26 JANUARY 2 FEBRUARY 2025

BRUSSELS EXPO | HEYSEL

EXPOSITIONS

BRUXELLES

Atomium © Visual System


Atomium
Place de l'Atomium 1
1020 Brussels

01.01.2024 > 31.12.2025

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CENTRALE and Look Up

Temporary closure from 13 January to 26 January 2025
 

(Re)discover the Atomium, a Belgian icon rooted in the present and looking to the future. Built for the 1958 World’s Fair, the Atomium is more than a monument: it's a journey in its own right, a crossroads between art, science and history. Since 2013, the Atomium, as cultural venue, has been devoting its programming of exhibitions, installations and performances to digital creations. It regularly gives carte blanche to artists who create immersive and original universes in the exhibition space. These projects made of sound and light, such as Centrale and Look Up, exploit the magic of the space and accentuate the heritage richness of the building. The Atomium ticket automatically includes entry to the Design Museum Brussels, 150 m away.

01.01.2024 > 31.12.2025

BRUXELLES

© Belfius


Belfius Tower
Place Charles Rogier 11
1210 Brussels

18.10.2024 > 20.06.2025

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ART POPS

Step into Art Pops, an immersive art experience brought to visitors by the Belfius Art Collection, in which their senses become the brushstrokes of creativity. This unique exhibition invites visitors to explore art beyond sight, engaging the senses of touch, sound, and even smell in order to awaken a deeper connection with each piece. It’s a great way to dive into vibrant installations that pop with colour and vibrate with energy, and to feel the textures of artistic expression. Art Pops is more than an exhibition, it’s a sensory journey that redefines how we perceive and interact with art. 
 

18.10.2024 > 20.06.2025

BRUXELLES

Pierre Alechinsky, Lieu-dit, 1994-2024, Ink and acrylic on paper, mounted on canvas


Boghossian Foundation - Villa Empain
Avenue Franklin Roosevelt 67
1050 Brussels

26.09.2024 > 16.03.2025

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Alechinsky, Pinceau Voyageur

For the first time, the Boghossian Foundation is presenting a solo exhibition devoted to a major twentieth-century European artist in the unique setting of the Villa Empain. The exhibition, curated by Catherine de Braekeleer, brings together an exceptional collection of a hundred works and numerous archival documents, gathered over the past seventy years. Alechinsky, pinceau voyageur is an ode to travel, exploring the artist's fascination with artistic practices and traditions in Japan and China. An ode to freedom, showcasing the artist's experimentation with different techniques and mediums since 1947. An ode to friendship, with works created in collaboration with artists like Jiří Kolář, Hans Spinner, or accompanying the works of authors such as Salah Stétié, Amos Kenan, and Joyce Mansour. An ode to love, since the exhibition centres around the image of the previous unseen painting titled Comme elle partait, created in 2023 as a tribute to Micky (1928-2023), whom he married in 1949.

26.09.2024 > 16.03.2025

BRUXELLES

© Boghossian Foundation


Boghossian foundation - Villa Empain
Avenue Franklin Roosvelt 67
1050 Brussels

15.11.2024 > 25.05.2025

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Echoes of Art Deco

In the context of the centenary commemoration of Art Deco in 2025, the Boghossian Foundation is presenting a thematic exhibition on this key movement in Brussels. The term Art Deco refers to the Exposition internationale des Arts décoratifs et industriels modernes, held in Paris in 1925, which provided a unique opportunity for architects and the public to immerse themselves in this fresh, innovative spirit. Echoes of Art Deco invites visitors to explore the iconic architecture of the Villa Empain, a paragon of Art Deco with an eventful past. Set against the lively musical backdrop of the era, the exhibition offers an immersive experience in the lifestyle of the Roaring Twenties. The Art Deco movement encompassed both architecture and the decorative arts. Furniture takes centre stage in a scenography that recreates the intimate atmosphere of a private residence. Drawings, ceramics, woodwork and ironwork transport visitors to a time oriented towards modernity, technical progress, and the forthcoming society of leisure. Stained glass, an exemplary marker ofstylistic evolution, is showcased by an exceptional collection of 25 original pieces, alongside the complete preparatory drawings for Anto Carte’s La Gioconda, which was exhibited at the 1925 International Exhibition in Paris

15.11.2024 > 25.05.2025

BRUXELLES

Monira Al Qadiri, Man of War, 2023, Glass sculptures. Courtesy of the artist


BOZAR
Rue Ravenstein 23
1000 Brussels

14.11.2024 > 09.03.2025

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Monira Al Qadiri - The Archaeology of Beasts

Monira Al Qadiri is an international artist whose practice explores topics as diverse as ancient history and the possibilities of new technologies, always from a critical yet playful point of view. Bozar is hosting her first solo exhibition in Belgium, titled The Archeology of Beasts. Consisting of new digitial creations commissioned for this occasion, the the exhibition represents a new visual turn Al Qadiri, inspired by the Gods and Pharaohs of Ancient Egypt. Interweaving ancient myths and recent facts connected to climate change, Al Qadiri's works oscillate between humour and beauty, often charged with an underlying violence. For this exhibition, she is asking visitors to reflect on who qualifies as a Human and who as a Beast.

14.11.2024 > 09.03.2025

BRUXELLES

© Centrale for contemporary art


Centrale for contemporary art
Place Sainte-Catherine 45
1000 Brussels

10.10.2024 > 09.02.2025

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Hosting

hosting welcomes and celebrates the artistic diversity of the Brussels scene, opening up to the city, its periphery, its artists and its audiences. The exhibition is presented as a large-scale cabinet of curiosities, occupying all of Centrale’s spaces. It is based on an open call to Brussels-based artists of all generations and disciplines in the visual arts. The exhibition examines the notions of hospitality, territory, solidarity and emergence in the current art ecosystem. The works have been selected and curated by an artistic committee including guest artists Manon de Boer, Pélagie Gbaguidi, Juan Pablo Plazas and Richard Venlet, and Tania Nasielski, the artistic director at Centrale.

10.10.2024 > 09.02.2025

BRUXELLES

Sudarshan Shetty, Untitled © Clarisse Berrada


Cloud Seven
Quai du Commerce 7
1000 Brussels

12.09.2024 > 28.03.2025

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A Public Affair

The exhibition explores the boundaries between the private and public spheres, highlighting
conflicts that may emerge when personal issues become collective. A selection of works from Frédéric de Goldschmidt’s collection by Aline Bouvy, Romuald Hazoumè, Kapwani Kiwanga, Jacqueline Mesmaeker, Sophie Nys, Hiroshi Sugimoto, Barthélémy Toguo, Nico Williams and many other established and upcoming artists, curated by Bayo Hassan Bello

12.09.2024 > 28.03.2025

BRUXELLES

Here We Are! Women in Design 1900 – Today, Design Museum Brussels, 2024, Liophotography 59


Design Museum Brussels
Place de Belgique 1
1020 Brussels

16.10.2024 > 09.03.2025

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Here We Are! Women in Design 1900 - Today

Temporary closure from 13 January to 26 January 2025

From the pioneers of the Bauhaus to the interior designers of space capsules, together with more classic productions, women have shaped the field of design, and yet they are often overlooked. The Here We Are! Women in Design, 1900-Today exhibition pays tribute to women designers past and present through a large collection of furniture, ceramics, glass, textiles, fashion and graphic design. Produced by the Vitra Design Museum, this exhibition is coming to the Design Museum Brussels with the addition of a section devoted to this issue in the history of design in Belgium.

16.10.2024 > 09.03.2025

BRUXELLES

A class photograph with a.o. Martha Van Coppenolle at the Technisch Instituur of Sint-Maria in Antwerp, ca. 1930. Collection City of Antwerp, Letterenhuis


Design Museum Brussels
Place de la Belgique 1
1020 Brussels

16.10.2024 > 13.04.2025

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Untold Stories - Women Designers in Belgium 1880-1980

Temporary closure from 13 January to 26 January 2025
 

This exhibition brings the works of more than 50 women designers and makers, active in Belgium between 1880 and 1980, together for the first time. Based on extensive research, objects from a wide range of disciplines and sourced from several museums and private collections are on display, many of which have never been shown to the public before.

16.10.2024 > 13.04.2025

BRUXELLES

Work by Kasper Bosmans © Kristien Daem


Fondation CAB Brussels
Rue Borrens 34-36
1050 Brussels

15.01.2025 > 15.02.2025

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Kasper Bosmans

Van den Wheghe, a company specialising in noble materials run by Tanguy Van Quickenborne, has invited Belgian artist Kasper Bosmans (1990, Lommel, Belgium) to take up a residency at the company, giving the artist the opportunity to explore the craft of the artisan and to confront himself with the most inspiring materials. As part of this residency project, the CAB Foundation is presenting a year of mutual exploration and improvisation, culminating in a presentation of the artist’s marbles. Kasper Bosmans is a keen observer of how images can oscillate on the border between nature and fiction, or art and craft. With an intuitive anthropological approach, he is interested in the remnants of local traditions and the mythological iconography of contemporary life.

15.01.2025 > 15.02.2025

BRUXELLES

Contacts: Hana Miletić in conversation with Nicole and Walter Leblanc. Curated by María Inés Rodríguez, Fondation Walter & Nicole Leblanc, Brussels © Mina Albespy


Fondation Walter & Nicole Leblanc
Chaussée de Gand 1118
1082 Brussels

02.10.2024 > 27.04.2025

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Contacts: Hana Miletić in conversation with Nicole and Walter Leblanc. Curated by María Inés Rodríguez

Contacts brings together the contemporary practice of Hana Miletić in dialogue with the legacy of Nicole and Walter Leblanc.
Miletić’s deeply considered work reimagines how we engage with concepts of memory and materiality, constructing a layered narrative through the use of textiles, photography, and archival elements. Contacts is the third chapter in the Foundation’s exhibition series, following projects by Mario Garcia Torres and Edith Dekyndt. This exhibition continues the profound exploration of Walter Leblanc’s artistic legacy, creating a dynamic platform for experimentation, research, and intergenerational exchange between his body of work and contemporary artistic practices.

Opening hours: Wednesday - Friday, 2 pm - 5 pm

02.10.2024 > 27.04.2025

BRUXELLES

Textile designer Marc Van Hoe @ Thomas Lancz


Horta Museum
Rue Américaine 27
1060 Brussels

13.09.2024 > 30.05.2025

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Smooth as velvet

The Horta Museum has invited five artists to dress the walls of the house. Following the successful ‘Pushing Back the Walls’ exhibition held in 2022, it is now velvet’s turn to take centre stage as it decorates the walls of this famous home. Louisa Carmona, Elise Peroi, Marc Van Hoe and Flore and Pauline Fockedey were all given full creative freedom for this project.
 

13.09.2024 > 30.05.2025

BRUXELLES

© Maison Hannon


Maison Hannon
Avenue de la jonction 1
1060 Brussels

01.09.2024 > 02.02.2025

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Belgian Art Nouveau. Van de Velde, Serrurier-Bovy, Hankar & Co

In the Saint-Gilles district of Brussels, a sleeping beauty is awakening. For its first exhibition since its opening, the Maison Hannon is presenting Belgian Art Nouveau in all its diversity, through a wide range of art pieces from public and private collections, many of which have never been seen before. Art nouveau. A style? More like a state of mind, and an insatiable faith in modernity. In 1900, at the peak of the Industrial Revolution, Brussels was the field of experimentation for a subversive style. Whilst Victor Horta addressed himself to a wealthy clientele, Paul Hankar, Henry van de Velde and Gustave Serrurier-Bovy worked together to invent a modern way of life that was simpler, with the aim of popularising it. Through this committed approach, they sought to be pioneers of change and to establish the foundations of a first modernity.

01.09.2024 > 02.02.2025

BRUXELLES

Hans Hartung, Composition T.51-10 (1951), Royal Museums of Fine Arts of Belgium, Brussels. Photo Guy Cussac © Hans Hartung SABAM Belgium


Royal Museum of Fine Arts of Belgium
Rue de la Régence 3
1000 Brussels

11.10.2024 > 16.02.2025

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Drafts. From Rubens to Khnopff

How is a work of art created? This is the question that the Royal Museums of Fine Arts of Belgium are seeking to answer with an exhibition devoted to sketching. A tour of one hundred works takes visitors into the intimacy of the creative process, inviting them to push open the doors of the studio in an attempt to grasp the very soul of the work, the first idea laid down on a blank sheet of paper, a plank of wood or a piece of cardboard. This immersion offers a new, behind-the-scenes perspective on the creations of iconic artists, from Rogier van der Weyden to James Ensor, by way of Rembrandt, Rubens and Magritte. Based around the exceptional collections of the Royal Museums of Fine Arts of Belgium, this unique exhibition is the result of a major restoration campaign carried out by the museum's teams over a period of almost two years.
 

11.10.2024 > 16.02.2025

BRUXELLES

Mae Smith, Eve, 2018. Courtesy of the artist and private collection London, UK. Photo © Matthias Kolb


Royal Museum of Fine Arts of Belgium
Rue de la Régence 3
1000 Brussels

11.10.2024 > 02.03.2025

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Emily Mae Smith X René Magritte

Emily Mae Smith (USA, 1979), a young American painter, has been invited by the Magritte Museum to create a unique dialogue with his fascinating universe. Most of Emily Mae Smith’s works feature an anthropomorphic broomstick figure, inspired by Disney's Fantasia (1940). This figure becomes the artist's avatar, simultaneously referring to the painter's brush, the working tool of housemaids, and the phallus, giving her paintings a sexual dimension. Emily Mae Smith stages this broom-brush figure in various contexts: a seventeenth-century interior, a rocky exterior, a cave, etc. She accompanies it with props and objects borrowed from Symbolism (skull, flowers, still life…) and Surrealism. She readily includes direct references to art history, and to Magritte's work: here and there, one recognises an apple, a burnt-out candle, rocks... New works made exclusively for the exhibition are displayed alongside loans from private and public collections.
 

11.10.2024 > 02.03.2025

BRUXELLES

François Schuiten, De Type 12 - New York 2014 © collection François Schuiten


Train World
Place Princesse Elisabeth 5
1030 Brussels

19.09.2024 > 11.05.2025

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Draw me a train

This exhibition showcases the work of some of the greatest artists whose work, in their time, captured the beauty of trains: Victor Horta, Henry van de Velde, Paul Delvaux, Franquin, Santiago Calatrava, François Schuiten and many others. Original drawings by Victor Horta relating to his work on the Brussels-Central station will be displayed to the public for the first time. Cars dating from the 1930s, designed by Henry van de Velde, have also been restored specially for the occasion and will be the subject of an exclusive presentation. Visitors will be able to learn how to draw some of the museum’s most beautiful trains and a selection of remarkable and unusual objects from SNCB's collections at drawing tables and easels interspersed throughout the exhibition circuit

19.09.2024 > 11.05.2025

BRUXELLES

Ai Weiwei, Life Vest Snake, 2019 © Vanhaerents Art Collection


Vanhaerents Art Collection
Rue Anneessens 29
1000 Brussels

01.04.2024 > 01.02.2025

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Viewing Depot EXH#03 - Year of the Dragon

EXH#03 is the third major presentation highlighting recent acquisitions and seminal works from the collection, all in the unique setting of a viewing depot. Drawing inspiration from the Chinese calendar and astrology, the thematic core of this exhibition is the zodiac sign of the dragon, symbolising creativity, curiosity, confidence and generosity. Associative in nature, EXH#03 brings together large-scale works that combine aesthetic innovation and emotional intensity. One of the focal points in the exhibition, spanning the full three floors of the Vanhaerents Art Collection, is Ai Weiwei’s haunting installation Life Vest Snake (2019), which seamlessly intertwines traditional Eastern iconography with poignant reflections on the contemporary refugee crisis

01.04.2024 > 01.02.2025

BRUXELLES

Willem Oorebeek. Obstakles

Willem Oorebeek, More ELLE (CH), 2011


WIELS - Contemporary Art Centre
Avenue Van Volxem 354
1190 Brussels

01.02.2025 > 27.04.2025

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Willem Oorebeek. Obstakles

WIELS presents Obstakles, a major retrospective exhibition of Willem Oorebeek, an artist of Dutch origin who has been living and working in Brussels for the past thirty years. The exhibition encompasses approximately forty sets of work ranging from the 1990s to new productions. Spread across two floors, the exhibition highlights Oorebeek’s in-depth exploration of authorship and aura through mass-produced images and the reproduction of techniques of appropriation, calling the claim of the unique experience of painting into question. Through elaborate processes of repetition and superimposition, his work simultaneously thematises mediatic forms of representation and the viewer’s possibilities of perception. In an age of visual information overload and the ubiquitous spectacle, Oorebeek’s work delves sensitively into the image’s dynamics of attracting attention, without compromising its mystery.
 

01.02.2025 > 27.04.2025

BRUXELLES

Paulo Nazareth, Untitled, Para Venda, 2011. Courtesy Mendes Wood DM, Sao Paulo, Brazil


WIELS - Contemporary Art Centre
Avenue Van Volxem 354
1190 Brussels

01.02.2025 > 27.04.2025

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Paulo Nazareth

Paulo Nazareth is a travelling artist who creates as he walks. His work, which includes performances, videos, photographs and sculptures, is akin to a protean travel diary. Across the Americas and Africa, he follows migration routes on foot or by bus, documenting social tensions and exhuming parts of the collective memory. He roams the world like a nomad with the aim of producing traces that might result in a work of art. In this exhibition, Nazareth’s interdisciplinary, participatory work connects his life to his artistic output

01.02.2025 > 27.04.2025

BRUXELLES

© Wittockiana


Wittockiana - Museum of book Arts and Bookbinding
Rue du Bemel 23
1150 Brussels

12.10.2024 > 02.02.2025

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l'Atelier du Faux

Rare and desirable goods have always stimulated the ingenuity of counterfeiters. Counterfeit coins have been in circulation for as long as money has existed, and the same applies to religious relics, works of art and luxury items. When it comes to printed matter, however, forgery is not always the opposite of truth. As Umberto Eco points out, it is extremely difficult to give a satisfactory definition to such terms as ‘fake’, ‘forgery’, ‘pseudo’, ‘falsification’, ‘facsimile’, ‘counterfeiting’, ‘apocryphal’, ‘similar’, ‘copy’. And the real headache for theorist is to decide what is meant by an ‘authentic object’. (Umberto Eco, The Limits of Interpretation). This exhibition is an attempt to show the nuances and reflections of forgery in the field of books.
 

12.10.2024 > 02.02.2025

ANVERS

© Rembrandt Jordan


DIVA, the museum for diamonds, jewellery, and silver
Suikerrui 17-19
2000 Antwerp

25.10.2024 > 21.04.2025

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Pinned! Contemporary Antwerp Jewellery

This exhibition presents the extraordinary collection by Antwerp collector Dirk Schrijvers, consisting of 200 jewels by more than 60 designers. With this unique exhibition, the DIVA museum offers an insight into jewellery made in Antwerp during the past 25 years. It is a celebration of craftsmanship and innovation. From bold statement pieces to sophisticated subtle touches and technological developments, each piece of jewellery tells its own story

25.10.2024 > 21.04.2025

ANVERS

Cindy Sherman, Untitled Film Still #17, 1978, Gelatin silver print © Cindy Sherman, Courtesy the artist and Hauser & Wirth


FoMu - FotoMuseum
Waalsekaai 47
2000 Antwerp

28.09.2024 > 02.02.2025

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Cindy Sherman - Anti-Fashion

FOMU presents Belgium’s first major solo of the American artist Cindy Sherman (USA, 1954). Featuring more than 100 works from the 1970s to the present, the exhibition offers an exciting overview of this leading contemporary artist’s work. The exhibition Anti-Fashion dives deeper into Sherman’s fascination for fashion and the nexus between her independent work and commissions in the fashion industry. Since the 1980s she has worked regularly with leading fashion houses including Comme des Garçons, John Galliano and Balenciaga and fashion magazines such as Vogue, Interview and Harper’s Bazaar. With no interest in glamorous fashion shoots, she creates provocative photos featuring figures that could hardly be called beautiful, thus calling established ideals of beauty into question.

28.09.2024 > 02.02.2025

ANVERS

Jan Massijs, Judit, circa 1554 © Collection KMSKA - Flemish Community


KMSKA - Royal Museum of Fine Arts
Leopold de Waelplaats 2
2000 Antwerp

28.11.2024 > 09.02.2025

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What's the story?

What’s the Story? is all about the dialogue between the collection and contemporary artists. Artists past and present influence our ideas about which universal subjects we consider important today. The presentation shows how the same themes changed over the centuries and how artists build on each other’s work. Shown together, the artworks tell a shared story. Three themes are featured: life and death, seduction and storytelling. Works by Jacob Jordaens, Jan Massijs and Constant Permeke from the museum's collection enter into dialogue with those of Evelyne Axell, Maen Florin, Kati Heck, Jozef Legrand, Rinus Van de Velde, Anne-Mie Van Kerckhoven and Liliane Vertessen.

28.11.2024 > 09.02.2025

ANVERS

Panamarenko on paper

Panamarenko, Archaeopteryx Lithografica, Collection KMSKA - Flemish Community © SABAM Belgium 2024


KMSKA - Royal Museum of Fine Arts
Leopold de Waelplaats 2
2000 Antwerp

01.02.2025 > 04.05.2025

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Panamarenko on paper

‘There is a wonder somewhere in that mechanism. If you could poke that out...’. This one sentence seems to sum up Panamarenko's oeuvre. His life's work seemed like a kind of game without limits where experimentation took precedence over result. Or did it? KMSKA will be gathering together Panamarenko's most playful works on paper for this exhibition
 

01.02.2025 > 04.05.2025

ANVERS

© Collectie Stad Antwerpen, MAS


MAS - Museum Aan de Stroom
Hanzestedeplaats 1
2000 Antwerp

01.02.2025 > 31.08.2025

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COMPASSION

Wanting to help others and feeling or showing compassion is typically human. This new exhibition at the MAS explores questions such as: How do people put their compassion for others into practice? Why do they do it, and what are good examples of it? In this exhibition, visitors discover how the idea of compassion is represented in art and culture: religious and non-religious objects, works of art, popular objects and decorative pieces, as well as music, stories and customs show how people always strive to help others. Contemporary testimonies and critical voices also show how topical the theme is and still remains

01.02.2025 > 31.08.2025

ANVERS

© MAS - Tom Van Ghent


MAS - Museum Aan de Stroom
Hanzestedeplaats 1
2000 Antwerp

01.09.2023 > 01.01.2026

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Pre-Columbian art. Collection Paul & Dora Janssen-Arts

In the highest museum gallery in the MAS, a world-famous collection – which was gathered by Dora Janssen-Arts over many years – tells us about the extraordinary relationship between man and the world of gods, ancestors and spirits in America before the conquest by the Europeans. The Paul & Dora Janssen-Arts Collection consists of more than 400 pre-Columbian objects in gold, jade, stone, textiles and shell. The objects come from more than 50 different cultures, from Alaska to Chile, and bear witness to the craftmanship and the sense of aesthetics of their creators in America before 1500. There were many differences between the inhabitants of the American continent, but their vision of the world around them was strikingly similar. Human sacrifice was considered essential in order to ensure continuity between life and death. Fertility rituals across the continent assumed various forms but was always central in the pre-Hispanic environment. Precious grave gifts, often made from gold, reflected the importance of life after death, shared by all the communities represented here, from Alaska to Chile.

01.09.2023 > 01.01.2026

ANVERS

© Peter Rogiers. Photo: Tom Cornille


Middelheim Museum - Open Air Sculpture Park
Middelheimlaan 61
2020 Antwerp

01.09.2023 > 01.01.2026

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Open Air Sculpture Park

The Middelheim Museum is a unique institution where the amazing interplay between art and nature results in exceptional experiences. The art park showcases modern and contemporary sculptures amidst a green park setting. Works by artists such as Auguste Rodin, Henry Moore, Rik Wouters, Isa Genzken, Chris Burden, Ana Mendieta, Jean Katambayi, Barbara Hepworth, Bruce Nauman, Germaine Richier, Pascale Marthine Tayou provide a unique overview of more than a century of visual arts.

01.09.2023 > 01.01.2026

ANVERS

Genieve Figgis, Fashion shoot, 2021 © Courtesy of the artist and Almine Rech. GFI0249. Photo: Dan Bradica


MoMu - Fashion Museum
Nationalestraat 28
2000 Antwerp

28.09.2024 > 02.02.2025

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Masquerade, Make-up & Ensor

In MoMu’s autumn exhibition, Masquerade, Make-up & Ensor, James Ensor’s ideas about masquerade, (false) coquetry, seduction, deception and transience are updated to the present day. MoMu celebrates the painters of fashion: the craftsmanship and inexhaustible creativity of make-up artists and hair stylists, in a multimedia exhibition combining light, colour, art, fashion and make-up. With works by James Ensor, Cindy Sherman, Tschabalala Self, Genieve Figgis, Inge Grognard, Martin Margiela, Christian Lacroix, Walter Van Beirendonck, Cyndia Harvey and many others

28.09.2024 > 02.02.2025

ANVERS

Albrecht Dürer, The Apocalyptic Woman, 1498 © Museum De Reede


Museum De Reede
Ernest van Dijckkaai 7
2000 Antwerp

07.12.2024 > 31.03.2025

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Albrecht Dürer and Antwerp

Albrecht Dürer, one of the most influential artists of the Northern Renaissance, visited Antwerp in 1520-1521. During his stay, he met prominent figures from the art world and sold several of his works. Dürer was impressed by the city's rich artistic scene and produced copious sketches and notes. His time in Antwerp contributed to his reputation in the Low Countries, and his visit also strengthened the cultural exchange between German and Flemish art. The exhibition, a collaboration with the KBR Museum, features more than 100 works by this iconic artist

07.12.2024 > 31.03.2025

ANVERS

Peter Paul Rubens, Self-portrait (detail), Rubenshuis. Photo: KIK-IRPA


The Rubens House
Wapper 9-11
2000 Antwerp

30.08.2024 >

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Reopening of the Rubenshuis

Artist, marketeer, scientist, diplomat, family man... Rubens was an extraordinary talent, but also a down-to-earth man. The Rubenshuis is where he lived happily and voraciously and worked for much of his life. The restoration of Rubens’s home will take a few more years to complete but the Rubens’ estate reopened in 2024 at Hopland 13, where the visit starts. Visitors can come face to face with the very first influencer through an immersive experience, wonder at the depth and breadth of his archives in the library and take a walk through the Baroque Garden where famous fashion designer Dries Van Noten cares for colour 365 days a year. Rubens’ work is visible the world over, but seeing his world is only possible here

30.08.2024 >

CHARLEROI

Candice Breitz, Ghost Series #5, 1994-1996 Chromogenic print © Candice Breitz


BPS22 - Musée d'art de la province du Hainaut
Boulevard Solvay 22
6000 Charleroi

01.02.2025 > 11.03.2025

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Candice Breitz

Known for her video installations, Candice Breitz (Johannesburg, 1952) works with the languages of mass culture to highlight the influence they have on our perception of reality and our empathy towards our peers. From her first collages (Ghost series, 1994-1996) denouncing racial and gender stereotypes to her latest installation repurposing 1001 VHS sleeves (Digest, 2019) and her fresco on the struggles of a community of sex workers in Cape Town (TLDR, 2017), Candice Breitz explores celebrity culture, the ubiquity of social media and systems of white privilege as so many instruments vying for our attention

01.02.2025 > 11.03.2025

CHARLEROI

Paul Nougé, Le bras révélateur, from the Subversion des images series, 1929-1930. Private collection, on deposit at the Musée de la Photographie © SABAM Belgium 2025


The Photography Museum
Avenue Paul Pastur 11
6032 Charleroi

05.10.2024 > 26.01.2025

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Surréalisme, pour ainsi dire…

The centenary of the publication of André Breton’s Manifesto of Surrealism, celebrated by numerous exhibitions and events around the world, seemed to be the ideal opportunity to look at one of the major areas of the Museum’s collection, Surrealist photography. Besides the acquisition of photographic prints, particular attention has been paid to publications, reviews, books and catalogues, which were the main means of disseminating Surrealist photography before there was any market for it.

05.10.2024 > 26.01.2025

CHARLEROI

© Pol Pierart


The Photography Museum
Avenue Paul Pastur 11
6032 Charleroi

05.10.2024 > 26.01.2025

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Pol Pierart. De progrès ou de force

Simple and effective images that speak of strength and fragility, anger and illusions; powerful images that reflect disappointment, tender images sometimes that reflect hopes, small images with big ambitions, served so much better by a postcard format than by flattering enlargements; apt images in photographic aphorisms that are, more than those of a moralist, the sentences of a philosopher which, with their concluding words, always manage to move us.
Also on view:
Jérôme Cortie. Paradise
Hongsuk Ahn. Till the humming sleeps

05.10.2024 > 26.01.2025

CHARLEROI


The Photography Museum
Avenue Paul Pastur 11
6032 Charleroi

01.02.2025 > 18.05.2025

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Studio Stone

The Photography Museum in Charleroi and the Amsab - Institut d’Histoire Ouvrière et Sociale in Ghent are joining forces to present the work of avant-garde photographers Cami and Sasha Stone.
Also on view:
Jean-Marc Wull. Les portraits retrouvés
Lucie Pastureau

01.02.2025 > 18.05.2025

GAND

The restoration studio at the MSK during the third phase of the restoration of the Ghent Altarpiece © Sint-Baafskathedraal, Art in Flanders vzw. Photo: Martin Corlazzoli


MSK - Museum of Fine Arts
Fernand Scribedreef 1
9000 Ghent

02.05.2025 > 01.03.2026

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Restoration of the Ghent Altarpiece

Since 2023, seven panels of The Adoration of the Mystic Lamb by the Van Eyck brothers (more commonly known as the Ghent Altarpiece) have been undergoing restoration in the heart of the Museum of Fine Arts in Ghent (MSK). Visitors could already follow the campaign from 2012 to 2019, and now the remaining panels are in the museum for the final restoration phase. During the week, the restorers of the Royal Institute for Cultural Heritage (KIK-IRPA) can be seen live at work, in the studio behind glass. At the weekend, the panels are placed in a location visible to visitors.

02.05.2025 > 01.03.2026

GAND

Erich Heckel, Frühling, 1918, bpk - Nationalgalerie, SMB © VG Bild-Kunst, Bon


MSK - Museum of Fine Arts
Fernand Scribedreef 1
9000 Ghent

12.10.2024 > 26.01.2025

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Erich Heckel

The German artist Erich Heckel (1883-1970) was one of the leading figures of German Expressionism and a co-founder of the artists' association Die Brücke. During World War I, he worked as a nurse for the Red Cross in Roeselare, Ostend, and Ghent. His fascination with the Flemish landscapes and cities is reflected in his striking artworks: romantic and expressive, spiritual and tangible, and above all, hopeful. With this monographic exhibition, the MSK has chosen to highlight a lesser-known but particularly intriguing period of this influential artist’s work.

12.10.2024 > 26.01.2025

GAND

© Interieur Jan en Lieve Andries-Vanlouwe met werk van o.a. Robert Mangold, Mark Rothko en Gerhard Richter. Foto: Caroline Monbailliu


Museum Dhondt-Dhaenens
Museumlaan 14
9831 Sint-Martens-Latem

17.11.2024 > 06.04.2025

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Eloquent Formalism. Collection Andries–Vanlouwe

MDD has officially inaugurated the renovated annexe with the exhibition Eloquent Formalism, presenting a wide selection from the Andries-Vanlouwe Foundation collection together for the first time. The collection of Jan and Lieve Andries-Vanlouwe was initiated during the Cold War period. The canon of European art history still seemed valid, and the narratives about art as a means of communication across borders and continents remained relatively undisputed. The collection reflects a deep-seated belief in a democratic and open-minded idea of art. Artists: Pierre Alechinsky, Lawrence Carroll, Lucio Fontana, Isa Genzken, Hans Hartung, Imi Knoebel, Eugène Leroy, René Magritte, Robert Mangold, Nic Nicosia, Panamarenko, Serge Poliakoff, Gerhard Richter, Mark Rothko, Léon Spilliaert, Mitja Tušek, Luc Tuymans, Koen van den Broek, Dan Van Severen, Hilde Van Sumere, Marthe Wéry

17.11.2024 > 06.04.2025

GAND

© Blinky Palermo. Foto: Angelika Platen


Museum Dhondt-Dhaenens
Museumlaan 14
9831 Sint-Martens-Latem

17.11.2024 > 06.04.2025

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Out of this World

The joint exhibition Out of this World brings together a comprehensive selection of works by German artists Imi Knoebel (born 1940) and Blinky Palermo (1943-1977). 
Both Knoebel and Palermo, each in his own unique way, examine art from the inside—as an idiosyncratic cosmology determined and regulated by the artist—as well as from the outside—reflecting on the status of the creative outcome as an object in the world. Both artists are known for their exploration of the specific architectural givens of the physical site of display, which will make the spaces of Museum Dhondt-Dhaenens an integral part of the exhibition. 
 

17.11.2024 > 06.04.2025

GAND

Sculptures by Canova in front of the funerary church in Possagno (I), 1942. Photo: Siro Serafin, FAST Treviso


Roger Raveel Museum
Gildestraat 2-8
9870 Machelen-aan-de-Leie

03.11.2024 > 09.02.2025

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MONOS. Artist Museums: Shrines and Reflections

This exhibition examines the typology of the monographic museum. Particular histories, specific museum aspects and architectural programmes are highlighted on the basis of several case studies of artists' museums at home and abroad. Paintings, drawings, photographs, models, archival and other documentary material are brought together in fascinating thematic rooms.

03.11.2024 > 09.02.2025

GAND

Roger Raveel, De leegte om mij heen, 1979 © Collection Roger Raveel Museum - Flemish Community


Roger Raveel Museum
Gildestraat 2-8
9870 Machelen-aan-de-Leie

13.10.2024 > 09.02.2025

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Emptiness around me. A temporary farewell to the Roger Raveel Museum

The museum is preparing for a temporary farewell: it will close its doors in spring 2025 for renovation works that will take just over a year. The museum halls will be stripped down and a selection of works from the collection will be hung sparingly. The focus shifts to Raveel's later works in which the colour white plays a leading role.

13.10.2024 > 09.02.2025

GAND

© Rony Heirman


Roger Raveel Museum
Gildestraat 2-8
9870 Machelen-aan-de-Leie

03.11.2024 > 09.02.2025

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25th anniversary of the Roger Raveel Museum

The museum looks back on its 25 years of existence through photographs, archives, an overview of exhibitions and highlights, and video interviews with the honorary curators Roland Jooris and Piet Coessens, amongst others. Special attention is also paid to the architecture, a design by Stéphane Beel, and the construction history of the Roger Raveel Museum.
 

03.11.2024 > 09.02.2025

GAND

Joris Van de Moortel, The 7 Sacraments/Elements for a performance, the day, 2023-2024 , Oil on linen and artist’s wooden frame 280 x 321 cm 282 x 323 cm (framed). Courtesy of the artist


S.M.A.K. – Municipal Museum of Contemporary Art
Jan Hoetplein
9000 Ghent

05.10.2024 > 02.03.2025

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HELL ON EARTH, in search of Pur, Nur and Fur - Joris Van de Moortel

For more than 15 years, Joris Van de Moortel (Ghent, 1983) has been building his multidisciplinary oeuvre, which transcends borders and defies conventions. His studio is akin to a laboratory of the imagination, where he experiments with materials and ideas like a modern alchemist. With HELL ON EARTH, in search of Pur, Nur and Fur, the artist has created an overwhelming installation that fills and transforms the space of the S.M.A.K.. New oil paintings, watercolours, models, sculptures, videos and music converge in an almost esoteric setting, in which every corner tells a story, by turns hopeful and apocalyptic.

05.10.2024 > 02.03.2025

HASSELT

© Lucy McKenzie


Z33 - House for Contemporary Art, Design & Architecture
Bonnefantenstraat 1 / 3500 Hasselt

29.09.2024 > 23.02.2025

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Lucy McKenzie

Z33 is presenting the first large institutional solo exhibition in Belgium by the Scottish artist Lucy McKenzie (Glasgow, 1977), who has been based in Brussels since 2006. McKenzie will respond to the distinctive architectural volumes of the new exhibition wing, Vleugel 19, with a series of scenes that echo public and semi-public spaces ‒ including a shopping street, a train station and a fairground ‒ as well as focusing on the domestic space. The exhibition will feature several major new commissions, including works inspired by the mid- to late-nineteenth-century craze for moving panoramas – a precursor of twentieth and twenty-first-century cinema and immersive entertainment.

29.09.2024 > 23.02.2025

HORNU

Stéphane Couturier TOYOTA Série Melting Point #01 2005 © Adagp Stéphane Couturier


CID - Innovation and design centre
Site du Grand-Hornu, Rue Sainte-Louise 82
7301 Hornu

06.10.2024 > 16.02.2025

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Autofiction

The automobile is an unusual object, one that imposes its own madcap infrastructure on the world, as well as shaping the landscape and the atmosphere just as much as our imaginations: an object located in the blind spot of our day-to-day lives. More than 1.2 billion automobiles are on the roads around the world today. Presented in 2022 at the Cité du design as part of the 12th Saint-Étienne International Design Biennial, the Autofiction exhibition has been adapted to reflect the latest developments on the subject of the automobile object for its presentation at the CID.

06.10.2024 > 16.02.2025

HORNU

© Daniel Turner


MACS - Museum of contemporary art
Site du Grand-Hornu, Rue Sainte-Louise 82
7301 Hornu

15.12.2024 > 06.04.2025

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Daniel Turner

Daniel Turner (USA, 1983) works with abandoned infrastructure, recovering and working with found elements to make the spirit of places tangible. For his first museum exhibition in Belgium, he has worked with a particularly highly charged site, namely the Prison de Forest. Taking advantage of the dismantling of the prison, he explored the space and collected materials capable of recording the initial sensations generated by this carceral environment

15.12.2024 > 06.04.2025

LA LOUVIÈRE

Rachel Labastie, Femme proue, 2021. Collection de l'artiste. Photo Keramis


Keramis – Ceramics Centre
Place des Fours-Bouteilles 1
7100 La Louvière

16.11.2024 > 02.03.2025

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L’obscur objet des désirs les plus clairs. Rachel Labastie and Nicolas Delprat

She is a ceramist and sculptor, he is a painter. A couple in both art and life, sharing a studio in Brussels since 2011, Rachel Labastie and Nicolas Delprat have carte blanche this autumn at Keramis. Born in Bayonne in 1978, Rachel Labastie creates sculptures and installations dominated by the presence of earth, baked or raw. Born in Rennes in 1972, Nicolas Delprat reflects on the value of light in painting and its status as both subject and object throughout the history of art, from the invention of photography to the light object in contemporary art, recalling the installations of Dan Flavin or the environments of James Turrell.

16.11.2024 > 02.03.2025

LA LOUVIÈRE

Gustave Marchoul, Aube automnale, 1989, Xylography / 5 colours, 60.5 x 42 cm


The Centre for Engravings and Prints (CGII)
Rue des Amours 10
7100 La Louvière

24.01.2025 > 18.05.2025

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Those of Marchoul

This exhibition showcases the great Belgian engraver Gustave Marchoul (1924-2015). CGII has chosen to offer an original point of view by proposing an exhibition showing this Master’s influence on those who frequented him, notably through his teachings. Organised across two floors of the museum, the exhibition presents both his practice and that of his close friends and family, his students (a fascinating selection of fifteen French-speaking Belgian artists) at the Mons school (where he taught for two years) and then at La Cambre (from 1966 to 1989), as well as his book workshops at the Musée Royal de Mariemont. Two hundred works are on display in a never-before-seen presentation.

24.01.2025 > 18.05.2025

LEUVEN

‘Richtingen’, Peter Morrens, 2020, Flemish Community Collection at M Leuven, photo: We Document Art, courtesy Kristof De Clercq Gallery


M Leuven
Leopold Vanderkelenstraat 28
3000 Leuven

11.10.2024 > 02.03.2025

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Peter Morrens – OEEEEEEUUUUVVRE

Peter Morrens (Belgium, 1965) is bringing his multifaceted oeuvre to M. His work encompasses paintings, drawings, photographs, installations and performances. Language, sound and image converge in his practice, in which knowing and not-knowing are inextricably intertwined. With disruptive humour and often searing images, the artist questions the things around him. His work is both playful and generous. It challenges a wealth of conventions and prejudices, lending it a provocative and contemplative character.

11.10.2024 > 02.03.2025

LEUVEN

‘Marshes of Genk’, Rodolphe de Lexhy, 1894, Collection M Leuven, artinflanders.be photo: Cedric Verhelst | ‘I Sea' (detail), Tina Gillen, 2018, Flemish Community Collection at M Leuven, photo © the artist


M Leuven
Leopold Vanderkelenstraat 28
3000 Leuven

29.06.2024 > 29.04.2029

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Collection of M

Collection of M’ spans several centuries: from ancient masters to contemporary makers and everything in between. The new displays showcase the richness of M’s collection and challenge visitors to actively look. Masterpieces and little-known gems reveal unexpected parallels or highlight the burning issues of the day. The presentation beings out the diversity of the collection in all its fascinating depth. Sculpture, painting, video, ceramics, glass ... The displays feature every conceivable media and discipline: historical objects from the Middle Ages, contemporary artworks and an array of masterpieces from other periods, some of the works being exhibited for the first time. Various themes and stories come to the fore, sometimes in an obvious way, and at other times more subtly. What do artworks communicate that isn’t perhaps visible?

29.06.2024 > 29.04.2029

LIÈGE

Paul Delvaux, La Gare forestière, 1960, collection Foundation Paul Delvaux © Foundation Paul Delvaux, Belgium/SABAM 2024 © Photo Vincent Everarts


La Boverie
Parc de la Boverie
4020 Liege

04.10.2024 > 16.03.2025

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The worlds of Paul Delvaux

As part of the 100th anniversary of Surrealism, Paul Delvaux (1897-1994), a leading figure in twentieth-century Belgian painting, is being honoured in a major exhibition. Taking a novel approach, the exhibition reveals little-known facets of this artist, known as the painter of women and railway stations. Through his paintings, drawings and objects, placed alongside each other or alongside the work of other artists, The worlds of Paul Delvaux provides an exceptional insight into Delvaux's place in Surrealism, and in the history of art more broadly. The aim is to shed new light on a timeless body of work, revealing its complexity and engaging in a fresh dialogue with modern-day visitors.

04.10.2024 > 16.03.2025

MARIEMONT

© Musée de Mariemont


Royal Museum of Mariemont
Chaussée de Mariemont 100
7140 Morlanwelz

21.09.2024 > 20.05.2025

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Buddha

This year, Mariemont is showcasing its Asian collections! And who better than the figure of Buddha to embody the collective imaginary of East Asia? The exhibition examines the many representations of Buddha, the Buddhist pantheon and rituals. Every sculpture, painting and sacred object on display carries a meaning, a devotion, an active significance. The exhibition is an experience in which audiences are invited to create, offer, meditate and participate. Mariemont is embarking on a new path: that of the sensitive, multi-sensory prism

21.09.2024 > 20.05.2025

MALINES

Maarten de Vos, De Overvloed, 1584, Museo de la Real Academia de Bellas Artes de San Fernando, Madrid


Museum Hof van Busleyden
Frederik de Merodestraat 65
2800 Mechelen

14.12.2024 > 16.03.2025

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Eternal Spring. Gardens and Tapestries in the Renaissance

This winter, Museum Hof van Busleyden in Mechelen is tempering the wait for spring with a lavish exhibition that pays homage to the rebirth of nature. Eternal Spring. Gardens and Tapestries in the Renaissance brings the splendour and magnificence of lush Renaissance gardens to life with imposing tapestries and other artistic treasures from the collection of Antoine Perrenot de Granvelle. At the same time, the exhibition aims to expose the tension between human artifice and nature. After all, our desire to shape nature is timeless, and remains a burning issue to this day.

14.12.2024 > 16.03.2025

MONS

Jane Graverol, Le Regard, 1973, oil on canvas © Sabam Belgium 2024


CAP - Fine Arts Museum Mons
Rue Neuve 8
7000 Mons

19.10.2024 > 16.02.2025

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Surrealism: turning reality upside down

This exhibition about Surrealism in Belgium is part of the celebrations commemorating the birth of the movement in 1924. The Surrealist object has attracted attention from international museums for several years, but no exhibition has yet been devoted to the subject from the specifically Belgian perspective. Yet objects are central to the very definition of Surrealism. They are directly linked to the quest for social impact that characterises the movement. This exhibition explores the history of objects (three-dimensional objects, but also those featuring in poetry, painting, photography, collage and film) within Surrealism during the 1920s and 1930s, and then in the new consumer society that developed after the war. It places particular emphasis on the multiple relationships between Surrealism and commercial imagery.

19.10.2024 > 16.02.2025

Namur

Panneau décoratif Vierge de l'Annonciation © Paris, Musée du Louvre


TreM.a – Musée des Arts anciens du Namurois
Hôtel de Gaiffier d’Hestroy
Rue de Fer 24 – 5000 Namur

15.11.2024 > 16.02.2025

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Reflections of the Orient in the Middle Ages

A place of welcome, dialogue and exchange, the land of the Pharaohs has never ceased to captivate civilisations and leave its mark, far beyond the boundaries of time and geography. From ancient times, Egypt - and Alexandria in particular - became an unrivalled cultural and intellectual crossroads, where ancient, Jewish and Christian - and later Islamic - traditions blended harmoniously and enriched each other. The unsuspected cradle of Christianity and crucible of the medieval Western imagination, Egypt became a major centre for the dissemination of Christian thought from the first centuries of our era, witnessing the emergence of one of the oldest expressions of Christianity: the Coptic Church. Reflections of the Orient in the Middle Ages - Egypt at the crossroads of cultures invites you to rediscover this land of syncretism, a veritable link between East and West.
 

15.11.2024 > 16.02.2025

SENEFFE

Thierry Bontridder, Necklace Wake-Up, 2023


Domaine du Château de Seneffe
Rue Lucien Plasman 7-9
7180 Seneffe

03.12.2024 > 11.11.2025

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Thierry Bontridder. Sculpteur de bijoux (1981-2024)

Thierry Bontridder, a Belgian jewellery designer, is renowned for the originality of his creations, working withunusual materials such as titanium, acrylic glass and nylon. Gradually, his artistic work shifted from jewellery, which is essentially sculptural, to actual sculpture, culminating in monumental, public works of art. His jewellery follows the same principles as his sculptures, with simple curves and shapes, playing on translucence and opacity, with subtle dialogues between light, space and colour.

03.12.2024 > 11.11.2025