25 JANUARY 1 FEBRUARY 2026

BRUSSELS EXPO | HEYSEL

Artworks

This section will be available this Autumn.

Galleries
Galleries Galerie AB - Agnès Aittouarès Franck Anelli Fine Art Ars Antiqua d'Arschot & Cie Art et Patrimoine - Laurence Lenne Arte-Fact Fine Art Artimo Fine Arts Galerie Ary Jan Galerie BA - Berthet Aittouarès HELENE BAILLY MARCILHAC Véronique Bamps Barbara Bassi Beck & Eggeling International Fine Art Galerie de la Béraudière Galerie Berès Bernier/Eliades Galeria Bessa Pereira Galerie BG Arts Boon Gallery Galerie Alexis Bordes Bernard Bouisset Galerie Boulakia Galerie Nicolas Bourriaud Brame & Lorenceau Cabinet of Curiosities - Honourable Silver Objects Galerie Capazza Giammarco Cappuzzo Fine Art Carlucci Gallery Galerie Jean-François Cazeau Galerie Cento Anni Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM) Citadelles & Mazenod CKS Gallery Claes Gallery Collectors Gallery COLNAGHI Costermans Dalton Somaré De Brock De Jonckheere Galerie Bernard De Leye Galerie Oscar De Vos De Wit Fine Tapestries De Zutter Art Gallery Dei Bardi Art Thomas Deprez Fine Arts Patrick Derom Gallery Desmet Fine Arts Virginie Devillez Fine Art DIE GALERIE Douwes Fine Art b.v. Epoque Fine Jewels Finch & Co Galerie Flak A&R Fleury Galerie La Forest Divonne Galerie Christophe Gaillard Galerie des Modernes Gilden's Art Gallery Grusenmeyer-Woliner Galerie Hadjer Galerie Haesaerts-le Grelle Philippe Heim Heutink Ikonen Galerie Hioco Hoffmans Antiques Huberty & Breyne Galerie Hurtebize rodolphe janssen Francis Janssens van der Maelen Kunsthaus Kende Harold t’Kint de Roodenbeke Florian Kolhammer Hartford Fine Art - Lampronti Gallery Alexis Lartigue Lemaire Galerie Lowet de Wotrenge Francis Maere Fine Arts Maison D'Art Maisonjaune Studio Martins&Montero Martos Gallery MARUANI MERCIER MassModernDesign Galerie Mathivet Mearini Fine Art Galerie Greta Meert Meessen Galerie la Ménagerie Mulier Mulier Gallery Jan Muller Antiques Klaas Muller NARDI VENEZIA Nosbaum Reding Dr. Nöth kunsthandel Galerie Nathalie Obadia, Paris/Brussels Objects With Narratives Galeria Jordi Pascual Galerie La Patinoire Royale Bach Pauline's Jewellery Box Pelgrims de Bigard Galerie Alexis Pentcheff Christophe Perlès Galerie Perrin Guy Pieters Gallery Gallery de Potter d’Indoye Galerie de la Présidence Pron Van Pruissen Asian Art QG Gallery Maison Rapin Almine Rech Stéphane Renard Fine Art Repetto Gallery robertaebasta Romigioli Antichità Laurent Schaubroeck Serge Schoffel - Art Premier Segoura Fine Art Edouard Simoens Gallery Herwig Simons Fine Arts Stern Pissarro Gallery Stone Gallery Galerie Taménaga TASCHEN TEMPLON The old Treasury Galerie Patrice Trigano unforget Decorative Arts Univers du Bronze Vagabond Antiques Gallery Sofie Van de Velde Van Herck-Eykelberg Galerie Raf Van Severen Samuel Vanhoegaerden Gallery Maurice Verbaet Gallery Galerie von Vertes Axel Vervoordt Galerie Dina Vierny VKD Jewels Galerie Florence de Voldère N. Vrouyr Floris van Wanroij Fine Art Galerie Watteeu by Edouard & Andrea de Caters Victor Werner WHITFORD Willow Gallery
 

Galerie Greta Meert

john baldessari

John Baldessari (USA, 1931-2020) The Purple Series: Periwinkle, 2016 Varnished inkjet print on canvas with acrylic paint 240.7 x 111.4 cm

 

Véronique Bamps

. cartier

Cartier Panther head set with diamonds, pear-cut emerald eyes and onyx muzzle White gold bracelet, circa 2000

 

Galerie BG Arts

jean dunand

Jean Dunand (Lancy 1877-1942 Paris) Cobra vase, circa 1913 Patinated and hammered copper, patinated bronze, wrought iron and lacquered wood base H 28.5 cm Signed Provenance: property of Bernard Laurent, France Literature: Art et Décoration, July 1914-December 1919, p. 121

 

Victor Werner

carl johan bonnesen

Carl Johan Bonnesen (Aalborg 1868-1933 Copenhagen) African elephant, 1924 Bronze with green patina H 54 x W 78 x D 34 cm Signed and dated CARL J. BONNESEN 1924 Provenance: Professor Karl Meyer, board member of Villadsens Fabrikker; donated Nov. 9th, 1932, to the company director Christian Villadsen and his wife Ingeborg (as inscribed on the base); gifted by Christian Villadsen’s grandson to the previous owner

 

Repetto Gallery

valerio adami

Valerio Adami (Bologna, 1935) La firma del muro antico, Odisseo (per E. Pound), 1977 Acrylic on canvas 204 x 152 cm Signed, dated and titled on the reverse: Adami 8.8.77 17.11.77 La firma del muro antico. Odisseo (per E. Pound) Label on the reverse by Galerie Rive Gauche Marcel Strouk, Paris Certificate of authenticity by Archivio Valerio Adami n° 878 Provenance: Galerie Maeght, Paris; private collection, France (acquired from the above) Exhibition: Valerio Adami, 7 October-12 November 1978, Palais des Beaux-Arts, Charleroi; Valerio Adami. Ripensando la realtà, Dep Art Gallery, Milan, 6 March-17 May 2025

 

Citadelles & Mazenod

Les arts africains This book offers a renewed synthesis of African arts, enriched with an abundant iconography (over 560 illustrations) H 31 x W 24.5 cm Published by Citadelles & Mazenod in 2025

 

Desmet Fine Arts

Two fragments of a wooden sarcophagus corner post of the Priest Horudja re-united after 50 years Wood Egypt, late Dynastic period, 26th Dynasty, circa 664-525 BC H 92 x W 15 x D 5.5 cm Accompanied by Art Loss Register certificates: S00238635 & S00238636 Provenance: Fragment A: Chakib Slatine, Paris (acquired 1975); private collection, Paris (acquired 1977). Fragment B: Chakib Slatine, Paris (acquired 1975); private collection, Paris (acquired 1977); Ede Gallery, London (of which acquired in 2020)

 

Gallery Sofie Van de Velde

wassily kandinsky

Wassily Kandinsky (Moscow 1866-1944 Neuilly-sur-Seine) Kleine Welten, 1922 The Little Worlds consists of twelve prints, including six colour lithographs, four etchings (drypoint), and two woodcuts on Japanese paper, accompanied by a title page and a colophon page Each print is signed and numbered on the colophon page 30/30 (12 prints) 36.4 x 27.8 cm (sheet size) Produced in 1922, this is one of 30 deluxe copies on Japanese paper, published by Propyläen Verlag, Berlin, and printed at the Staatliches Bauhaus in Weimar Literature: Hans Konrad Roethel, 'Kandinsky: Das Graphische Werk', Dumont, Cologne, 1970, ill. pp. 164-175; Helmut Friedel et Annegret Hoberg, Kandinsky. 'Das druckgraphische Werk, Complete Prints, Städtische Galerie im Lenbachhaus und Kunstbau', Munich, 2008-2009, ill. pp. 225-23

 

Galeria Jordi Pascual

Joan Miró (Barcelona 1893-1983 Palma de Mallorca) Personnage, oiseau III, 1973 Acrylic and wax on paper 90x60 cm Certificate of authenticity from ADOM Provenance: Miró foundation, Barcelona; private collection, Barcelona Literature: J. Dupin y A. Lelong-Mainaud. Joan Miró. Catalogue raisonné. Drawings. vol IV: 1973 - 1976, ed. Daniel Lelong and Successió Miró publishers, 2013. p. 91, fig. 2579

 

Martins&Montero

maria thereza alves

Jimmie Durham (Texas 1940-2021 Berlin) for Labinac PINO (model 3), 2019 Epoxy resin, glass, iron, and bronze 100.5 x 66 x 50 cm 2/15 + 5 AP

 

Galerie des Modernes

jean dubuffet

Jean Dubuffet (Le Havre 1901-1985 Paris) Terrain au Cheval 1, 1952 Indian ink (calame) on paper 30 x 22.5 cm Signed and dated lower right 'J. Dubuffet 52' Provenance: Pierre Matisse Gallery, New York, USA; Acquavella Modern Art, Reno, USA; Andrew and Christine Hall collection, Connecticut, USA; private collection, France; private collection, Belgium Literature: Max Loreau, Catalogue des Travaux de Jean Dubuffet, fascicule VII, Tables paysagées, paysages du mental, pierres philosophiques, Les Éditions de Minuit, Lausanne 1979, descr. and repr. on p. 109, n° 169 Exhibitions: Miro: early drawings collages 1919-1949 - Dubuffet: early drawings collages 1943-1959, Pierre Matisse Gallery, New York, November-December 1981; Dubuffet-Miro: selections from the Acquavella collection, Nevada Museum of Art, Reno, July-September 1997

 

Segoura Fine Art

eduard hildebrandt

Eduard Hildebrandt (Poland, Gdańsk 1818-1868 Berlin, Germany) Cormorants at Sunset over the Arctic, 1852 Oil on canvas 80 x 90 cm Signed and dated lower right Provenance: private collection, France

 

Romigioli Antichità

portrait of bona di savoia

Giovanni Cristoforo Ganti Detto Gian Cristoforo Romano (cerchia di) Roma ? 1460/5 – Loreto 1512 Portrait of a Lady (Bona di Savoia, Duchess of Milan?) 1490-5 White marble relief, diameter 50 cm Scientific profile by Alfredo Bellandi and Giancarlo Gentilini 2012 Published in A. Rinetti "The Duke's City, Ducal Portraits"

 

Gallery Sofie Van de Velde

René Magritte (Lessines 1898-1967 Brussels) La Gorgone, 1943 Coloured pencil on paper 14 x 18.8 cm Signed lower right. With certificate of the Comité René Magritte CM 2021/2/18 dated 26 October 2021

 

Galerie Capazza

éric antoine

Éric Antoine (France, 1974) Tidy V, 2024 Ambrotype 40 x 40 cm Provenance: the artist's studio Exhibition: La Fabrique des Éléments, 4 October-7 December 2025, Galerie Capazza, France In the Cerveaux (Brains) series, from which Tidy V originates, layers of leaves and stacked documents tell stories of real or imaginary lives. The ambrotype, one of the earliest photographic processes using a camera obscura, is created using wet collodion applied to a glass plate, resulting in a unique piece. With a contemporary approach, Eric Antoine uses wet collodion for its precision, deep blacks and silvery density. His work is closely linked to his place of residence and his memories. In the landscapes of the Alsatian Vosges, he developed a fascination for trees, which he studies in anthropomorphic portraits. Through a stationary journey, Eric Antoine often returns to the same places to capture their slow evolution. His work is organised into series in which destinies are recounted using layered still lifes, drowned flowers and accumulations of objects/symbols. These photographs without subjects challengethe very essence of this medium: light, optics, chemistry. The question of the materiality of the image remains at the heart of the artist's research. Far from any nostalgia, the wet collodion process here is an emancipatory discipline. In an almost sculptural approach, Eric Antoine delivers true photograph-objects, shimmering and silvery.

 

Galerie Cento Anni

philippe wolfers

Philippe Wolfers (Brussels, 1858-1929) Fiançailles (Engagement), circa 1911 Bronze with brown patina and original marble base H 50.5 cm Signed Ph. Wolfers Lost-wax cast n° 1 Provenance: private collection, France Literature: La Dynastie Wolfers–de l’Art nouveau à l’Art déco, Werner Adriaenssens & Raf Steel, p. 396

 

Desmet Fine Arts

Pietra dura table top Coloured marble, alabaster and onyx Roman workshop, circa 1565-1600 H 6 x W 104.5 x D 83 cm Accompanied by Art Loss Register certificate: S00253658 Provenance: private collection, Lombardy (Italy) The pietra dura tabletop represents a symbiosis that evokes the rediscovery of the ancient world. The colored marbles used all originate from ancient Roman marble, brought to Rome from across the Roman Empire as early as the 3rd century BCE. In late 16th-century Rome, artists repurposed columns and all manner of these ancient Roman artifacts, reshaping them into sumptuous tabletops to decorate the grand palazzi. This work visualizes how 16th-century Rome sought to reclaim the identity and power of the great Roman Empire, and it must be fully understood within the context of the decoration of St. Peter’s Basilica, when Rome was once again regarded as the center of the world. The patterns are architecturally and geometrically designed to showcase the rarest marbles to their fullest effect. In this specific example, around 1800, the edge underwent restoration, during which the finest artists of the time added a black decorative band. Their aim was to frame what was already spectacular with a dignified restoration. Although created in the late 16th century, this piece radiates two millennia of superiority—politically, socially, artistically, and art historically.

 

Galerie Mathivet

François-Xavier Lalanne (Agen 1927-2008 Ury) Lamp sculpture 'Grand Echassier', 1990 Glass, patinated copper and bronze H 68 x W 61 x D 35 cm Monogrammed FXL, numbered 60/900 Figini foundry stamp and Artcurial publisher's mark

 

Franck Anelli Fine Art

charles topino

Charles Topino (Arras, circa 1742-1803) Louis XVI period demi-lune commode, circa 1780 Oak, Parisian varnish, gilt-bronze mounts, Aleppo breccia marble top H 91 x W 131 x D 58 cm Stamped 'C. TOPINO' and 'JME', with a CD mark Provenance: private collection, Paris Literature: Forray-Carlier et M. Kopplin, Les secrets de la laque française: Le Vernis Martin, Paris, 2014 This demi-lune commode is decorated with chinoiserie motifs in gold on a green background,. It opens with two side doors and three drawers. The gold chinoiserie decoration on green varnish is quite rare, especially on Louis XVI furniture. The chinoiserie theme is executed here in a decorative style from the 1780s, with framed scenes surrounded by tied garlands. This exotic theme remained in vogue during the Louis XVI period, as evidenced by the lacquered Japanese furniture favoured by Marie-Antoinette, as well as the marquetry furniture by Roentgen. Jean Pillement (1728-1808) popularised chinoiserie designs through his 1776 book 'Œuvres de Fleurs, ornements, cartouches et figures et sujets chinois…etc.,' which spread throughout the courts of Europe. The green varnish décor is especially known for works by René Dubois, such as the small demi-lune commode housed at Waddesdon Manor in England (Inv. WI/23/2). René Dubois, however, was more inclined towards neoclassical scenes, a style that is well-documented in his stock from 1772, which lists around twenty pieces, thus helping to date his production. At this time, the workshop of the Frères Martin was still active, with Jean-Alexandre, the son of Robert Martin, having taken over his father’s workshop in 1767 and acquired that of his cousin Etienne-François in 1772, following his cousin's death the year before. It is clear that Jean-Alexandre benefited from the strong connections his family had with Parisian marchand-merciers and cabinetmakers, one of the most renowned of whom was Charles Topino. This production unfortunately did not survive the French Revolution, and this commode is one of the last examples of this inventive period. Charles Topino settled in Rue du Faubourg Saint-Antoine and counted aristocratic clients and marchand-ébénistes such as Delorme and Tuart amongst his customers. His pieces were described as 'à l'antique,' an expression referring to the neoclassical taste that dominated the late 18th century. His journal, covering the years 1771 to 1779, has survived, providing insight into the names of bronziers who supplied him, including Jean-Baptiste Dubuisson, a master founder since 1765, who created some of the finest bronze mounts of the period. It is known that the gilt bronze mounts adorning Topino’s furniture were cast by Viret, chased by Chamboin and Dubuisson, and gilded by Bécard, Gérard, and Vallet. Charles Topino produced several demi-lune commodes of this type, many decorated with marquetry and several with varnish decorations. Notable examples include: -A commode from the Prince Radziwill collection, sold at the Château d'Ermenonville auction, Ader study, March 8th, 1933 -A writing desk sold by Christie's London from the Rechnitzer collection, May 19th, 1955, illustrated in Connaissance des Arts n° 41, July 15th, 1955 -A writing desk decorated with European black and gold varnish in the Chinese style, sold at Paris’s Hôtel Drouot, Cornette de Saint-Cyr study, January 31st, 1994 -A writing desk with Coromandel lacquer decoration, from the Princess A. de Broglie collection, ill. in P. Verlet, Les ébénistes du XVIIIe siècle français, Connaissance des arts, Hachette, Paris, 1963, p. 268

 

Guy Pieters Gallery

yves klein

Yves Klein (Nice 1928-1962 Paris) La Terre Bleue, 1957 IKB Pigment H 41 x Ø 29 cm Provenance: Galerie Bonnier, Geneva; private collection, Sweden Literature: P. Wember, Yves Klein, Cologne, 1969, p. 109, n° RP7 (another example ill.); P. Restany, Yves Klein, New York, 1982, p. 226 (another example ill.); J.P. Ledeur, Yves Klein: Catalogue of Editions and Sculptures Edited, Belgium, 1999, p. 242 (another example ill.); N. Charlet, Yves Klein, Paris, 2000, p. 230 (another example ill.); H. Weitemeier, Yves Klein: International Klein Blue, Cologne, 2001, p. 83 (another example ill.) Exhibitions: Paris, Centre Georges Pompidou Musée National d'Art Moderne, Yves Klein, March-May 1983, p. 109, n° 56 (another example exh.); Nice, Musée d'Art Moderne et d'Art Contemporain and Museo Pecci Prato, Yves Klein: Long Live the Immaterial!, April 2000-January 2001, p. 184 (another example exh. and ill.); Musée des Beaux-Arts d'Angers, Marie Raymond, Yves Klein, November 2004-February 2005, p. 190 (another example exh. and ill.)

 

Victor Werner

thierry van ryswyck

Thierry Van Ryswyck (Antwerp 1911-1958 Vallauris, France) Walking panther, 1929 Patinated plaster H 53 x W 133.5 cm x D 23 cm Name and address of the mould maker inscribed on the underside of the base: A. Hoefnagels, mouleur, Quai Cockerill 19, Anvers Signed and dated Th. Van Ryswyck 1929 Provenance: private collection

 

Galerie Ary Jan

goudji

Goudji (Georgia, Borjomi 1941) A la table des Dieux Silver, jasper, and lapis lazuli H 34 x W 43 x D 14 cm 1300 gr (Silver weight) and 1454 gr (total weight) Provenance: the artist's studio

 

Galerie AB - Agnès Aittouarès

pablo picasso

Pablo Picasso (Malaga 1881-1973 Mougins) Two characters, séduction, 1953 Produced in Cannes on 16 December 1953 Ink on paper 20.9 x 26.4 cm Signed upper left and dated upper right Provenance: Scheffel Gallery, Bad Homburg, Germany; private collection, acquired from the Scheffel Gallery in 1989; private collection; private collection, Paris Literature: Christian Zervos, Pablo Picasso. Œuvres de 1953 à 1955, vol. 16, Paris, 1965, n° 57, p. 20; Dore Ashton, Picasso on Art: A Selection of Views, New York, 1972, p. 125

 

MARUANI MERCIER

jaclyn conley

Jaclyn Conley (USA, Connecticut 1979) At The Foot of The Tree, 2025 Oil on linen 213.4 x 152.4 cm

 

De Zutter Art Gallery

paul delvaux

Paul Delvaux (Wanze 1897-1994 Furnes) Trois femmes, 1955 Ink and watercolour on paper 54 x 71.5 cm

 

Francis Maere Fine Arts

eugène dodeigne

Eugène Dodeigne (Belgium, Rouvreux 1923-2015 Bondues, France) Untitled, 1990 Oil on canvas 195 x 97 cm

 

CKS Gallery

nicolas de stael

Nicolas de Staël (Saint Petersburg 1914-1955 Antibes) Composition, 1949 Oil on canvas 200 x 100 cm Provenance: private collection of the artist Literature: Françoise de Staël, Nicolas de Staël, Catalogue Raisonné de l'oeuvre peint, Paris, 1997, n° 203 Exhibitions: Hôtel de Caumont, Aix-en-Provence, 27 April-23 September 2018, Nicolas de Staël en Provence; Château Grimaldi d’Antibes, 17 May-7 September 2014, exhibition La figure à nu, hommage à Nicolas de Staël; MuMa – Musée d’Art Moderne André Malraux, Lumières du Nord, Lumières du Sud, 7 June-9 November 2014; Académie Royale des Beaux-Arts de Bruxelles, Belgium, 2012, for the 300th anniversary of the Académie Royale where de Staël studied from 1931 to 1934, 9 May-2 June 2012; Fondation Gianadda de Martigny, Switzerland, retrospective of the work of Nicolas de Staël, 18 June-21 November 2010; Centre Pompidou, Nicolas de Staël 1945-1955, Paris, 12 March-30 June 2003; Musée d'Art Moderne, Paris, Retrospective Nicolas de Staël, 15 September 2023-21 January 2024; Fondation de l’Hermitage, Lausanne, Nicolas de Staël Exhibition, 9 February-9 June 2024

 

Galerie Ary Jan

Jean-Pierre Cassigneul (Paris, 1935) Se voir dans un regard, 1990 Oil on canvas 130 x 97 cm Signed lower left and titled on reverse Authenticity confirmed by Jean-Pierre Cassigneul

 

Galerie Christophe Gaillard

claude viallat

Claude Viallat (Nîmes, 1936) 199/1975, 1975 Mixed media on canvas 188 x 208 cm Provenance: Galerie Jean Fournier; the artist's studio, Nîmes (FR)

 

Univers du Bronze

Hubert Le Gall (Lyon, 1961) Parade, 2024 Couple of grues - cabinet Bronze, gilt and brown patina, glass shelf Cast in 2025 H 210 x W 120 x D 55 cm Original artist edition monogramed, numbered and signed 'le Gall'

 
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