25 JANUARY 1 FEBRUARY 2026

BRUSSELS EXPO | HEYSEL

Artworks

This section will be available this Autumn.

Galleries
Galleries Galerie AB - Agnès Aittouarès Franck Anelli Fine Art Ars Antiqua d'Arschot & Cie Art et Patrimoine - Laurence Lenne Arte-Fact Fine Art Artimo Fine Arts Galerie Ary Jan Galerie BA - Berthet Aittouarès HELENE BAILLY MARCILHAC Véronique Bamps Barbara Bassi Beck & Eggeling International Fine Art Galerie de la Béraudière Galerie Berès Bernier/Eliades Galeria Bessa Pereira Galerie BG Arts Boon Gallery Galerie Alexis Bordes Bernard Bouisset Galerie Boulakia Galerie Nicolas Bourriaud Brame & Lorenceau Cabinet of Curiosities - Honourable Silver Objects Galerie Capazza Giammarco Cappuzzo Fine Art Carlucci Gallery Galerie Jean-François Cazeau Galerie Cento Anni Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM) Citadelles & Mazenod CKS Gallery Claes Gallery Collectors Gallery COLNAGHI Costermans Dalton Somaré De Brock De Jonckheere Galerie Bernard De Leye Galerie Oscar De Vos De Wit Fine Tapestries De Zutter Art Gallery Dei Bardi Art Thomas Deprez Fine Arts Patrick Derom Gallery Desmet Fine Arts Virginie Devillez Fine Art DIE GALERIE Douwes Fine Art b.v. Epoque Fine Jewels Finch & Co Galerie Flak A&R Fleury Galerie La Forest Divonne Galerie Christophe Gaillard Galerie des Modernes Gilden's Art Gallery Grusenmeyer-Woliner Galerie Hadjer Galerie Haesaerts-le Grelle Philippe Heim Heutink Ikonen Galerie Hioco Hoffmans Antiques Huberty & Breyne Galerie Hurtebize rodolphe janssen Francis Janssens van der Maelen Kunsthaus Kende Harold t’Kint de Roodenbeke Florian Kolhammer Hartford Fine Art - Lampronti Gallery Alexis Lartigue Lemaire Galerie Lowet de Wotrenge Francis Maere Fine Arts Maison D'Art Maisonjaune Studio Martins&Montero Martos Gallery MARUANI MERCIER MassModernDesign Galerie Mathivet Mearini Fine Art Galerie Greta Meert Meessen Galerie la Ménagerie Mulier Mulier Gallery Jan Muller Antiques Klaas Muller NARDI VENEZIA Nosbaum Reding Dr. Nöth kunsthandel Galerie Nathalie Obadia, Paris/Brussels Objects With Narratives Galeria Jordi Pascual Galerie La Patinoire Royale Bach Pauline's Jewellery Box Pelgrims de Bigard Galerie Alexis Pentcheff Christophe Perlès Galerie Perrin Guy Pieters Gallery Gallery de Potter d’Indoye Galerie de la Présidence Pron Van Pruissen Asian Art QG Gallery Maison Rapin Almine Rech Stéphane Renard Fine Art Repetto Gallery robertaebasta Romigioli Antichità Laurent Schaubroeck Serge Schoffel - Art Premier Segoura Fine Art Edouard Simoens Gallery Herwig Simons Fine Arts Stern Pissarro Gallery Stone Gallery Galerie Taménaga TASCHEN TEMPLON The old Treasury Galerie Patrice Trigano unforget Decorative Arts Univers du Bronze Vagabond Antiques Gallery Sofie Van de Velde Van Herck-Eykelberg Galerie Raf Van Severen Samuel Vanhoegaerden Gallery Maurice Verbaet Gallery Galerie von Vertes Axel Vervoordt Galerie Dina Vierny VKD Jewels Galerie Florence de Voldère N. Vrouyr Floris van Wanroij Fine Art Galerie Watteeu by Edouard & Andrea de Caters Victor Werner WHITFORD Willow Gallery
 

Barbara Bassi

mario buccellati

Mario Buccellati (Ancona 1891-1965 Milan) Powder box, 1940 Diamonds and segrinato 18 kt gold One of a kind, exceptional and compact powder box Provenance: private collection, Italy

 

Guy Pieters Gallery

yves klein

Yves Klein (Nice 1928-1962 Paris) La Terre Bleue, 1957 IKB Pigment H 41 x Ø 29 cm Provenance: Galerie Bonnier, Geneva; private collection, Sweden Literature: P. Wember, Yves Klein, Cologne, 1969, p. 109, n° RP7 (another example ill.); P. Restany, Yves Klein, New York, 1982, p. 226 (another example ill.); J.P. Ledeur, Yves Klein: Catalogue of Editions and Sculptures Edited, Belgium, 1999, p. 242 (another example ill.); N. Charlet, Yves Klein, Paris, 2000, p. 230 (another example ill.); H. Weitemeier, Yves Klein: International Klein Blue, Cologne, 2001, p. 83 (another example ill.) Exhibitions: Paris, Centre Georges Pompidou Musée National d'Art Moderne, Yves Klein, March-May 1983, p. 109, n° 56 (another example exh.); Nice, Musée d'Art Moderne et d'Art Contemporain and Museo Pecci Prato, Yves Klein: Long Live the Immaterial!, April 2000-January 2001, p. 184 (another example exh. and ill.); Musée des Beaux-Arts d'Angers, Marie Raymond, Yves Klein, November 2004-February 2005, p. 190 (another example exh. and ill.)

 

Galerie Hadjer

fernand léger

Fernand Léger (Argantan 1881-1955 Gif-sur-Yevette) (after) & Yvette Cauquil-Prince (Belgium, Dampremy 1928-2005 Tresques, France) La parade sur fond rouge Created in 1975 Wool 280 x 400 cm Woven by Yvette Cauquil-Prince in Paris (pictogram lower right) Tapestry number 1/1 - Unique Piece Provenance: Yvette Cauquil-Prince; Paul Haim collection; private collection, USA Literature: Masters of the 20th century, KunstHausWien Exhibition: KunstHausWien, 10 February-14 May 2000, Vienna

 

Grusenmeyer-Woliner

flute stopper Wunear Biwat (Mundugumor), Yuat River, late 19th - early 20th century Papua New Guinea Wood, feathers, shell H. 64 cm ( 85 cm including the base) Provenance: Charles Ratton; Kamer Gallery, acquired in 1966 by Emiel Veranneman; Emiel Veranneman; Thence by descent Literature: Rotary Club Sint-Niklaas, Oude Kunst uit Afrika en Oceanie, Exhibition catalogue, Sint-Niklaas, May 5-20, 1979, n° 31; Veranneman Emiel, Visie & Passie, 2002, pp. 72-73 Exhibition: Oude Kunst uit Afrika en Oceanië, Ex-Libriscentrum, Sint-Niklaas, 5–20 May 1979, Rotary Club Sint-Niklaas

 

WHITFORD

joseph lacasse

Joseph Lacasse (Tournai 1894-1975 Paris) Recherche Incarnation, 1938 Oil on canvas 81 x 65 cm Signed, dated and inscribed on verso Lacasse estate inventory number Dia n° 823 Certificate of authenticity by Mrs Joostens-Koob Provenance: the artist's estate

 

Thomas Deprez Fine Arts

george minne

George Minne (Ghent 1866-1941 Sint-Martens-Latem) Baigneuse I, 1899 Boxwood (composite) H 40 cm Signed on the base: ‘G. MINNE’ Provenance: private collection by family descent, Belgium Exhibitions: La Libre Esthétique, Brussels, 1902, cat. 139, as: ‘Figure de femme. boxwood.' Related literature: Arthur Roesler, George Minne, in: Deutsche Kunst und Dekoration, 1910, 14th year, IV, 2, ill. article frontispiece, p. 240 (cf. Waerndorfer marble); Léo Van Puyvelde, George Minne, Brussels : Edition 'Cahiers de Belgique', 1930, cat. n° 31, p. 78, ill. pl. 31 (bronze); Robert Hoozee et al., George Minne en de kunst rond 1900, Gent: Museum voor Schone Kunsten, 1982, cf. cat. 95 & 96 (bronze and alabaster). Related exhibitions: Berliner Secession V, Berlin, 1902, cat. 319, as: ‘Badende’ (plaster); Wiener Secession XIV, Vienna, 1902, as: ‘Badendes Mädchen’ (plaster); Tento. Jozef Israëls & George Minne, Rotterdam, 1903, as: ‘Badende vrouw’ (marble); Berliner Secession XI, Berlin, 1906, cat. 332, as: ‘Junge Frau’ (plaster); Mücsarnok, Teli, Nemzetkozi Kiallitas, Budapest, 1908-09, cat. 285 (marble); Esposizione Internazionale d’Arte, Venice, 1909, cat. 3, as: ‘Bagnante’ (marble); Sonderbund westdeutscher K., Dusseldorf, 1910, cat. 237, as: ‘Die Badende’ (marble); Leipziger Jahresaustellung, Leipzig, 1912, cat. 895c, as: ’Baigneuse’ (bronze); Sonderbund internationale Kunstaustellung Köln, 1912, cat. 611, as: ‘Badende’ (marble). Related works: It has been said that George Minne, with the present sculpture, directly influenced Gustav KLIMT (1862-1918) for the painting 'Wasserschlangen I' (1904/07), cf. Hoozee. Its appeal, however, has never faded, as can be seen in several variations on the pose which have been an integral part of the famous Belgian contemporary choreographer Anne Teresa De Keersmaeker’s so-called 'Attitudes'. Note on versions: Van Puyvelde mentions editions in marble, wood and bronze. In addition, several fine plaster casts with family provenances can be identified, amongst others at the MSK Gent and at the Museum Gevaert-Minne. Among the early collectors of bronze versions we find Hélène Kröller-Müller and Karl Ernst Osthaus, partly due to the fact that Minne’s ‘Baigneuse I’ has been a favourite for the inclusion in decorative settings designed by Henry Van de Velde (1863-1959). Versions in marble are held at the Royal Museums of Art & History and at the Belvedere in Vienna. We have been unable to find records of any other versions of Minne’s ‘Baigneuse I’ in wood. Executed in a fine composite of boxwood, it is likely a unique piece in the material and can therefore be identified as entry n° 139 at La Libre Esthétique in 1902; where both a bronze version and a version in boxwood of Minne's 'Baigneuse' were exhibited under the title 'Figure de femme'. Interestingly, the 1902 exhibition of La Libre Esthétique in Brussels also marked the model's public debut, ranking the present version as one of the earliest in existance and one of the first two shown publicly.

 

Florian Kolhammer

joseph maria olbrich

Joseph Maria Olbrich (Czech Republic 1867-1908 Germany) & Josef Hoffmann (Czech Republic 1870-1956 Austria) Secessionist side table, circa 1900 Solid maple, inlaid ebony and white metal H 70 x W 56 x D 56 cm Provenance: private collection, Austria Literature: Josef Maria Olbrich, Ideen von Olbrich, 2nd edition, Leipzig 1904, p. 67; Association of Austrian Visual Artists (ed.), Ver Sacrum.Vereinigung Bildender Künstler Österreichs (Hrsg.), Ver Sacrum. Mittheilungen der Vereinigung Bildender Künstler Österreichs, 1900, 1st issue, pp. 4, 9 & 15 Exhibition: displayed at the fifth exhibition of the Vienna Secession 1899 This elegant Secessionist side table was created around 1900 through the collaboration of two influential artists of Viennese Modernism: Joseph Maria Olbrich and Josef Hoffmann. The design of the table's body by Olbrich was first published in 1899 in 'Ideen von Olbrich'. The characteristic ornament was originally designed by Hoffmann as a decorative frieze for the fifth Secession Exhibition and documented in the magazine 'Ver Sacrum' (1900). It is highly probable that this furniture piece was specially created for this exhibition. Particularly noteworthy are the original design drawing by Olbrich and the ornament by Hoffmann. The exceptional quality and characteristic fittings strongly suggest production by the renowned Viennese art furniture workshop Portois & Fix, famous for numerous designs associated with the Vienna Secession, predominantly by Hoffmann.

 

COLNAGHI

Nicolaas Struyck (Amsterdam, 1686-1769) A rose with garden whites, circa 1715 With partial Fleur-de-lis watermark Bodycolour and watercolour on paper with period black and gold ruled beige card mount 23.8 x 19.2 cm Provenance: private collection, Germany until 2023

 

Jan Muller Antiques

cornelis kick

Cornelis Kick (Amsterdam, 1634-1681) Flowers in a glass vase Oil on canvas 62 x 49 cm 78 x 69 cm (framed) Authenticity and identification confirmed by Dr. Fred Meijer Provenance: Percey B. Meyer, London, 1953 (as Jacob van Walscapelle) Literature: Jan Kelch and Ingeborg Becker, Holländische Malerei aus Berliner Privatbesitz, Kaiser-Friedrich-Museums-Vereins und der Gemäldegalerie (Berlin, 1984), pp. 170-171 (as Jacob van Walscapelle); Royal Academy of Arts, London, 1952-53: Dutch pictures 1450-1750, catalogue p. 103, n° 563; Gemäldegalerie der Staatlichen Museen Berlin, 1984: Hollandische Malerei aus Berliner Privatsbesitz, pp. 170-171, pl. n° 84

 

Willow Gallery

Bernard Buffet (Paris 1928-1999 Tourtour) Chevalier d'Henri III, 1998 Oil on canvas 130 x 89 cm Signed and dated This painting is sold with a photo-certificate of authenticity from the Galerie Maurice Garnier, Paris Provenance: Galerie Maurice Garnier, Paris; private collection, Germany (acquired from the above 2000); sale, Christie's London, 21 June 2012; private collection, Hong Kong Literature: Y. Le Pichon & M. Garnier, Bernard Buffet, 1982-1999, vol. III, 2007, Switzerland, n° 1261 (ill. p. 552)

 

Lemaire

Chinese porcelain centerpiece Kangxi period, 18th century Two shells in Chinese Famille verte porcelain, early 18th century Mounted in gilt and chiseled rococo bronze, mid-18th century H 17 x W 41 x D 22.5 cm

 

Boon Gallery

tschang-yeul kim

Kim Tschang-Yeul (South Korea, Maengsan 1929-2021 Seoul) Water Drops, 1982 Oil on canvas 88 x 116 cm Signed and dated on side Certificate of authenticity by the Kim Tschang Yeul Estate, Paris, 2024

 

Galerie Bernard De Leye

Umbilicated dish and gadrooned basin in enameled copper Venise, circa 1500-1530 Ø 33 cm Provenance: collection Messel, Darmstadt; collection Ludwig and Anne Messel, London; collection Leonard and Maud Messel, London until 1953; Galerie Kugel, Paris; private collection, Switzerland Literature: Les cuivres émaillés dits Vénitiens, Corpus des œuvres en collections publiques et privées, Silvana Editoriale, 2018, Volume II, n° 34, p. 92 Twelve convex, curved white gadroons with blue highlights on a green background. This enamel production in Venice spans over a very short period within Venetian Decorative Arts. The basin is adorned with two rows of 24 concave, curved gadroons, then with scale-like motifs. The entirely blue reverse is richly decorated with gilded patterns.

 

Galerie Nathalie Obadia, Paris/Brussels

sophie kuijken

Sophie Kuijken (Bruges, 1965) S.A.F., 2025 Oil and acrylic on chipboard panel 122 x 60 cm Provenance: the artist's studio

 

Dalton Somaré

figure with raised arms

Dogon, Mali 15th century circa Wood H 46 cm Provenance: Arturo Schwarz Collection, Milano Private Collection, Paris Literature: Published on "Il Fabbro Celeste", Ed. Liguori, Napoli, 1982, fig. 7

 

Ars Antiqua

pieter van lint

Pieter van Lint (Antwerp, 1609-1690) Allegory of Labor rewarded by Peace and Abundance, in the presence of Minerva and Time Oil on copper 104 x 130 cm Authenticated by Professor Carlotta Venegoni Published on RKD

 

Claes Gallery

Reliquary Figure 'Mbulu-ngulu' Kota Kota-Obamba People Gabon, presumed late 19th-early 20th century Wood, copper and brass H 43 cm Provenance: private collection, Los Angeles, until 1979; private collection, Geneva Literature: L’Art Kota. Les figures de reliquaire, Chaffin, Meudon, 1979, pp. 234-235, fig. 133 (written height: 43.5 cm)

 

Galerie Haesaerts-le Grelle

Gustave Serrurier-Bovy (Liège, 1858-1910) Coat rack, circa 1905 Painted iron, brass, and enameled cast iron H 204 cm – Ø 63 cm Literature: Bigot du Mesnil du Buisson, F. & du Mesnil du Buisson, E., Serrurier-Bovy – un créateur précurseur – 1858–1910, Paris, Faton, 2008, p.166-167; Jacques-Grégoire Watelet, Serrurier-Bovy, Ateliers Vokaer, Brussels, 1986, p. 109 Designed in 1905 for the former Marchal confectionery shop on rue de l’Écuyer in Brussels, this sculptural work in iron and brass, measuring over two metres in height, embodies the very essence of the artist’s genius as a leading figure of Belgian Art Nouveau.

 

MassModernDesign

max ingrand

Max Ingrand (Bressuire 1908-1969 Paris) Chandelier model 2128, 1960 Brass and glass. Produced by Fontana Arte H 93 x W 80 x D 28 cm Provenance: private collection, Torino Literature: Fontana Arte catalogue ca. 1960

 

robertaebasta

Alessandro Mendini (Milan, 1931-2019) 'Libreria scultura' prototype of modular bookcase/display for Swatch, Italy 1994 Lacquered wood, coloured, laminated, chromed and satin steel H 214 x W 250 x D 40 cm Unique piece Certificate of authenticity by Mrs Elisa Mendini and Mrs Fulvia Mendini Provenance: private collection, Italy

 

Gilden's Art Gallery

Andy Warhol (Pittsburgh 1928-1987 New York) Campbell's Chicken Noodle Soup Box, 1986 Acrylic and ink on canvas 50.8 x 50.8 cm Signed in felt tip pen 'Andy Warhol' and dated '86' [1986] on the upper canvas overlap, verso Stamped by the Andy Warhol Authentication Board and numbered in ballpoint pen A104.056, on the lower canvas overlap, verso Provenance: Michael Kohn Gallery, Los Angeles; private collection, Arizona; Van de Weghe Fine Art, New York; Demisch Danant, New York; private collection, Atlanta; Sotheby’s New York, May 13th, 2010, lot 191; private collection, Hong Kong; Christie’s Shanghai, September 21st, 2019, lot 310; private collection, Asia Literature: exh. cat. (1986), Warhol. Campbell’s Soup Boxes 1986, Michael Kohn Gallery, Los Angeles, reference n° 153, pp. 19, 30, ill. in colour

 

Alexis Lartigue

simon hantaï

Simon Hantaï (Hungary, Bia 1922-2008 Paris, France) Catamuron, 1964 Oil on canvas 102 x 77 cm Signed and dated lower right 'Hantaï 64' Provenance: Galerie Jean Fournier, Paris; private collection, Paris

 

TASCHEN

salvador dalí

Salvador Dalí (Spain, Figueras 1904-1989) Dalí. BABY SUMO This collector’s edition of 10,000 numbered copies presents Salvador Dalí’s work in unprecedented size and detail and is accompanied by a chronology following his path from Catalonia through Paris to Hollywood and back, with photos, sketches, and magazine pages.

 

Galerie Haesaerts-le Grelle

Gustave Serrurier-Bovy (Liège, 1858-1910) Silex linen cupboard, circa 1905 Poplar, blue stencils and blue-painted iron H 192 x W 70 x D 45 cm Provenance: Villa de L’Aube, collection of Gustave Serrurier-Bovy, Soyeur-Delvoye Literature: Jacques-Grégoire Watelet, Gustave Serrurier-Bovy, Éditions Beaunord, Paris, 1989, p. 87 Built between 1902 and 1905 on the Cointe hill in Liège, the Villa de L’Aube was the personal home of Gustave Serrurier, a true manifesto of his conception of architecture. He lived there until his death in 1910. Intended for the children’s and staff’s bedrooms, the Silex furniture was made of poplar, assembled with simple iron screws, and decorated - some of it - with painted stencils. First appearing at the Château de La Cheyrelle in 1904, Gustave Serrurier would go on to incorporate the Silex furniture into the layout of his own house. This linen cupboard was part of the original furnishings of the villa.

 

Maurice Verbaet Gallery

Jef Verheyen (Belgium, Itegem 1932-1984 Apt, France) Hommage à Fontana, 1959 Oil, collage on canvas 50 x 60.5 cm Provenance: Hans Liechti, Grenchen; private collection, Switzerland Literature: Willy Van den Bussche and Léonore Verheyen, Retrospective Jef Verheyen 1932–1984 (Ostend/Bruges: PMMK – Provincial Museum of Modern Art / Stichting Kunstboek, 1994), p. 76 Exhibitions: Retrospektive Jef Verheyen 1932-1984, Josef Albers Museum Quadrat, Bottrop, 10 July-4 September 1994; Retrospectieve Jef Verheyen 1932-1984, PMMK Museum voor Moderne Kunst Ostende, 26 March-13 June 1994

 

De Zutter Art Gallery

paul delvaux

Paul Delvaux (Wanze 1897-1994 Furnes) Trois femmes, 1955 Ink and watercolour on paper 54 x 71.5 cm

 

Hartford Fine Art - Lampronti Gallery

Pietro Paolini (Italy, Luccia 1603-1681) Portrait of an artist at the easel Oil on canvas 59.4 x 68.5 cm Expertise by M. Pulini, 2023 Exhibition: Roma Pittrice. Artiste al lavoro tra XVI e XIX secolo, Museo di Roma, Palazzo Braschi, 2024-2025

 

Giammarco Cappuzzo Fine Art

Jacopo Carucci, called Pontormo (Empoli 1494-1557 Florence) Man of Sorrows Oil on panel 66 x 51 cm Expertise by Philippe Costamagna

 

Galerie Boulakia

Joan Miró (Barcelona 1893-1983 Palma) Des figures devant la lune, 1942 Pastel, gouache, wash, brush, ink, and pencil on paper 64.5 x 48.5 cm Signed 'Joan Miró' (lower right) Dated 'X Barcelone, 18-12-1942' and titled on reverse Certificate of authenticity from ADOM dated 13 July 2018 Provenance: Pierre Matisse Gallery, New York; Galleria Narciso, Turin Exhibitions: Traveling exhibition Japan, 1984, reproduced cat. n° 17; Ferrara, Palais des Diamants, Joan Miró, 1985, n° 81; Cherasco, Palazzo Salmatoris, Chagall, Miró, Magritte : La Poesia del Sogno, September-December 2005; Paris, Exhibition Jean Louis Prat-Galerie Lelong, Grand Palais, September-October 2018; Mons, Musée des Beaux-Arts de Mons, Belgium, Exposition Joan Miro : L’essence des choses passées et présentes, October 2022-January 2023, repr. in cat. Literature: Jacques Dupin, Ariane Lelong-Mainaud, Joan Miro : catalogue raisonné, Volume II, 1931-1941, Editions Maeght-Lelong, Paris, 2000; Joan Miró exhibition catalogue, L'essence des choses passées et présentes, Editions BAM, Musée des Beaux-Arts de Mons, Belgium, 2022

 

Pelgrims de Bigard

pieter brueghel the younger

Pieter Brueghel the Younger (Brussels 1564-1638 Antwerp) A village scene with a horse-drawn cart and a goose keeper Oil on panel 25 x 31 cm Signed lower left 'P. BREUGHEL' Provenance: collection Kaufmann, before 1934; Kunsthandel P. de Boer, Amsterdam, 1934; collection Van Hees, The Netherlands, until 1969; private collection, The Netherlands Literature: P. de Boer, De Helsche en de Fluweelen Brueghel en hun invloed op de kunst in de Nederlanden, exhibition catalogue, Amsterdam 1934, ill. p. 9, p. 32, n° 32; Pantheon, Monatsschrift für Freunde und Sammler der Kunst, Munich, 1934, XIII, ill. p. 141; P. de Boer, Catalogus van oude schilderijen, exh. cat., Amsterdam, 1940, ill. n° 8; Singer Museum, Modernen van toen 1570-1630, Vlaamse schilderkunst en haar invloed, exhibition catalogue, Laren 1963, n° 53; Georges Marlier, Pierre Brueghel le Jeune, 1969, pp. 417-418, ill. n° 263; Klaus Ertz, Pieter Brueghel der Jüngere (1564-1637/38), die Gemälde mit kritischem Oeuvrekatalog, Lingen 2000, Vol. II, p. 821, ill. n° 667, p. 824, inv. n° E116 Exhibitions: Amsterdam, Kunsthandel P. de Boer, De Helsche en de Fluweelen Brueghel en hun invloed op de kunst in de Nederlanden, 10 February-26 March 1934, n° 32; Amsterdam, Kunsthandel P. de Boer, November-21 December 1940, n° 8; Laren (N.H.), Singer Museum, Modernen van toen 1570-1630, Vlaamse schilderkunst en haar invloed, 15 June-1 September 1963, n° 53

 
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