25 JANUARY – 1 FEBRUARY 2026

BRUSSELS EXPO | HEYSEL

Artworks

This section will be available this Autumn.

Galleries
Galleries Galerie bei der Albertina ▪ Zetter Franck Anelli Fine Art W. Apolloni - Laocoon Gallery Argento Gallery Ars Antiqua d'Arschot & Cie Artimo Fine Arts Galerie Ary Jan Galerie BA - Berthet Aittouarès HELENE BAILLY MARCILHAC Véronique Bamps Galleria Barovier&Toso F. Baulme Fine Arts Beck & Eggeling International Fine Art Galerie Berès Bernardini Milano Bernier/Eliades Galeria Bessa Pereira Galerie BG Arts Boon Gallery Galerie Alexis Bordes Bernard Bouisset Galerie Boulakia Galerie Nicolas Bourriaud Brame & Lorenceau Brun Fine Art Cabinet of Curiosities Galerie Capazza Caretto & Occhinegro Guillaume Castellano Galerie Jean-François Cazeau Galerie Cento Anni Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM) CKS Gallery Collectors Gallery COLNAGHI Costermans Couck Art Gallery Dries Criel Dalton Somaré De Brock De Jonckheere Galerie Oscar De Vos De Wit Fine Tapestries De Zutter Art Gallery Dei Bardi Art Thomas Deprez Fine Arts Patrick Derom Gallery Desmet Fine Art Virginie Devillez Fine Art DIE GALERIE Douwes Fine Art b.v. Epoque Fine Jewels Finch & Co Galerie Flak A&R Fleury Galerie Christophe Gaillard Galerie des Modernes Grusenmeyer-Woliner Galerie Hadjer Galerie Haesaerts-le Grelle Philippe Heim Heutink Ikonen Galerie Hioco Huberty & Breyne Galerie Hurtebize Pauline Janssen rodolphe janssen Francis Janssens van der Maelen Kunsthaus Kende Harold t’Kint de Roodenbeke Florian Kolhammer Labellov Alexis Lartigue Lemaire Galerie Lowet de Wotrenge LUDORFF Francis Maere Fine Arts Maison D'Art Martos Gallery MARUANI MERCIER MassModernDesign Galerie Mathivet Mearini Fine Art Galerie Greta Meert Meessen Galerie la Ménagerie Mulier Mulier Gallery Jan Muller Antiques Klaas Muller NARDI VENEZIA Nosbaum Reding Dr. Nöth kunsthandel Objects With Narratives Opera Gallery Galeria Jordi Pascual Galerie La Patinoire Royale Bach Pelgrims de Bigard Galerie Alexis Pentcheff Christophe Perlès Galerie Perrin Guy Pieters Gallery Gallery de Potter d’Indoye Galerie de la Présidence Van Pruissen Asian Art Maison Rapin Almine Rech Stéphane Renard Fine Art Repetto Gallery robertaebasta Rueb Modern and Contemporary Art Sceners Gallery Laurent Schaubroeck Serge Schoffel - Art Premier Segoura Fine Art Anthony Short Antiques Ltd. Edouard Simoens Gallery Herwig Simons Fine Arts Snackers Antiques & Fine Art Spazio Nobile Stems Gallery Marjan Sterk Fine Art Jewellery Stern Pissarro Gallery Stone Gallery Stoppenbach & Delestre Galerie Taménaga TASCHEN TEMPLON Galerie Tiago The old Treasury Galerie Patrice Trigano unforget Decorative Arts Univers du Bronze Galerie Uzal Vagabond Antiques Gallery Sofie Van de Velde Van Herck-Eykelberg Galerie Raf Van Severen Samuel Vanhoegaerden Gallery Maurice Verbaet Collection (MVC) Verdini Antiques Galerie von Vertes Axel Vervoordt VKD Jewels Galerie Florence de Voldère N. Vrouyr Waddington Custot Floris van Wanroij Fine Art Galerie Watteeu by Edouard & Andrea de Caters Victor Werner WHITFORD Willow Gallery
 

Lemaire

Plat en porcelaine de Chine au décor des armes de Philibert Orry (1689-1747), ministre du roi Louis XV, contrôleur général des finances. Vers 1740-45. Diam. 31,4 cm.

 

Martos Gallery

Keith Haring Untitled 1988 black ink on paper 38 1/8 x 50 in; 96.8 x 127 cm

 

Franck Anelli Fine Art

Transition period secretary in wardrobe stamped Charles TOPINO (1742-1803) and Jurande hallmark Rectangular in shape, the front uprights with cut sides, the front legs arched, the hind legs straight, the oak frame, it opens with a drawer, two leaves and a flap revealing a compartmentalized interior of seven drawers and four compartments. Top of breccia marble from Aleppo. Inlaid decoration in rosewood, amaranth, holly, sycamore, lemon tree, stained wood, tobacco wood, drawing lattices on the uprights and the upper drawer, those of the latter, embellished with flowers, and trompe-l'oeil on the front and on the sides, a decoration of garlands of oval cartouches of stylised acanthus leaves uniting the panels of the toilet seat and the leaves, each also presenting, in the upper part, a leafy garland that can be found on the side panels. The latter are decorated with two gadrooned urns close to the flowered vases of the leaves. The toilet seat has a trompe-l'oeil perspective decoration, an orangery whose open shutters give a glimpse of a wooded landscape in the distance, a perspective accentuated by the checkerboard paving, also present on the leaves. Eight boxes of fruit trees are spread around a table on which are placed two flowered vases and under which is a watering can. The interior reveals six side drawers in three rows, inlaid with a floral vase pattern, as well as a central drawer. Stamped TOPINO and hallmark of Jurande Charles TOPINO received master in 1773 The art of marquetry The bronzes are discreet on our desk and this is intended to give pride of place to marquetry, qualified as wooden painting. If it is possible and tempting - rightly to link a cabinetmaker to his marquetry and this is regularly the case for Topino whose utensil marquetry inspired by the borders of Chinese Coromandel lacquer screens of the time is a characteristic of the artist - it turns out that the models circulated and that inlaid panels could be used by the same circle of cabinetmakers. If the vases, potiches, flowers, utensils reproduced, invented, associated, allow us to recognize Topino's art, it should be noted that the framing motif made up of oval reserves with quartefeuilles and spandrels can be found on secretaries, a chest of drawers and a dressing table stamped Jacques Bircklé. By this same cabinetmaker, a secretary also presents the same vases present on our furniture. Very similar marquetry panels. both in their compositions and in their frames can be found on a chest of drawers attributed to Jacques Bircklé, illustrated in the book by Pierre Kjellberg, who also defines the paving pattern as Bircklé's "almost exclusiveness". our secretary thus witnessed the circulation of drawn or engraved models -

 

COLNAGHI

Robert Mapplethorpe (New York 1946-1989 Boston) Female torso, 1978 Silver gelatin photograph 50.8 x 40.6 cm

 

Galerie Raf Van Severen

Jean Brusselmans (Brussels 1884-1953 Dilbeek) Decor for Erwartung, 1936 Mixed media on paper 60 x 90 cm Label at the back; Erwartung; Decor pour 'Erwartung', d’Arnold Schoenberg, 1936; Decor pour le 4e acte Literature: Paul Haesaerts, Jean Brusselmans, 1939, p. 67; Robert L. Delevoy, Jean Brusselmans: CR établi par Mme G. Brys-Schatan, 1972, 421.IV

 

W. Apolloni - Laocoon Gallery

Philippe Jacques Van Bree (Antwerp 1786-1871 Saint-Josse-ten-Noode) Nerva's bakery (Hommage to Raphael's Fornarina) Oil on panel 99 x 74.5 cm Signed 'P. Van Bree Rome'

 

Galerie Mathivet

FRANCK EVENNOU ( 1958 ) Floor Lamp « Pharos », 2026 A bronze patinated floor lamp and alabaster Signed and numbered, edition of 25. DIMENSIONS : Height 180 cm / Diameter 37 cm

 

HELENE BAILLY MARCILHAC

Henri Martin (Toulouse 1860-1943 Labastide-du-Vert) La terrasse de Marquayrol au soleil du matin Oil on canvas 65.4 x 92.4 cm Signed lower left 'Henri Martin' This work will be included in the forthcoming catalogue raisonné of Henri Martin’s work, currently in preparation by Marie-Anne Destrebecq-Martin

 

Marjan Sterk Fine Art Jewellery

Hemmerle Pair of coral earrings 18k yellow gold, oxidised copper, corals and pink sapphires Signed Hemmerle, and made in Munich A pair of eighteen carat yellow gold earrings, each comprising a coral button on the ear, suspending a tassel of numerous strands of coral, mounted in a cap pavé-set with pink sapphires.

 

Finch & Co

Devotional crucifix of Christ Portuguese Goa, 17th Century Coromandel wood, gilded ivory, silver mounts H 107 x W 26 cm (Christ height 32 cm) Provenance: private collection, Ireland Belgium CITES: 2025/BE01024/CE A Fine and Large Portuguese Goa Devotional Crucifix the Polychromed and Gilded Ivory of Christ Crucified on a Coromandel Wood Cross Ornately Embellished with Baroque Silver Mounts standing on an integral Coromandel plinth The agonising Christ on the cross his head falling to his right with closed eyes mouth open in his call to God long hair carved in undulating locks to his shoulders the well defined torso with flexed muscles and rib cage the arms with veins threaded along their length his hands and feet pierced by silver nails his wounds polychromed red the edges of the perizonum gilded

 

Galerie Alexis Pentcheff

Henri Le Sidaner (Maurice, Port Louis 1862-1939 Paris) La maison sous l'église, neige, Gerberoy, circa 1935 Oil on canvas 80 x 66 cm Signed lower left This work will be included in the forthcoming catalogue raisonné of the artist currently in preparation by Yann Farinaux-Le Sidaner Provenance: given by Le Sidaner to Henri Martin in the summer of 1935, during the visit of Henri Martin in Gerberoy; Henri Martin succession

 

Pauline Janssen

Georgian ring, circa 1820 Diamonds, peridot mounted in silver on gold Total weight 12.9 gr Set with a peridot and old mine cut diamonds. Estimated peridot weight approximately 8.00 carats. Estimated total diamond weight approximately 4.60 carats. Diamonds are bright & lively.

 

Galerie Flak

Okvik 'Madonna' Okvik culture, Old Bering Sea, 250 BC-100 AD Archaic Eskimo, St. Laurent Island (Sivuqaq), Alaska Marine ivory 15.9 cm Provenance: Perry J. Lewis collection, USA; collection Galerie Flak, 2021; private collection, acquired from the above Exhibition & Literature: 'Espíritus del Agua', Fundación La Caixa, Madrid & Barcelone, 1999-2000, pl. 2, p. 76; Arctic Dreams, Parcours des Mondes, 2021 (Galerie Flak)

 

MassModernDesign

Jorge Zalszupin (Warschau 1922-2020 São Paulo) L'Atelier, Brazil 1959 Bergere chair Hardwood, fabric H 92 x W 83 x D 93 cm

 

Rueb Modern and Contemporary Art

Jan Sluijters (Hertogenbosch 1881-1957 Amsterdam) Greet van Kooten with headband, 1910 Oil on canvas 35.5 x 42 cm Signed and dated Provenance: Salomon Beffie collection, Amsterdam; Willem Beffie collection, New York; Galerie van Voorst van Beest, The Hague; Reens, collection, Amsterdam; A.J. van Hillegondsberg collection, Blaricum; private collection, Amsterdam Literature: On-line catalogue raisonné Jan Sluiters-www.rks.nl/images/100130 Exhibition: The Hague, Pulchri Studio, Paintings, drawings and pointes-sèches of Jan Sluijters and Lodewijk, Schelfhout, 3 July-25 July 1915 n° 40

 

unforget Decorative Arts

Riccardo Licata (IT - Turin, 1929-2014) "Doppio Incalmo e Murrina" vases, 1956 Blown glass H 25 x W 14 x D 9 cm H 25,5 x W 9,5 x D 6,5 cm H 19,5 x W 14,5 x D 16 cm

 

Rueb Modern and Contemporary Art

Wilhelm Sasnal (Poland, Tarnów, 1972) 80M2-1000ZT Misie Czenie+Oplay, 1999 Acrylics on canvas 70 x 70 cm Signed and dated on the reverse Provenance: gift from the artist to Gijs van Tuyl, Amsterdam (former director Stedelijk Museum Amsterdam)

 

Argento Gallery

Jacob Fransz. van der Merck ('s-Gravendeel circa 1610-1664 Leiden) Portrait of a man with a skullcap, 1646 Oil on panel 72.5 x 56.5 cm Signed and dated upper right Provenance: private collection; Chorley’s Auctioneers, Cotswolds, 26 November 2025, lot 993 A portrait of an older man with a grey moustache, goatee and a skullcap. The painting is identified as a work by Jacob van der Merck on the basis of its style and signature. It closely resembles his signed male portraits from 1642-1648, painted during the period when he was principally based in The Hague.

 

Desmet Fine Art

A silver and coral crown of thorns 'Corona di spine' Sicily (probably Trapani), 18th century In the tradition of Sicily's Trapani silversmiths and coral-workers Silver and coral (Corallium Rubrum) H 6 x W 22 cm

 

Guy Pieters Gallery

Pierre Alechinsky (Brussels, 1927) Paysage impressionné, 1959 Oil on canvas 205 x 289 cm

 

DIE GALERIE

André Masson (Balagny-sur-Thérain 1896-1987 Paris) Les vieux souliers, 1944 Oil on canvas 60 x 73 cm Signed lower middle The authenticity is confirmed by the Comité André Masson on 7 October 2002 Provenance: Galerie Simon, Paris et. al. Literature: André Masson (1896-1987), Exhibition catalogue Museo National Centro de Arte Reina Sofia, Madrid, 2004, p. 240; André Masson. Petite rétrospective entre amis, Exhibition catalogue DIE GALERIE, Frankfurt am Main 2016, p. 67; André Masson. Zwischen Welten-Entremondes, Exhibition catalogue Kunstsammlungen Chemnitz, Köln 2019, p. 95; et. al. Exhibitions: Rétrospective Masson, Musée National d'Art Moderne, Paris, 1965; André Masson (1896-1987), Museo National Centro de Arte Reina Sofia, Madrid, 2004; André Masson. Zwischen Welten-Entremondes, Kunstsammlungen Chemnitz 2019/2020; Surreale Tierwesen, Max Ernst Museum Brühl, Brühl 2021/2022; André Masson. La mémoire du monde, DIE GALERIE, Frankfurt am Main 2024/2025 et. al.

 

Harold t’Kint de Roodenbeke

Pol Bury « L’étourdie » 1945 Oil on canvas 60 x 70 cm Signed lower right and dated 1945 Provenance Collection C. Matisse, La Louvière Vente Horta, Bruxelles, 12 oct 2009, lot 208 Private collection Liège This work is listed in the Catalogue raisonné of the Pol Bury paintings under number PO 46 Literature José Vovelle, « Le surréalisme en Belgique », Bruxelles, André De Rache éditeur, 1972, p. 248, illustrated p. 308. Viviane Baras-Flament, « Pol Bury, 2014 », ref bibliographiques, 1974, illustrated pl III. Philippe Roberts-Jones, « Naissance et triomphe du surréalisme en Wallonie », 1975, illustrated p. 297. Robert Hoozee, Piet Boyens, Inge Henneman, Monique Tahon-Vanroose, Helke Lauwaert, Serge Goyens de Heusch, Ronny Gobyn, « L’art moderne en Belgique 1900-1945 », Anvers, Fonds Mercator, 1992, illustrated p. 312 Rosemarie E. Pahlke, « Pol Bury », Gand, Crédit communal, 1994, p. 102-103, cat 45-6, illustrated p. 103. « Histoire de ne pas rire, le surréalisme en Belgique », Bozar et Fonds Mercator , 2024, illustrated p. 152. Exhibited Galerie Lou Cosyn, Bruxelles, Pol Bury, Juin 1946, n° 9. Musée des Beaux Arts de Liège, « L’apport Wallon au surréalisme », oct-nov 1955, n° 4, illustrated. La Louvière, « Introduction au surréalisme en Belgique », salle communale, avril-mai 1969, n°8 Kunstverein Hamburg, « René Magritte et le surréalisme en Belgique », janvier-mars 1982, n° 3, illustrated p. 229. Galleria Nazionale d’Arte Moderna, Rome, Avril-juillet 1982. Musées Royaux des Beaux-Arts de Belgique, septembre-decembre 1982. Château de Waroux, Alleur, « Pol Bury, du surréalisme aux ramollissements », avril-juin 2010. Château de Waroux, Alleur, « De Dali à Magritte, l’aventure surréaliste », mars-juillet 2011.

 

CKS Gallery

Anselm Kiefer (Donaueschingen, 1945) Weiß wie Gittertünche, 1989-2020 'I don't paint illusions, but real human situations.' Emulsion, acrylic, oil, charcoal, chalk, burned books and thread on canvas 280 x 380 x 33 cm Provenance: private collection, Paris

 

Philippe Heim

Jean-François Gambino (Paris, 1966) Lioness Bronze with brown patina 67 x 33 x 42,5 cm Chapon foundry Artist proof EA IV/IV

 

Verdini Antiques

Enrico Podio (Active 1840-1890 between Rome and Venice) High-quality micromosaic table with a bronze base Signed and dated 'Enrico Podio fece Venezia 1863'

 

Desmet Fine Art

Egidius Van den Vliete, called Egidio della Riviera (Mechelen circa 1535-1602 Rome) (Workshop of) Allegory of Sleep (Morpheus, Phobetor and Phantasos, the Oneiroi of Greek myth) Rome, late 16th-early 17th century Marble H 25.4 x W 64.8 x D 59.7 cm Provenance: the estate of Stanley Moss, New York Related versions: Galleria Borghese, Rome, inv. n° CLXXXIV (acquired by Cardinal Scipione Borghese by 1609); formerly Giustiniani collection, Rome; formerly Palazzo Colonna, Rome A further group of this subject, photographed under the same title in the Palazzo Pitti, Florence

 

Segoura Fine Art

Gerolamo Cairati (Trieste 1860-1943 Munich) Spes Nostra, 1890 Oil on canvas 119 x 57.5 cm Signed lower left 'G.Cairati and dated, 1890' Provenance: collection of the Dukes of Bavaria Exhibition: Universal Exhibition, St Louis USA, 1904, n° 29

 

Francis Janssens van der Maelen

Philippe Wolfers (Brussels, 1858-1929) Evocation, 1923 Granite H 39 cm Signed by engraving on the neck 'Ph. Wolfers.' Provenance: Wolfers family, created for the renowned Gioconda ensemble Art Deco bust of a woman with hair adorned with a diadem, sculpted in stone. Philippe Wolfers’ Evocation bust, created around 1923 in granite, was part of the emblematic Gioconda ensemble, designed for the 1925 International Exhibition of Decorative Arts in Paris. With this ensemble, Wolfers sought to create a true Gesamtkunstwerk - an integrated work of art in which sculpture, furniture, architecture, and silverware engage in dialogue around a unified aesthetic vision. Gioconda was awarded the prestigious Grand Prix at the exhibition.

 

Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM)

Pieter Bruegel the Elder (Brussels, 1525-1569) (After) The last judgement Engraved in 1558 by Pieter van der Heyden (1530-1584) 22.5 x 29.4 cm Published by Hiëronymus Cock (Antwerp, 1518-1570) References: New Hollstein Dutch first state of two Lex Antiqua, Antiquarian bookseller

 

Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM)

James Ensor (Ostend, 1860-1949) The baths at Ostend, 1899 Etching on paper 21.3 x 26.8 cm Signed in pencil by James Ensor References: D115, Cr 115, T115 second state of two Lex Antiqua, Antiquarian bookseller

 
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