exposition de 1878, Paris, p. 561

Galeria Jordi Pascual

antoni tàpies

Antoni Tàpies (Barcelona 1923-2012) Cap amb paper encolat, 1987 Paint, pencil and collage on canvas 54 x 65 cm Provenance: private collection, Barcelona Literature: Agustí, Anna. Tàpies. Obra completa, vol. 6, 1986-1990, Fundació Antoni Tàpies and Edicions Polígrafa S.A, 2000, p. 153, fig. 5465

Galeria Jordi Pascual

joan miró

Joan Miró (Barcelona 1893-1983 Palma de Mallorca) Peinture, projet pour une tapisserie, 1973-1974 Paint, oil and wool on wood 197 x 122 cm Provenance: private collection Literature: Lelong, Daniel. Joan Miró. Catalogue raisonné. Paintings, vol. V, 1969-1975, Successió Miró, 2003; p. 238, fig. 1641

Jan Muller Antiques

Leon De Smet (Ghent 1881-1966 Deurle) A walking path in spring, 1913 Oil on canvas, original frame 98 x 64 cm Signed with monogram and dated 1913

New Hope Gallery

george nakashima

George Nakashima (USA, 1905-1990) Plank daybed with one arm American black walnut, Japanese indigo textile, plywood New Hope, USA, 1958

Costermans & Pelgrims de Bigard

pieter brueghel the younger

Pieter Brueghel the Younger (Brussels 1564-1637/38 Antwerp) The Whitsun bride, circa 1620 Oil on panel 45 x 75 cm Provenance: private collection, Belgium

Dei Bardi Art

Embriachi workshop marquetry casket Northern Italy, 15th century Alla certosina inlays (bone, stained bone, horn, pewter and wood) H 28.2 x W 18 x D 14 cm

d'Arschot & Cie

Coffee pot Chiselled and engraved silver Namur, 1737 Maker’s mark Nicolas Wodon H 37.5 cm. Weight 1.414 gr. Provenance: Walter van Dievoet’s collection Literature: Walter van Dievoet, Orfèvres de l’ancien régime au poinçon de Namur, 2020, pp. 62-64 with repr.

Helene Bailly

kees van dongen

les beaux jours, 1948-1952

Oil on canvas Signed lower center Signed and titled on the back : Van Dongen ; Les beaux jours Annotated on the back : 75 rue de Courcelles Carved and gilded wooden frame, 16th century, Italy. 60 x 81 cm 93 x 113,5 (avec cadre)

Axel Vervoordt

joaquim tenreiro

Joaquim Tenreiro (Portugal, Melo 1906-1992 Itapira, Brazil) Center table, Brazil, 1960s Vinhático wood (Plathymenia foliolosa) H 28 x W 130 x D 130 cm Provenance: Ulisses Burlamaqui Collection, Rio de Janeiro, since 2007

Dr. Lennart Booij Fine Art & Rare Items

rene lalique

René Lalique (Ay 1860-1945 Paris) Carafe Sirènes et Grenouilles, circa 1911 Blown glass with pressed air with stopper, decorated with four frog fountainheads and four cartouches with swimming mermaids H 39.5 cm Signed: Lalique Provenance: private collection, France Literature: Félix Marcilhac, René Lalique-Catalogue Raisonné de l'Œuvre de Verre, Les Éditions de l'Amateur, Paris, 2011, n° 3150

A&R Fleury

geer van velde

Geer Van Velde (1898-1977) Composition bleue, circa 1951 Oil on canvas 71.5 x 62 cm Signed 'GvV' lower right Certificate of authenticity established by Pierre François Moget

Bernard Bouisset

Van Cleef & Arpels Double Flowers ring, circa 1970 Yellow gold, coral and diamonds Signed VCA

Mearini Fine Art

Pair of pseudo-Corinthian capitals with acanthus foliage and palmettes North Adriatic, second half of the 11th-first half of the 12th century White marble (possibly spolia marble) H 40 x W 40 x D 47 cm Diameter of the inferior bases 27/28 cm Condition: good, except for small losses at the tips of several leaves and larger losses on the abaci, at the corners and at certain points of the edges Provenance: private collection, Italy Literature: Full report by Prof. Guido Tigler, University of Florence