Montagut Gallery

This year's exhibitions offer a rare opportunity to explore two contrasting yet equally fascinating aspects of African art: the commanding presence of Ngon masks and the refined elegance of Baule gold ornaments. Together, they reflect the diversity and richness of Africa's cultural heritage.
1. Five Exceptional Ngon Masks, each representing the rich cultural heritage of Cameroon
These masks stand out not only for their aesthetic composition but also for their historical value. It is rare to gather Ngon masks of such quality and significance, making this exhibition a truly exceptional and unique event. Ngon masks, often carved with remarkable detail, are emblematic of the cultural and spiritual practices of the Grassfields region. Traditionally used in ceremonies, these masks symbolize power, protection, and identity within their communities.
2. Gold Ornaments of the Baule Culture of Côte d'Ivoire. Each piece reflects the Baule people's artistic mastery and cultural significance, showcasing their exceptional craftsmanship in goldsmithing and their deep connection to tradition. All the ornaments in this collection come from a single Italian collection, Giovanni Franco Scanzi*, making their provenance as remarkable as their craftsmanship. These works highlight the symbolic use of gold in Baule rituals and adornments, celebrating themes such as beauty, prestige, and spiritual power.

*Giovanni Franco Scanzi was is a prominent collector and expert in African art, renowned for his extensive collection of ethnographic objects, particularly traditional Lobi and Akan art. He has made significant contributions to promoting African art through exhibitions and publications. One of his most notable achievements includes organizing exhibitions of Akan gold jewelry in Europe, particularly in Italy, highlighting the craftsmanship of Ivorian artisans.