This section will be available this Autumn.
Spazio Nobile Gallery
Pao Hui Kao, Urushi Black in Red Lacquer Leaf, 2023, Crepe paper, rice glue, Urushi lacquer, red and black pigments, gold kinstsugi, 114 x 70 x 16 cm, unique piece, signed by the artist at the back /Black Urushi Paper Pleats, 2023 tracing paper, rice glue, Urushi lacquer, black pigment, sideboard (70 x 33 x 135 cm), low stool (45 x ø 32 cm), low bench (35 x 130 x 29 cm), side table (60 x ø 32 cm), unique pieces, signed and dated by the artist Certificates of authenticity Bibliographical references: Pao Hui Kao, 25 Seasons, Artist Book, Spazio Nobile Editions, Brussels, 2024 Exhibitions: Fondation POC, Brussels, 2020 Jewish Museum, Brussels, 2021 LOEWE FOUNDATION Craft Prize Finalist, Seoul, 2022 Pao Hui Kao, 25 Seasons, Solo Exhibition, Spazio Nobile, Brussels, 2023-2024 Fondazione Dries Van Noten, Venice, 2026
Desmet Fine Art
Egidius Van den Vliete, called Egidio della Riviera (Mechelen, circa 1535-1602, Rome) (Workshop of) Allegory of Sleep (Morpheus, Phobetor and Phantasos, the Oneiroi of Greek myth) Rome, late 16th - early 17th century Marble H 25,4 x W 64,8 x D 59,7 cm Provenance: the Estate of Stanley Moss, New York; Related versions: Galleria Borghese, Rome, inv. n° CLXXXIV (acquired by Cardinal Scipione Borghese by 1609); Formerly Giustiniani collection, Rome; Formerly Palazzo Colonna, Rome A further group of this subject, photographed under the same title in the Palazzo Pitti, Florence
Repetto Gallery
Carla Accardi (Trapini 1924-2014 Rome) Carminio su tela grezza, 1997 Vinyl on raw canvas 50 x 70 cm Signed lower right; signed, titled, dated and archive number on the reverse Certificate of authenticity on b/w photograph signed by the artist, n° 18/98 Registered at Studio Accardi, Rome, archive n° 629A Provenance: Soffiantino Arte Contemporanea, Turin; private collection Literature: Germano Celant (edited by), 'Carla Accardi. Catalogo ragionato', (Charta, Milano) 1999, p. 419, n° 1997 62 (B&N), ill.
Snackers Antiques & Fine Art
Pair of Candelabra depicting Mercury and Fortuna Empire Period, 1820 Gilded and patinated bronze H 100 x W 27 x D 27 cm Literature: Marie-France Dupuy-Baylet, L’Heure, Le Feu, La Lumière, Les Bronzes du Mobilier National 1800-1870, 2010, pp. 254-255 These impressive candlesticks are made of original gilded bronze and patinated bronze. An obelisk-shaped base with Mercury and Fortuna on it, symbolising trade and prosperity. This candlestick design is rare due to its dimensions, the beautiful detached bronze figure and the details in the form of RAM heads and claw feet.
DIE GALERIE
André Masson Les vieux souliers 1944 Oil on canvas 60 x 73 cm Signed lower middle The authenticity is confirmed by the Comité André Masson on October 7, 2002. Provenance: Galerie Simon, Paris et. al. Literature: André Masson (1896-1987), Exhibition catalogue Museo National Centro de Arte Reina Sofia, Madrid 2004, p. 240; André Masson. Petite rétrospective entre amis, Exhibition catalogue DIE GALERIE, Frankfurt am Main 2016, p. 67; André Masson. Zwischen Welten - Entremondes, Exhibition catalogue Kunstsammlungen Chemnitz, Köln 2019, p. 95; et. al. Exhibitions: Rétrospective Masson, Musée National d'Art Moderne, Paris 1965; André Masson (1896-1987), Museo National Centro de Arte Reina Sofia, Madrid 2004; André Masson. Zwischen Welten - Entremondes, Kunstsammlungen Chemnitz 2019/2020; Surreale Tierwesen, Max Ernst Museum Brühl, Brühl 2021/2022; André Masson. La mémoire du monde, DIE GALERIE, Frankfurt am Main 2024/2025 et. al.
DIE GALERIE
Christian Dotremont (1922 Tervuren 1979 Buizingen, Halle) Zyzzling aardvark 1972 Indian ink on Japanese paper 98 x 61 cm Signed and dated lower right 'Dotremont 1972, entitled lower left 'Zyzzling aardvark' Provenance: Private collection Exhibitions: Pierre Alechinsky and his artist friends, DIE GALERIE, Frankfurt am Main 2025
Galerie des Modernes
Geer Van Velde (Lisse 1898-1977 Cachan) Composition, circa 1950 Oil on canvas 80 x 85 cm Signed lower right with the artist’s initials Provenance: artist’s studio, Cachan; private collection, The Netherlands; private collection, France Certificate of authenticity by Pierre-François Moget To be included in the forthcoming Catalogue Raisonné of the works of Geer van Velde currently in preparation by Pierre-François Moget.
Bernier/Eliades
RATHER NOT BE USED FOR CATALOGUE JUST FOR PRESS / WEBSITE Martin MARGIELA Untitled, 2024 Carpet on canvas on wooden frame 102 x 72 x 6,5 cm Photo credits: Sebastiano Pellion di Persano Martin Margiela was born in 1957 in Leuven, Belgium. After attending the Sint-Lukas Kunsthumaniora art school in Hasselt, he entered the fashion department of the Royal Academy of Fine Arts in Antwerp in 1977. In 1988, he founded Maison Martin Margiela. Right after the twentieth anniversary of his eponymous brand in 2009, Martin Margiela decided to leave the fashion world. Ever since, he has devoted himself exclusively to the visual arts. Solo Exhibitions 2024 Martin Margiela, Gallery Bernier/Eliades Brussels, Martin Margiela, Gallery Bernier/Eliades Athens 2022 Martin Margiela, Lotte Museum, Lotte Museum of Art, Seoul, The Republic of Korea Martin Margiela, M WOODS Hutong, Beijing, China Martin Margiela: Self-Portraits Eenwerk, Amsterdam, The Netherlands 2021 Martin Margiela, Lafayette Anticipations, Paris, France Group Exhibitions 2025 Fashion & Interiors. A Gendered Affair., MOMu, Antwerp, Belgium 2024 The City Collection Antwerp: In/Sight, M HKA, Antwerp, Belgium 2023 Echo. Wrapped in Memory, MoMu, Antwerp, Belgium No Angels, Wilhelm Hallen, Berlin, Germany Man Ray en mode, MoMu, Antwerp, Belgium 2022 40 Years Zeno X Gallery – the two-thousands , Zeno X Gallery Antwerp South, Antwerp, Belgium 2019 L’homme qui marche / Verkorperung des sperrigen, Kunsthalle Bielefeld, Bielefeld, Germany Projects 2024 “Blinds” Permanent Public Artwork, Antwerp Public Art Collection, Antwerp, Belgium
Snackers Antiques & Fine Art
Walter Pompe (Lith 1703-1777 Antwerp) Cross with ivory corpus, Antwerp 1770 Carved wood and ivory H 57,5 x W 27 x D 11 cm Signed Comes with CITES document Walter Pompe was a very well-known sculptor, especially of Buxus/Palm and Ivory carvings. The richly decorated Calvary features ivory bones, skull, and the snake with apple. With CITES document.
Verdini Antiques
Vincenzo Raffaelli Rome, Via del Babuino 93 Performed between 1835 and 1845 ca. Round top in colored marbles "pebble" samples 200 ca. Diameter 91.2 cm = 3 Roman feet Thickness 5.2 cm = 2 Roman inches The round top in colored marble that we are dealing with, is a real "pebble" sample made of ancient "excavation" marble and modern marble, that is, used after the sixteenth century such as Malachite, Portoro or Napoleonic Orbicular Granite etc. The particularity and rarity of this table is given by the fact that the samples of marbles used, in addition to being rare then (and even more so today), were worked differently from all the other types of samples that were made between the eighteenth and nineteenth centuries. The sample tables of this period generally have a frame in black marble from Belgium or other fine marbles, which contains all the rare colored samples committed.
Victor Werner
Svend Rathsack (Fredericia 1885-1941 Frederiksberg) Eve with the Serpent, 1941 Large bronze garden sculpture with natural green patina Signed with the artist's monogram, dated '1941', and inscribed 'n°1' on the base Bears the foundry mark 'Lauritz Rasmussen, broncestøber, København' H. 128 x W. 47 x D. 37 cm Provenance: Acquired by the previous owner's aunt in 1941, where it remained in a garden in Charlottenlund until 2016; subsequently inherited within the family.
Galerie Alexis Pentcheff
Cadre en bois sculpté doré à la feuille, monté avec sa glace au mercure. Ornements symétriques avec quatre chérubins, rinceaux stylisés, feuilles d'acanthe et gemmes aux angles. Espagne, XVIIème siècle. Provenance : Collection Amedeo Montanari Bibliographie : Amedeo Montanari et Roberto Lodi, Répertoire du cadre européen, éditions Galleria Roberto Lodi, 2003, reproduit sous le n°641, p. 323.
Spazio Nobile Gallery
Ann Beate Tempelhaug, Like days, nights, years (Som dager, netter, ar), Ceramic wall sculpture, 2024, Stoneware porcelain, glaze, 185 x 113 x 18 cm, unique piece signed by the artist on the back Certificate of authenticity Bibliographical refererences: Ann Beate Tempelhaug, Nord, Artist Book, Spazio Nobile Editions, Brussels, 2024 Exhibitions: Ann Beate Tempelhaug, Nord, Solo Exhibition, Spazio Nobile, Brussels, 2024 Ann Beate Tempelhaug, I Should Have Not Used Blue, Solo Exhibition, Fondazione Officine Saffi, Milan, 2025 Ann Beate Tempelhaug, Umbra, Solo Exhibition, Kunstnerforbundet, Oslo, 2026
Desmet Fine Art
Odoardo Fantacchiotti (Rome 1809 – 1877 Florence) Musidora, Firenze 1859 Inspired by the James Thomson’s poem ‘Summer’, originally published in 1727 Marble H 167,6 x W 49 x D 49 cm Plinth: H 95,3 x D 63 cm (at base) Total height: H 262,9 cm Signed 'Per commis del meritis / ... / Odoardo Fantachiotti / Scolpiva in Firenze / l'anno 1859 Provenance: commissioned by August Belmont (1813-1890) USA; Randall family, Clarendon Court (Newport – USA) Art Loss Register: S00258863 Literature: Ricordi fotografici degli artisti contemporanei in Toscana : ‘La Musidora’(Firenze-1858); V. Lia Bernini, G. Moradei, Odoardo Fantacchiotti scultore (1811-1877): atti delle giornate di studio nel bicentenario della nascita 1811-2011, (Toscana 2021), Volume 227, pp. 37-41 Other verions: 1862, for Baron Belper, Edward Strutt (Israele collection); 1865, for the king of Portugal (Lisbon Palacio Nacional da Ajuda)
