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Studio 2000 Art Gallery
willem paerels
Willem Paerels (Delft 1878-1962 Eigenbrakel) Scheveningen boulevard, 1907 Oil on canvas 70 x 70 cm Signed lower right: Paerels Provenance: private collection, The Netherlands; private collection, Belgium; Galerij Jeanne Buytaert, Antwerp; collection M. Jefferys, Brussels (before 1924) Literature: André A. Moerman, Willem Paerels 1878-1962: retrospectieve tentoonstelling georganiseerd in het raam van het Nederlands-Belgisch Cultureel Akkoord, Brussel [etc.] 1978, p. 21, n° 11: dated ’1907’ by the artist in his notes Exhibitions: Brussels (Palais des Beaux-Arts de Bruxelles), Willem Paerels, 17 September 1968-1 October 1968 and Amersfoort (Zonnehof), 5 October 1968-4 November 1968; Brussels (Koninklijke Musea voor Schone Kunsten van België), 3 March 1978-16 April 1978 and Laren (Singer Museum), 30 April 1978-11 June 1978, Willem Paerels 1878-1962: retrospectieve tentoonstelling georganiseerd in het raam van het Nederlands-Belgisch Cultureel Akkoord
Giammarco Cappuzzo Fine Art
Giuseppe Vermiglio (Milan, circa 1587-circa 1635/1636) The sacrifice of Isaac, circa 1610-1618 Oil on canvas 132 x 162 cm Provenance: private collection, Italy Literature: Alessandro Morandotti, Gli anni romani di Giuseppe Vermiglio, in Giuseppe Vermiglio. Un pittore caravaggesco tra Roma e la Lombardia, exhibition catalogue Campione d’Italia, Galleria Civica, 10 September-3 December 2000, ed. by D. Pescarmona, Milan 2000, p. 45, fig. 23; Ferdinando Bologna, Tre note caravaggesche, Prospettiva, 33-36, 1983-1984 (Studi in onore di Luigi Grassi), pp. 204-207, fig. 5; Mina Gregori, Il Sacrificio di Isacco: un inedito e considerazioni su una fase savoldesca del Caravaggio, Artibus et Historiae, X, 1989, p. 141, note 16
Gokelaere & Robinson
hans-christian hansen
Hans Christian Hansen & Viggo Jørgensen (Denmark, 1901-1978 & 1902-1981) Pair of armchairs, 1936 Oak and fabric H 92 x W 80 x D 80 cm Manufactured by Johannes Hansen, Denmark Exhibition: Cabinetmaker Guild, Copenhague, 1936; Exposition Universelle, Paris, 1937
Jan Muller Antiques
Master of the Von Groote Adoration and workshop (Antwerp, active between 1500-1530) The crucifixion Oil on oak panel, original frame 88 x 59 cm - framed: 99.5 x 71.5 cm Label on the back Wallraf-Richartz-Museum, Gemälde-Inventar 1927 n° 427 Provenance: legacy of Ferdinand Franz Wallraf in 1824. Gift to the city of Cologne; sale 1976. Madrid, Berkowitsch, auctioned as the Master of 1518
Harold t’Kint de Roodenbeke
Paul Delvaux (Belgium, Antheit 1897-1994 Veurne) La danse macabre, 1934 Watercolour and ink on paper 59.5 x 75 cm Signed and dated lower right: Spy 2-34 Provenance: Walter Delvaux, artist family; sale Sotheby's, 6 February 2014, lot 469; private collection Important and early composition from 1934, a key year for Delvaux's development of his surrealist world © Foundation Paul Delvaux, Belgium/SABAM, 2023-2024
Herwig Simons Fine Arts
Sculpture representing Emperor Augustus of Prima Porta Italy, 19th century Bronze, roso levanto and nero Belgio marble base, smooth medal patina H 110 cm Signed by the foundry A. Röhrich Roma The original statue was discovered on April 20, 1863, during archaeological excavations directed by Giuseppe Gagliardi at the Villa of Livia owned by Augustus' third and final wife, Livia Drusilla in Prima Porta. The Augustus of Prima Porta is now displayed in the Braccio Nuovo (New Arm) of the Vatican Museums.
Opera Gallery
Paul Delvaux (Belgium, Antheit 1897-1994 Veurne) La Fin du Voyage, 1968 Oil on canvas 165.1 x 145 cm Signed: P. DELVAUX and dated 10-68 on the lower right; signed again, titled and dated: 1968 on the stretcher Provenance: Mr. and Mrs. Morton D. May, St. Louis, USA, by 1969; Marlborough Gallery, London; Don Bartolomé March, Madrid (until at least 1991); Christie's London, 3 February 2003, lot 168; Collection of Paul Yeou Chichong Literature: Jerrold Lanes, New York, The Burlington Magazine, vol. CXI, n° 794, May 1969, p. 325, ill.; Michel Butor, Jean Clair, Suzanne Houbart-Wilkin, Delvaux, Catalogue de l'oeuvre peint, Brussels, 1975, n° 309, p. 271, ill.; Jacques Sojcher, Paul Delvaux ou la passion puérile, Paris, 1991, p. 78, ill. Exhibitions: New York, Staempfli Gallery, Paul Delvaux, 1969, n° 15; Madrid, Fundacion Juan March; Barcelona, Funacio Caixa Catalunya and Florence, Pallazzo Corsini, Delvaux, 1998, n° 72, p. 113, ill. in colour © Foundation Paul Delvaux, Belgium/SABAM, 2023-2024
Galerie Kevorkian
mughal art / art moghol
Portrait of nawab 'Ali Mardan Khan Mughal art Opaque watercolour and gold on paper, gold speckled margins Illuminated panel written in nasta'liq script: 'tasvir-e nawab 'Ali Mardan Khan' Mughal India, 18th century Folio: 32 x 22.8 cm, painting: 21 x 12.4 cm Provenance: probably collection of Sir Elijah Impey, chief justice of Bengal from 1774 to 1789; former collection of Jean Pozzi (1884-1967), French diplomat and collector; French private collection (1975-2000) Exhibition: Indian and Oriental Miniatures, Palais Galliera, Paris, 5 December 1970, n° 24
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Gilden's Art Gallery
sam francis
Sam Francis (San Mateo 1923-1994 Santa Monica) Untitled SF73-287 (Tokyo), 1973 Acrylic and gouache on wove paper 37.4 x 55.2 cm Signed, dated and inscribed Archive n° SF73-287 Provenance: Kornfeld und Klipstein, Bern, Switzerland; Irving Galleries, Palm Beach, Florida; acquired from the above in 1987; private collection, United States of America
Franck Anelli Fine Art
jacob van hulsdonck
Jacob Van Hulsdonck (Antwerp, 1582-1647) Still life with peaches and grapes Oil on panel 64 x 50 cm Provenance: collection Grasset Exhibitions: Brueghel to Canaletto, European Masterpieces from the Grasset Collection at the San Diego Museum of Art, San Diego. 2 April-2 August 2016; A Feast for the Eyes: European Masterpieces from the Grasset Collection at the Museum of Fine Arts, St Petersburg, Florida, 23 March-2 September 2019
Montagut Gallery
Baule figure Baule people, Ivory Coast, 19th century Wood H 60 cm Provenance: André Blandin (1930-2015), France; Lucien Van de Velde, Antwerp, Belgium, end 1960s-1970; Marc Sherman, New York, acquired in 1982; Pace Gallery, New York; collection Patrick & Béatrice Caput, France, 1999; private collection, France Literature: Boyer (Alain-Michel), Miroirs de l'invisible: la statuaire baoulé. Arts d'Afrique Noire, nº 45; Exhibition catalogue: Objetos-Signos de Africa, Zaragoza, 2000: #27; François Neyt, Trésors de Côte d'Ivoire, Fonds Mercator, 2014 #174; Patrick Caput & Valentine Plisnier, Arts d'Afrique. Portraits d'une Collection, Milan: 5 Continents, 2016 Exhibition: Zaragoza, Spain: Objetos-Signos de Africa, Centro de Exposiciones y Congresos, 11 April-24 June 2000
Osborne Samuel Gallery
Lynn Chadwick (London 1914-2003 Lypiatt Park) Short Horn, 1954 Iron and composition H 41 x W 61.5 x D 20.5 cm Unique piece Provenance: The artist; Mrs. Helen Lessore O.B.E.; Acquired by René Gaffé at the Venice Biennale, 15th September 1956; Private collection, The Netherlands; Osborne Samuel, London; Private collection, Canada Literature: J.P. Hodin, Lynn Chadwick, Werk, vol. 44 (n° 3), March 1957, p. 113; Dennis Farr & Eva Chadwick, Lynn Chadwick, Sculptor, With a Complete Illustrated Catalogue 1947-2003, Lypiatt Studio, Stroud, 1997 p. 92, cat. no. 143 (prepatory drawing illustrated; with incorrect dimensions height: 45 cm.) Dennis Farr & Eva Chadwick, Lynn Chadwick, Sculptor, With a Complete Illustrated catalogue 1947-2003, Lund Humphries, Farnham, 2014, p. 111, cat. n° 143 (ill. b&w) Exhibitions: London, New Burlington Galleries, 53rd London Group: British Painting and Sculpture, November-December 1954, n° 264; Venice, XXVIII Biennale, June-October 1956, p. 412, n° 51 (titled Vacca Shortorn), lent by Mrs H. Lessore
Repetto Gallery
Giorgio de Chirico (Greece, Volos 1898-1978 Rome, Italy) Piazza d’Italia con Arianna, Beginning 1950s Oil on canvas 70 x 100 cm Signed lower left, inscribed on the reverse: questa pittura metafisica è opera autentica da me eseguita e firmata, Giorgio de Chirico. COA by Fondazione Giorgio e Isa de Chirico n. 0050/10/33 OT Provenance: Galleria Renzo Spagnoli, Florence; Private collection, Italy Literature: Fondazione Giorgio e Isa de Chirico, Giorgio de Chirico. Catalogo generale – opere dal 1913 al 1976, vol. 3/2016, Maretti Editore, p. 236, n° 1166
Galerie Jean-François Cazeau
André Masson (Balagny-sur-Thérain 1896-1987 Paris) La Ville abandonnée, 1923-1924 Pastel, coloured wax and charcoal on paper 62.2 x 47 cm 98.5 x 83.3 cm (framed) Study for the final painting entitled La Ville abandonnée, 1923-1924 Signed lower left: André Masson Provenance: the Artist's studio; Collection T. Mesens, Belgian surrealist artist; Gallery Knoedler, New York; Galerie Odermatt-Cazeau, Paris; Private collection, Paris Literature: André Masson, oeuvres maîtresses, Galerie H. Odermatt - Ph. Cazeau, Paris, 1990, ill. in colour, p. 99, n° 43 Exhibition: New York, Surrealism in Art, M. Knoedler & Co., Inc., February-March 1975, catalogue n° 86 Study for the final painting entitled La Ville abandonnée, 1923-1924, oil on canvas, 73 x 60 cm, property of Galerie Louise Leiris, Paris. Literature: Paris, André Masson, oeuvres maîtresses, Galerie H. Odermatt - Ph. Cazeau, 5 December 1990-2 February 1991, p. 99; de Joinville, France, Château du Grand Jardin, Beauvais, Musée Départemental de l'Oise; Tchécoslovaquie, Sovinec, Ostrava, Bratislava, Prague: André Masson : Dessins Surréalistes 1925-1965. 17 April 1993-31 January 1994; Paris, André Masson: peintures et œuvres sur papier 1919-1927, Galerie Louise Leiris, 14 May-13 July 1996. Definitive painting after the drawing, ill. on the cover of the catalogue, p. n°9. Property of Galerie Louise Leiris. Illustrated on the cover of the catalogue; André Masson: Dessins Surréalistes 1925-1965, 1993. The catalogue is published by the AFAA (L'Association Française d'Action Artistique), Le Château du Grand Jardin (Conseil Général de la Haute Marne) and the Musée Départemental de l'Oise, Beauvais and produced by Soft Publicité Reims.