BRAFA ART Talks
Every day at 4 pm. from Sunday, January 28th to Sunday, February 4th, 2024 - except Monday, January 29th. Rendez-vous at the stand of the King Baudouin Foundation n°137.
25/01/2025
How is art authenticated? The unique discovery of a Vermeer in Belgium
By Hubert d’Ursel, Director Benelux, The Fine Art Group and Gregory Rubinstein, Head of Old Masters & Early British Drawings, worldwide at Sotheby’s in London
It is a rare occurrence for new attributions to be made to great masters, or for works to be rediscovered. The last Johannes Vermeer, Young Woman Seated at a Virginal, n° 37 of his recognised works, was found 30 years ago in Belgium. The painting, which had been attributed to Vermeer before the Second World War, had not been shown in public since 1907, and had been neglected and ignored by specialists for more than 60 years. In 1993, the owner entrusted it to Sotheby’s, which embarked on a 10-year research programme before definitively confirming it as a Vermeer and presenting it on the international market in 2004. This is something that hardly ever happens, worthy of a novel. These exceptional events took place in Belgium, and Gregory and Hubert experienced them firsthand.
Language of the talk: English
Join us at 4pm at the stand King Baudouin Foundation n°135
It is a rare occurrence for new attributions to be made to great masters, or for works to be rediscovered. The last Johannes Vermeer, Young Woman Seated at a Virginal, n° 37 of his recognised works, was found 30 years ago in Belgium. The painting, which had been attributed to Vermeer before the Second World War, had not been shown in public since 1907, and had been neglected and ignored by specialists for more than 60 years. In 1993, the owner entrusted it to Sotheby’s, which embarked on a 10-year research programme before definitively confirming it as a Vermeer and presenting it on the international market in 2004. This is something that hardly ever happens, worthy of a novel. These exceptional events took place in Belgium, and Gregory and Hubert experienced them firsthand.
Language of the talk: English
Join us at 4pm at the stand King Baudouin Foundation n°135
26/01/2025
Samuel van Hoogstraten, the Exhibition - at last!
Samuel van Hoogstraten, the Exhibition - at last!
28/01/2025
100 years ago: Belgium at the Paris Exhibition of Decorative Arts
By Prof. Dr. Werner Adriaenssens, Professor of Decorative Arts at the Vrije Universiteit Brussel (VUB)
In 1925, Paris hosted the International Exhibition of Modern Decorative and Industrial Arts, which gave rise to the term “Art Deco.” Belgium, one of the twenty participating countries, played a key role, with prestigious contributions from pioneers of Belgian Art Nouveau such as Victor Horta and Philippe Wolfers. There is a fascinating backstory to this participation: Belgium, which was still in the process of reconstruction after the First World War, overcame formidable obstacles in order to attend the Exhibition. Thanks to archival research, Werner Adriaenssens will reveal the captivating story of the Belgian participation and its surprising consequences.
Language of the talk: French
Join us at 4pm at the stand King Baudouin Foundation n°135
In 1925, Paris hosted the International Exhibition of Modern Decorative and Industrial Arts, which gave rise to the term “Art Deco.” Belgium, one of the twenty participating countries, played a key role, with prestigious contributions from pioneers of Belgian Art Nouveau such as Victor Horta and Philippe Wolfers. There is a fascinating backstory to this participation: Belgium, which was still in the process of reconstruction after the First World War, overcame formidable obstacles in order to attend the Exhibition. Thanks to archival research, Werner Adriaenssens will reveal the captivating story of the Belgian participation and its surprising consequences.
Language of the talk: French
Join us at 4pm at the stand King Baudouin Foundation n°135
29/01/2025
Joan Miró - Sculptures
By Brigitte Bloksma, Director of the Beelden aan Zee museum
The Catalan master broke artistic boundaries by combining painting and poetry, amongst other things. His Surrealist representations abound in mysterious signs and symbols. Until March 2nd, 2025, the Beelden aan Zee Museum in The Hague will be presenting “Joan Miró – Sculptures,” a unique retrospective organised in collaboration with the Fundació Joan Miró in Barcelona. The exhibition features 55 works, including plaster studies, ceramics, assemblages and monument commissions from six renowned museums and private collections. At the conference, Brigitte Bloksma, the director and curator of the museum, will discuss the creation of the exhibition, Miró’s sources of inspiration and his constant search for new ideas, materials and techniques.
Language of the talk: Dutch
Join us at 4pm at the stand King Baudouin Foundation n°135
The Catalan master broke artistic boundaries by combining painting and poetry, amongst other things. His Surrealist representations abound in mysterious signs and symbols. Until March 2nd, 2025, the Beelden aan Zee Museum in The Hague will be presenting “Joan Miró – Sculptures,” a unique retrospective organised in collaboration with the Fundació Joan Miró in Barcelona. The exhibition features 55 works, including plaster studies, ceramics, assemblages and monument commissions from six renowned museums and private collections. At the conference, Brigitte Bloksma, the director and curator of the museum, will discuss the creation of the exhibition, Miró’s sources of inspiration and his constant search for new ideas, materials and techniques.
Language of the talk: Dutch
Join us at 4pm at the stand King Baudouin Foundation n°135
30/01/2025
Where do we stand?
By Cathelijne Blok, art historian and journalist, founder of art platform The TittyMag, which invites dialogue and reflection through art and author of a second book “Maar is het Kunst?” She will be talking to Sophie van de Velde, gallery owner and BRAFA participant, and Andrea Davina, Director of Niemeijer Fonds Foundation, an advisor in the financial and art world and an art collector with a focus on women artists.
What is the place of women artists at art fairs and museums? What do gallery owners and curators make of this? Are women art collectors turning the tables of the art market?
Language of the talk: Dutch
Join us at 4pm at the stand King Baudouin Foundation n°135
What is the place of women artists at art fairs and museums? What do gallery owners and curators make of this? Are women art collectors turning the tables of the art market?
Language of the talk: Dutch
Join us at 4pm at the stand King Baudouin Foundation n°135
31/01/2025
Digital Renaissance: Blockchain, NFTs, and the Evolving Art Market Ecosystem
By Annick Schramme, Professor in cultural management at the University of Antwerp; Liliana Turoiu, PhD in Visual Art & Aesthetics; Anne-Sophie V. Radermecker, Associate Professor (Université libre de Bruxelles, Department of History, Arts, Cultural Management) and Adriano Piccinati di Torcello, Global Art & Finance coordinator for the Deloitte group Luxembourg. The speakers will be presented by GiannaLia Cogliandro Beyens, Secretary General of ENCATC, the European network on cultural management and policy.
The art market has undergone a digital revolution, driven by the rise of blockchain technologies, crypto-currencies and non-fungible tokens (NFTs). Five years after the media frenzy caused by the pandemic, what effects have these cutting-edge technologies had on the art market, and on the cultural and creative industries more generally?
In partnership with ENCATC
Language of the talk: English
Join us at 4pm at the stand King Baudouin Foundation n°135
The art market has undergone a digital revolution, driven by the rise of blockchain technologies, crypto-currencies and non-fungible tokens (NFTs). Five years after the media frenzy caused by the pandemic, what effects have these cutting-edge technologies had on the art market, and on the cultural and creative industries more generally?
In partnership with ENCATC
Language of the talk: English
Join us at 4pm at the stand King Baudouin Foundation n°135
01/02/2025
What future for my collection?
By Eric Hemeleers, CEO Eeckman Art & Insurance in conversation with Marc Hemeleers, Partner Eeckman, Sabine Taevernier, Art Advisor, François Derème, Avocat au Barreau de Bruxelles, Licencié en Notariat et en Fiscalité and Eléonore de Sadeleer, Director, Fondation CAB
How to protect, enhance and transmit an art collection in 2025? This round table discussion will bring together experts around issues relating to the transfer, management and protection of works of art. Through their discussions and analyses, they will address current issues and offer perspectives on the strategies to adopt in order to preserve and perpetuate one’s artistic heritage.
In partnership with Eeckman Art & Insurance
Language of the talk: French
Join us at 4pm at the stand King Baudouin Foundation n°135
How to protect, enhance and transmit an art collection in 2025? This round table discussion will bring together experts around issues relating to the transfer, management and protection of works of art. Through their discussions and analyses, they will address current issues and offer perspectives on the strategies to adopt in order to preserve and perpetuate one’s artistic heritage.
In partnership with Eeckman Art & Insurance
Language of the talk: French
Join us at 4pm at the stand King Baudouin Foundation n°135
02/02/2025
Ernest Gambart (1814-1902), a life in the art business
By Filippe De Potter, independent researcher and co-author of the publication Ernest Gambart (1814-1902), Une vie dans le commerce de l’art (2023)
Ernest Gambart, born in Courtrai, was one of the leading art dealers of the nineteenth century. He set up a successful art gallery in London, the French Gallery. He helped launch the careers of artists such as Lawrence Alma-Tadema (1836 Dronrijp-1912 Wiesbaden), Rosa Bonheur (Bordeaux 1822-1899 Thomery) and Sarah Bernhardt (Paris, 1844-1923). This lecture will examine the dealer’s life and work, his importance in the art trade and his personal art collection in his villa “Les Palmiers” in Nice.
Language of the talk: Dutch
Join us at 4pm at the stand King Baudouin Foundation n°135
Ernest Gambart, born in Courtrai, was one of the leading art dealers of the nineteenth century. He set up a successful art gallery in London, the French Gallery. He helped launch the careers of artists such as Lawrence Alma-Tadema (1836 Dronrijp-1912 Wiesbaden), Rosa Bonheur (Bordeaux 1822-1899 Thomery) and Sarah Bernhardt (Paris, 1844-1923). This lecture will examine the dealer’s life and work, his importance in the art trade and his personal art collection in his villa “Les Palmiers” in Nice.
Language of the talk: Dutch
Join us at 4pm at the stand King Baudouin Foundation n°135