25 JANUARY 1 FEBRUARY 2026

BRUSSELS EXPO | HEYSEL

Artworks

This section will be available this Autumn.

Galleries
Galleries Galerie bei der Albertina ▪ Zetter Franck Anelli Fine Art W. Apolloni - Laocoon Gallery Argento Gallery Ars Antiqua d'Arschot & Cie Artimo Fine Arts Galerie Ary Jan Galerie BA - Berthet Aittouarès HELENE BAILLY MARCILHAC Véronique Bamps Galleria Barovier&Toso F. Baulme Fine Arts Beck & Eggeling International Fine Art Galerie Berès Bernardini Milano Bernier/Eliades Galeria Bessa Pereira Galerie BG Arts Boon Gallery Galerie Alexis Bordes Bernard Bouisset Galerie Boulakia Galerie Nicolas Bourriaud Brame & Lorenceau Brun Fine Art Burzio Cabinet of Curiosities Galerie Capazza Caretto & Occhinegro Guillaume Castellano Galerie Jean-François Cazeau Galerie Cento Anni Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM) CKS Gallery Collectors Gallery COLNAGHI Costermans Couck Art Gallery Dalton Somaré De Brock De Jonckheere Galerie Oscar De Vos De Wit Fine Tapestries De Zutter Art Gallery Dei Bardi Art Thomas Deprez Fine Arts Patrick Derom Gallery Desmet Fine Art Virginie Devillez Fine Art DIE GALERIE Douwes Fine Art b.v. Epoque Fine Jewels Finch & Co Galerie Flak A&R Fleury Galerie Christophe Gaillard Galerie des Modernes Grusenmeyer-Woliner Galerie Hadjer Galerie Haesaerts-le Grelle Heutink Ikonen Galerie Hioco Huberty & Breyne Galerie Hurtebize Pauline Janssen rodolphe janssen Francis Janssens van der Maelen Kunsthaus Kende Harold t’Kint de Roodenbeke Florian Kolhammer Labellov Alexis Lartigue Lemaire Galerie Lowet de Wotrenge LUDORFF Francis Maere Fine Arts Maison D'Art Martos Gallery MARUANI MERCIER MassModernDesign Galerie Mathivet Mearini Fine Art Galerie Greta Meert Meessen Galerie la Ménagerie Mulier Mulier Gallery Jan Muller Antiques Klaas Muller NARDI VENEZIA Nosbaum Reding Dr. Nöth kunsthandel Objects With Narratives Opera Gallery Galeria Jordi Pascual Galerie La Patinoire Royale Bach Pelgrims de Bigard Galerie Alexis Pentcheff Christophe Perlès Galerie Perrin Guy Pieters Gallery Gallery de Potter d’Indoye Galerie de la Présidence Van Pruissen Asian Art Maison Rapin Almine Rech Stéphane Renard Fine Art Repetto Gallery robertaebasta Rueb Modern and Contemporary Art Laurent Schaubroeck Serge Schoffel - Art Premier Segoura Fine Art Anthony Short Antiques Ltd. Edouard Simoens Gallery Herwig Simons Fine Arts Snackers Antiques & Fine Art Spazio Nobile Gallery Stems Gallery Marjan Sterk Fine Art Jewellery Stern Pissarro Gallery Stone Gallery Stoppenbach & Delestre Galerie Taménaga TASCHEN TEMPLON Galerie Tiago The old Treasury Galerie Patrice Trigano unforget Decorative Arts Univers du Bronze Galerie Uzal Vagabond Antiques Gallery Sofie Van de Velde Van Herck-Eykelberg Galerie Raf Van Severen Samuel Vanhoegaerden Gallery Maurice Verbaet Collection (MVC) Verdini Antiques Galerie von Vertes Axel Vervoordt VKD Jewels Galerie Florence de Voldère N. Vrouyr Waddington Custot Floris van Wanroij Fine Art Galerie Watteeu by Edouard & Andrea de Caters Victor Werner WHITFORD Willow Gallery
 

LUDORFF

Heinz Mack (*1931) Karo-Stele 1987 Aluminium, geprägt and silberfarben eloxiert 188 × 25 × 25 cm | 74 × 9 13/16 × 9 13/16 in Catalogue Raisonné by Rüth 2003 no. 1191 B Provenance: The artist’s studio; Galerie Heinz Holtmann, Cologne (1987); Private Collection Cologne (1987–2026) Exhibitions: Galerie Ludorff, "Neuerwerbungen Herbst 2026", 4. Okt. - 16. Jan., Düsseldorf 2026 Literature: Galerie Ludorff, "Neuerwerbungen Herbst 2026", Düsseldorf 2026, S. 92Uwe Rüth, "Mack. Skulpturen 1986-2003", Mönchengladbach, 2003, Nr. 1191 B

 

Dei Bardi Art

Large sarcophagus fragment with the torso of a warrior Roman, circa 2nd century AD
 Marble 
68,5 x 61 cm Provenance:
private collection, Kent, England, 1963; Art market, London, 2015 Art Loss Register reference: S00096088

 

Cabinet of Curiosities

Cabinet of Curiosities objects, 17th century Engine collection

 

Galerie de la Présidence

Sonia Delaunay (Ukraine, Hradyzk 1885-1979 Paris) Rythme couleur, 1972 Gouache on paper 54,5 x 38 cm Signed lower right Provenance: private collection, Paris Certificate of Jean-Louis Delaunay and Richard Riss This is one of the preparatory gouaches for the Album Les Illuminations, containing 15 stencils, illustrating 9 poems by Arthur Rimbaud.

 

Galerie Nicolas Bourriaud

BIZETTE-LINDET André Bizette-Lindet (Savenay 1906-1998 Sèvres) Diane the Huntress, circa 1937-1938 Bronze with a nuanced brown-green patina, on a blackened wooden base H 64 x W 70 x D 20 cm Signed ‘Bizette-Lindet’ Cast by Susse, bears the foundry’s mark ‘SUSSE Fres / PARIS / CIRE PERDUE’ and the inscription ‘BRONZE’ Literature: Amandine Delcourt, Bruno Gaudichon and Fanny Legru, 'Faire le Beau. Le bestiaire de La Piscine', Ghent, Snoeck, 2017, p. 57 A similar example is held at the Musée de la Piscine in Roubaix (Inv.: FNAC 6463)

 

Galerie Boulakia

PIERRE ALECHINSKY Fenestron V, 2012 Acrylique sur papier marouflée sur toile 60 x 50 cm 23 5/8 x 19 3/4 in Signé (en bas à gauche) Provenance Galerie Lelong, Paris Collection Privée

 

HELENE BAILLY MARCILHAC

Pierre Bonnard (Fontenay-aux-Roses 1867-1947 Le Cannet) Roses, circa 1943 Oil on canvas Signed lower left: Bonnard 37.7 x 41 cm

 

Dr. Nöth kunsthandel

Armand Guillaumin (Paris 1841-1927 Orly) Bords de l'Orge à Epinay, 1890 Oil on canvas 81 x 65 cm Signed lower right Certificate of authenticity from the Comité Guillaumin. This work will be included in the second volume of the forthcoming catalogue raisonné currently in preparation. Provenance: Galerie Durand-Ruel, Paris; Clara de Plessis Whelan, New York; Sale Parke-Bernet Galleries, New York, 7th Nov 1946, lot 65; Mr. Jussaume, Buenos Aires; Mr. Foret, Buenos Aires; private collection , France (acquired from the above in 1956); Christie's London 7 Febuary 2001, lot 127; private collection, Texas

 

Objects With Narratives

Laurids Gallée (Austria, 1988) SL02, 2026 Resin, Aluminium, 24V led, transformer plus housing H 123 x W 22 x D 25 cm Edition of 5 + 2 AP Lead time 14-16 weeks

 

Dalton Somaré

Slit Drum, nedundu Uele Region, Northeastern D. R. of Congo Early 20th Century Wood with dark brown patina 122 cm x 52 cm Provenance Collection Monsieur H., (Agricultural Engineer), France, collected in situ before 1950 Thence by descendant French Private Collection Sotheby’s, Paris, Arts D’Afrique Et D’Océanie, 21 June 2017, Lot 29 Private Collection, New York

 

Galerie la Ménagerie

Charles Delhommeau (Paris, 1883-1970) Tiger head, circa 1935 Bronzenand a sea-green marble plinth (H 14.5 cm) H 26 x W 23 x D 29 cm (life-size) Bronze, signed 'C. Delhommeau' Foundry stamp 'Leblanc-Barbedienne cire perdue' Model created and cast circa 1935

 

Galerie bei der Albertina ▪ Zetter

Egon Schiele (Tulln an der Donau 1890-1918 Vienna) Portrait of a Woman, 1918 Black crayon on paper 47 x 30 cm Signed and dated lower right Estate stamp on the reverse Kallir WV n° D 2223 Provenance: The artist’s estate (per stamp); Galerie St. Etienne, New York; Georges Simon, New York (acquired from the above, 1947); Lore Müller; Christie's, New York, 16 November 1983, sale 5442/Egon, lot 141 (consigned by the estate of the above) Galerie Würthle, Vienna; private collection, New York (acquired from the above, 1986) Literature: Jane Kallir, Egon Schiele: The Complete Works, Expanded Edition, New York 1998, ill. p. 609, D 2223; Exhibition catalogue 'Changing Times: Egon Schiele´s Last Years 1914-1918' ed. by Kerstin Jesse, Jane Kallir, Hans-Peter Wipplinger, Leopold Museum, Vienna 2025, ill. p. 253 Exhibitions: Tokyo, Tokyu Art Gallery, 'Gustav Klimt und Egon Schiele mit Werken von Alfred Kubin: Künstler der Jahrhundertwende'; Tochigi Prefectural Museum of Fine Arts, Utsunomiya; Chiba Parco, Chiba; Matsumoto Parco, Matsumoto; Shimoneseki City Art Museum, Shimoneseki, 1985; New York, Galerie St. Etienne, 'Egon Schiele's Women', 2012; Vienna, Leopold Museum, 'Changing Times: Egon Schiele’s Last Years, 1914-1918', 2025

 

Galerie Lowet de Wotrenge

Roelandt Savery (Kortrijk 1576-1639 Utrecht) A bull Oil on panel 21 x 28.5 cm Signed 'Roelandt Savery FE.' lower right Provenance: private collection, France

 

Galerie des Modernes

Jean Dubuffet (Le Havre 1901-1985 Paris) Personnage (buste) M. 406, 29 March 1967 Marker pen and gouache on paper with cut and pasted elements 45,5 x 26 cm Signed with the artist’s initials and dated lower right Annotated lower right Provenance: Jean Dubuffet collection, Paris; Ludovic Massé collection (1900–1982), Perpignan (gift from the artist, March 1968); private collection, France Literature: Max Loreau, 'Catalogue des Travaux de Jean Dubuffet, Fascicule XXII: Cartes, Ustensiles', Weber Publisher, Lausanne, 1972, pp. 145 and 188, ill. p. 145, n° 371

 

Spazio Nobile Gallery

Ann Beate Tempelhaug (Norway, Mosjøen, 1954) Like days, nights, years (Som dager, netter, ar), 2024 Stoneware porcelain, glaze 185 x 113 x 18 cm unique piece signed by the artist on the back Certificate of authenticity Literature: Ann Beate Tempelhaug, Nord, Artist Book, Spazio Nobile Editions, Brussels, 2024 Exhibitions: Ann Beate Tempelhaug, Nord, Solo Exhibition, Spazio Nobile, Brussels, 2024; Ann Beate Tempelhaug, I Should Have Not Used Blue, Solo Exhibition, Fondazione Officine Saffi, Milan, 2025; Ann Beate Tempelhaug, Umbra, Solo Exhibition, Kunstnerforbundet, Oslo, 2026

 

CKS Gallery

EDWIN LORD WEEKS (1849- 1903) AMERICAN PAINTER A GAME OF CHESS ON A CAIRO STREET Oil on canvas, signed and dated lower left « E.L. Weeks 1879 » Dimensions: 72 x 100cm Dimensions with the frame : 110 x 137 cm BIBLIOGRAPHY: This painting will be included in the « Catalogue raisonné » of the artist, in preparation by the Edwin Lord Weeks’ Expert, Mrs Ellen K. MORRIS. LETTER OF AUTHENTIFICATION by Mrs Ellen K. MORRIS, dated May 20th 2010.

 

WHITFORD

Clive Barker (Luton, 1940) Meat Safe, 1978 Polished and painted steel, and polished aluminium 36.5 x 42.5 x 29 cm Unique Literature: Fermon, An Jo and Marco Livingstone, Clvie Barker sculpture, Catalogue Raisonne 1958-2000, cat. n° 169, p.118, ill. and plate number 24

 

MassModernDesign

Jorge Zalszupin (Warschau 1922-2020 São Paulo) and Julio Katinsky (Brazil, Salto 1932-2026 São Paulo) L'Atelier, Brazil 1959 Coffee table Hardwood, glass H 25 x W 140 x D 80 cm

 

Repetto Gallery

Christo (Gabrovo 1935-2020 New York) and Jeanne-Claude (Casablanca 1935-2009 New York) The Pont Neuf, Wrapped (Project for Paris), 1985 Graphite, charcoal pastel, wax crayon, fabric, photograph collage on cardboard mounted on a stretcher 144.5 × 165 cm Upper element: 38 x 165 cm; lower element 106,5 x 165 cm Signed, dated and titled lower on the upper element The artwork’s details have been reviewed and confirmed by the Foundation Christo and Jeanne-Claude Provenance: Michael Cullen, London; Deutsche Bank Collection, Frankfurt (acquired from the above in 1985)

 

Galleria Barovier&Toso

Peter Kogler (Innsbruck 1959) Untitled ('Filigrana', large), 2025-2026 Murano glass by Galleria Barovier&Toso 37 x 14 cm Signed by the artist 'Peter Kogler 2026' (PK008)

 

Guillaume Castellano

Zōchōten, Guardian King of the South Japan, Kamakura period, 14th century Wood with inlaid crystal eyes H 37 cm Provenance: Japanese private collection

 

Galerie Hadjer

SONIA DELAUNAY (Gradizhsk, Russian Empire [present-day Ukraine], 1885 – Paris, France, 1979) Rythmes Ondulatoires Circa 1970 Handwoven Aubusson wool tapestry, woven by Pinton Frères, Felletin-Aubusson, France, after Sonia Delaunay’s original design. 165 × 225 cm 65 × 88 5/8 in. Signed “Sonia Delaunay” in the weave, lower left, and bearing the Pinton workshop monogram. Edition of six examples plus two artist’s proofs. Certificate Accompanied by a certificate from the Pinton workshops, Felletin-Aubusson, France. About the work Rythmes Ondulatoires is an important example of Sonia Delaunay’s exploration of colour, rhythm and movement translated into the medium of tapestry. The composition is structured through an intricate interplay of circles, semicircles, concentric arcs and intersecting geometric planes. Vivid fields of red, blue, green, yellow and orange are set against black, white and grey, generating a powerful sense of optical vibration and continuous movement across the woven surface. The composition reflects Delaunay’s lifelong investigation into simultaneous colour contrasts, developed from the early twentieth century onwards. Together with Robert Delaunay, she explored the capacity of juxtaposed colours and geometric forms to create rhythm, luminosity and movement. These principles became fundamental to her distinctive contribution to the development of abstraction. The Collection Société Générale similarly describes Delaunay’s work in terms of her investigations into light, the movement of colours and “simultaneous contrast,” through vivid geometric forms organised into rhythmic compositions. The tapestry also reflects Delaunay’s longstanding commitment to dissolving the traditional distinction between fine and applied arts. Throughout her career, her abstract vocabulary extended beyond painting into textiles, fashion, interior decoration and other forms of applied art. Her use of pure colour and simultaneous contrasts remained central across these different media. In Rythmes Ondulatoires, the translation of Delaunay’s composition into wool by the Pinton workshops, one of the leading modern tapestry manufacturers in the Aubusson tradition, gives physical substance and texture to her chromatic language. The concentric curves and repeated arcs create an almost musical rhythm, while the juxtaposition of geometric forms produces a composition that appears to expand and contract across the surface. References and comparable examples Another Rythmes Ondulatoires, dated 1970, is documented as a handwoven Aubusson wool tapestry in scholarly lecture material devoted to Robert and Sonia Delaunay. The Société Générale Art Collection also holds a work entitled Rythmes ondulatoires, measuring 167 × 225 cm, closely corresponding in dimensions and composition. The collection describes the work through its geometric lines and forms, interwoven vivid colours and characteristic rhythmic harmony. Another Pinton-woven Rythmes Ondulatoires was publicly presented by Galleria Antonio Verolino at ArtePadova in 2024, documenting the continued presence of this composition within the art market and exhibition context. Condition The tapestry is in very good overall condition, with strong and well-preserved colours. Restoration No restoration documented. Laboratory examination None undertaken.

 

robertaebasta

Gabriella Crespi (Saronno 1922-2017 Milan) Fungo ( mushroom) standing lamp, 1970s Brass stem and details, metacrilate diffuser H 77 cm, ⌀ 70 cm Provenance: private collection, Italy. Certificate of authenticity by Gabriella Crespi Archives, Milano

 

N. Vrouyr

Etablissements veuve Guillon et fils, Belgium Before 1925 Warp and weft, cellulose, pile, wool 460 x 370 cm Numbered at the back Literature: Arthur De Rudder, International exhibition of modern decorative and industrial arts (Paris, 1925): official catalogue of the belgian section Exhibition: International exhibition of modern decorative and industrial arts, Paris, 1925, Belgian Pavilion, gallery of complete interiors, dining room by the Maison Gustave and Edouard Blondel

 

Galleria Barovier&Toso

Peter Kogler (Innsbruck 1959) Untitled (Brain, small), 2025-2026 Murano glass by Galleria Barovier&Toso 15 x 22 x 16 cm Signed by the artist 'Peter Kogler 2026' (PK023)

 

rodolphe janssen

Thomas Lerooy (Roeslaere 1981) Sneak peak, 2026 Oil on wood panel 22.8 x 16.8 cm (unframed) 23.8 x 17.8 cm (framed) Provenance: artist's Studio

 

Galerie Berès

Édouard Vuillard (Cuiseaux 1868-1940 La Baule-Escoublac) La couseuse, 1893 Gouache and watercolour on a lithographic background 19 x 23,8 cm Monogrammed lower left, EV Provenance: Thomas Justice, Dundee; the Lefevre gallery, London Literature: Les peintres graveurs 1890-1900, galerie Berès, Paris, 10 October - 14 December 2002, n° 222; Édouard Vuillard, Staatliche Kunsthalle Karlsruhe, 18 October 2008 - 25 January 2009, p. 59, n° 13; Vuillard et l'art du Japon, Fondation de l'Hermitage, Lausanne, 23 June - 29 October 2023, p. 60, n° 8

 

Boon Gallery

Lynn CHADWICK (England, 1914 - 2003) "High Wind” Bronze Monogramed Conceived and cast in 1980 Numbered n° 1/9 38 x 17 x 20.5 cm Literature : FARR, D., "Lynn Chadwick Sculptor : Complete Illustrated Catalogue 1947-2003", Surrey, 2014, p. 344, n° 799, ill.

 

Finch & Co

Devotional crucifix of Christ Portuguese Goa, 17th Century Coromandel wood, gilded ivory, silver mounts H 107 x W 26 cm (Christ height 32 cm) Provenance: private collection, Ireland Belgium CITES: 2025/BE01024/CE A Fine and Large Portuguese Goa Devotional Crucifix the Polychromed and Gilded Ivory of Christ Crucified on a Coromandel Wood Cross Ornately Embellished with Baroque Silver Mounts standing on an integral Coromandel plinth The agonising Christ on the cross his head falling to his right with closed eyes mouth open in his call to God long hair carved in undulating locks to his shoulders the well defined torso with flexed muscles and rib cage the arms with veins threaded along their length his hands and feet pierced by silver nails his wounds polychromed red the edges of the perizonum gilded

 

Maison Rapin

Giuseppe Civitelli (Aiello Calabro 1907-1990 Rome) Large polychrome bottle on a pedestal with geometric motifs Circa 1960 H 72 x D 30 cm

 
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