This section will be available this Autumn.
![](https://images.brafa.art/brafamedia/brafa2021/artworks/Claes_DanMask__T638314938040523476.jpg?width=410&height=2000&qlt=90&scale=both&mode=max&format=jpeg)
Claes Gallery
Dan Mask Ivory Coast, late 19th century Wood H 23 cm Provenance: Dr. Alexander Rafaeli collection (1910-1996), Israel Literature: Masks of Primitive Peoples from The Collection of Dr. Alex Rafaeli, written mention p. 6; n° 15; Back cover; Art of Primitive People. Masks from the collection of Dr. Alex Rafaeli. Sculptures from other Collections, written mention p. 4, n° 16 Exhibition: The National Museum Bezalel, Jerusalem, 7 February-7 March 1953; Museum of Modern Art, Haifa, November 1955
Galerie de la Béraudière
jean fautrier
Jean Fautrier (Paris 1898-1964 Châtenay-Malabry) Les feuilles vertes, 1934 Oil on canvas 73 x 60 cm Signed lower left: Fautrier Provenance: collection Jean Paulhan, France; collection Dominique Aury, France; private collection, France (by descent); Tajan, Paris, November 2022, lot 44; private collection, Belgium This work will be included in the catalogue raisonné of Jean Fautrier’s painted work currently being prepared by Madame Marie-José Lefort Literature: Palma Bucarelli, Jean Fautrier, Pittura e materia, ed. Il Saggiatore, Milano 1960, Ill. 107, p. 306 Exhibition: 1974, Paris, Galeries Nationales du Grand Palais, Jean Paulhan à travers ses peintres, cat. 563, p. 218
Segoura Fine Art
charles revel
Charles Revel (France, 1829-1880) Allégories de la Force et du Droit, circa 1872 Oil on canvas 66 x 54.5 cm Signed lower right Provenance: private collection, France With this painting, Charles Revel illustrates the words given to the German Chancellor Otto von Bismarck: 'Strength prevails over Law'
![](https://images.brafa.art/brafamedia/brafa2021/artworks/Willow_PontsurLaTouques__T638314272055800854.jpg?width=410&height=2000&qlt=90&scale=both&mode=max&format=jpeg)
Willow Gallery
Eugène Boudin (Honfleur 1824-1898 Deauville) Pont sur La Touques, 1890 Oil on canvas, 46 x 66 cm - framed: 64 x 84 cm Signed, dated and inscribed lower left: Touques, E Boudin 90 Provenance: collection Panhard from 1899 Literature: Robert Schmit, Catalogue raisonné de l’œuvre peint d’Eugène; Boudin, Paris, 1973, vol. III, n° 3332, ill. p. 278, incorrectly dated 1894 Exhibition: Exposition des œuvres d’Eugène Boudin, Paris, École Nationale des Beaux-Arts, 1899, n° 43 (label verso)
![](https://images.brafa.art/brafamedia/brafa2021/artworks/Kint_Ladansemacabre__T638339978588642496.jpeg?width=410&height=2000&qlt=90&scale=both&mode=max&format=jpeg)
Harold t’Kint de Roodenbeke
Paul Delvaux (Belgium, Antheit 1897-1994 Veurne) La danse macabre, 1934 Watercolour and ink on paper 59.5 x 75 cm Signed and dated lower right: Spy 2-34 Provenance: Walter Delvaux, artist family; sale Sotheby's, 6 February 2014, lot 469; private collection Important and early composition from 1934, a key year for Delvaux's development of his surrealist world © Foundation Paul Delvaux, Belgium/SABAM, 2023-2024
![](https://images.brafa.art/brafamedia/brafa2021/artworks/Cazeau___T638336624200014234.jpg?width=410&height=2000&qlt=90&scale=both&mode=max&format=jpeg)
Galerie Jean-François Cazeau
Auguste Herbin (Quiévy 1882-1960 Paris) Le Vieux Pont à Bruges, 1906 Oil on canvas 46 x 55 cm Signed lower left Provenance: the artist’s studio; M. Rheims, Paris; Malborough Fine Art Ltd., London; private collection, Basel Exhibitions: 1914, Exposition Auguste Herbin, Galerie Clovis Sagot, 2 March–17 March 1914, n° 3; Bern 1963, Auguste Herbin, Kunsthalle Bern, 16 February–24 March 1963, n° 1 (ill.); Amsterdam 1963, Herbin, Stedelijk Museum, 7 June–22 July 1963, n° 2 (ill.); Zurich 1965, Auguste Herbin, City Galerie Bruno Bischofberger, 2 April–30 April 1965, n° 2; Paris 1975/76, Le Bateau-Lavoir, Musée Jacquemart-André, 31 October 1975-31 November 1976 (label on the back) Literature: Geneviève Claisse: Herbin. Catalogue raisonné de l'oeuvre peint, Paris 1993, p. 291, n° 70 (ill.)
Röbbig München
nicolas petit (1732–1791, maître in 1761)
Nicolas Petit (France, 1732-1791) Ormolu mounted floral marquetry table "en chiffonnière" Paris, Louis XV/Louis XVI (Transition) period, circa 1770 H 68.5 x W 32.5 x D 25.5 cm Stamped 'N.PETIT' maître in 1761 and 'JME' Provenance: the Lesley and Emma Sheafer collection, Bequest of Emma A. Sheafer, 1973
![](https://images.brafa.art/brafamedia/brafa2021/artworks/Hurtebize__AlfredSisley_T638337607153359546.jpg?width=410&height=2000&qlt=90&scale=both&mode=max&format=jpeg)
Galerie Hurtebize
alfred sisley
Alfred Sisley (Paris 1839-1899 Moret-sur-Loing) Matinée d'octobre près de Port-Marly, 1876 Oil on canvas 46.5 x 54.3cm Signed lower left: Sisley Provenance: Durand-Ruel and Co. Gallery, Paris; Feder & Picq, Paris; Galerie Durand-Ruel et Cie., Paris, June 1892; Martin A. Ryerson, Chicago, August 1892; Durand-Ruel Galleries, New York, March 1893; J.M. Schley, New York, February 1899; Katherine Schley Variell, New York by descent from previous owner, August 1915; Brick Store Museum, Kennebunk, Maine by bequest of previous owner, 1960; sale, Sotheby's, London, April 24, 1963; O'Hana Gallery, London; acquired from the latter by the family of the last owner, October 1963 Literature: F. Daulte, Alfred Sisley: Catalogue raisonné of the painted work, Lausanne, 1959, n° 224 (ill. titled Morning of October); S. Brame and F. Lorenceau, Alfred Sisley: Critical catalogue of paintings and pastels, Paris, 2021, p. 118, n° 236, ill. p. 43 Exhibitions: New York, Galeries Durand-Ruel, Works by Alfred Sisley, February-March 1899, n° 23; Waterville, Colby College Bixler Art and Music Center, 1961-62 (on extended loan); London, O'Hana Gallery, Summer Exhibition of French Paintings and Sculpture of the Nineteenth and Twentieth Centuries, June-September 1963, n° 52
![](https://images.brafa.art/brafamedia/brafa2021/artworks/Tobogan__GiuseppeGhedina(1825-1896)_T638307172909491651.jpg?width=410&height=2000&qlt=90&scale=both&mode=max&format=jpeg)
Tobogan Antiques
giuseppe ghedina (1825-1896)
Giuseppe Ghedina (Italy, 1825-1896) The music lesson, circa 1860 Oil on canvas H 141 x W 179 cm Signed: G. Ghedina Painting representing a music lesson, composed of a group of three elegantly dressed ladies, listening to a musician playing the lute and accompanied on vocals by a man holding a musical score in hand. This artist’s genre scene is distinguished by the softness of the eyes, the romanticism of the attitudes and the harmony of the tones used Provenance: Château de Prépinson, Sologne
![](https://images.brafa.art/brafamedia/brafa2021/artworks/Gaillard_Turritopsisnutricula_HélèneDelprat_T638301932575269753.jpg?width=410&height=2000&qlt=90&scale=both&mode=max&format=jpeg)
Galerie Christophe Gaillard
hélène delprat
Hélène Delprat (Amiens, 1957) Turritopsis nutricula, 2010 Pigments, silver pigment, acrylic and glitter on canvas 200 x 160 cm Signed Provenance: the artist's studio; Galerie Christophe Gaillard Literature: Hélène Delprat, Les Travaux et les Jours, Éditions Dilecta/Galerie Christophe Gaillard, 2017, p. 247 Exhibition: Hélène Delprat, I Did it My Way, La Maison Rouge, Paris, France, 2017
![](https://images.brafa.art/brafamedia/brafa2021/artworks/Lemaire___T638324614655783533.jpeg?width=410&height=2000&qlt=90&scale=both&mode=max&format=jpeg)
Lemaire
Two Vincennes porcelain jardinières fitted with porcelain flowers France, Louis XVI period Soft paste porcelain jardinière with pink monochrome decoration holding porcelain flowers on painted metal stems H 9.3 and H 9.5 cm; overall 26.8 cm Marked with a double L in blue bearing the letter-date C for 1755-56 Marked by the painters Jean-Charles Sioux l'aîné (French, active from 1752 to 1792) and Mutel (active from 1754 to 1759). 3rd size A flower jardinière with the same decoration has been published by GWILT (J.), Vincennes and Early Sèvres Porcelain from de Belvedere Collection, V & A Publishing, 2014, p. 147
![](https://images.brafa.art/brafamedia/brafa2021/artworks/Mearini_Apairofpseudo-CorinthiancapitalswithacanthusfoliageandpalmettesNorthAdriatic,secondhalfofthe11t_T638302778372259502.jpg?width=410&height=2000&qlt=90&scale=both&mode=max&format=jpeg)
Mearini Fine Art
Pair of pseudo-Corinthian capitals with acanthus foliage and palmettes North Adriatic, second half of the 11th-first half of the 12th century White marble (possibly spolia marble) H 40 x W 40 x D 47 cm Diameter of the inferior bases 27/28 cm Condition: good, except for small losses at the tips of several leaves and larger losses on the abaci, at the corners and at certain points of the edges Provenance: private collection, Italy Literature: Full report by Prof. Guido Tigler, University of Florence
Galerie Alexis Pentcheff
paul delvaux
Paul Delvaux (Belgium, Antheit 1897-1994 Veurne) La mise au tombeau, 1953 Oil, gouache, watercolour and ink on paper laid on canvas 68 x 120 cm Signed and dated lower right Certificate of authenticity issued by the Paul Delvaux Foundation dated 24 June 2017 Provenance: private collection, France Preparatory work for 'La mise au tombeau', kept at La Boverie, Musée des Beaux-Arts de Liège. A work on the same theme, La mise au tombeau, 1951, can also be found in the Musée d'Ixelles © Foundation Paul Delvaux, Belgium/SABAM, 2023-2024