24 - UARY 31 JANUARY RUARY 2027

BRUSSELS EXPO | HEYSEL

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Artworks

This section will be available this Autumn.

Galerijen
Galerijen Galerie bei der Albertina ▪ Zetter Franck Anelli Fine Art W. Apolloni - Laocoon Gallery Argento Gallery Ars Antiqua d'Arschot & Cie Artimo Fine Arts Galerie Ary Jan Galerie BA - Berthet Aittouarès HELENE BAILLY MARCILHAC Véronique Bamps Galleria Barovier&Toso F. Baulme Fine Arts Beck & Eggeling International Fine Art Galerie Berès Bernardini Milano Bernier/Eliades Galeria Bessa Pereira Galerie BG Arts Boon Gallery Galerie Alexis Bordes Bernard Bouisset Galerie Boulakia Galerie Nicolas Bourriaud Brame & Lorenceau Brun Fine Art Burzio Cabinet of Curiosities - Honourable Silver Objects Galerie Capazza Caretto & Occhinegro Guillaume Castellano Galerie Jean-François Cazeau Galerie Cento Anni Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM) CKS Gallery Collectors Gallery COLNAGHI Costermans Couck Art Gallery Dalton Somaré De Brock De Jonckheere Galerie Oscar De Vos De Wit Fine Tapestries De Zutter Art Gallery Dei Bardi Art Thomas Deprez Fine Arts Patrick Derom Gallery Desmet Fine Arts Virginie Devillez Fine Art DIE GALERIE Douwes Fine Art b.v. Epoque Fine Jewels Finch & Co Galerie Flak A&R Fleury Galerie Christophe Gaillard Galerie des Modernes Grusenmeyer-Woliner Galerie Hadjer Galerie Haesaerts-le Grelle Heutink Ikonen Galerie Hioco Huberty & Breyne Galerie Hurtebize rodolphe janssen Francis Janssens van der Maelen Kunsthaus Kende Harold t’Kint de Roodenbeke Florian Kolhammer Labellov Alexis Lartigue Lemaire Galerie Lowet de Wotrenge LUDORFF Francis Maere Fine Arts Maison D'Art Martos Gallery MARUANI MERCIER MassModernDesign Galerie Mathivet Mearini Fine Art Galerie Greta Meert Meessen Galerie la Ménagerie Mulier Mulier Gallery Jan Muller Antiques Klaas Muller NARDI VENEZIA Spazio Nobile Gallery Nosbaum Reding Dr. Nöth kunsthandel Objects With Narratives Opera Gallery Galeria Jordi Pascual Galerie La Patinoire Royale Bach Pauline's Jewellery Box Pelgrims de Bigard Galerie Alexis Pentcheff Christophe Perlès Galerie Perrin Guy Pieters Gallery Gallery de Potter d’Indoye Galerie de la Présidence Van Pruissen Asian Art Maison Rapin Almine Rech Stéphane Renard Fine Art Repetto Gallery robertaebasta Rueb Modern and Contemporary Art Laurent Schaubroeck Serge Schoffel - Art Premier Segoura Fine Art Anthony Short Antiques Edouard Simoens Gallery Herwig Simons Fine Arts Snackers Antiques & Fine Art Stems Gallery Marjan Sterk Fine Art Jewellery Stern Pissarro Gallery Stone Gallery Stoppenbach & Delestre Galerie Taménaga TASCHEN TEMPLON Galerie Tiago The old Treasury Galerie Patrice Trigano unforget Decorative Arts Univers du Bronze Galerie Uzal Vagabond Antiques Gallery Sofie Van de Velde Van Herck-Eykelberg Galerie Raf Van Severen Samuel Vanhoegaerden Gallery Maurice Verbaet Collection (MVC) Verdini Antiques Galerie von Vertes Axel Vervoordt VKD Jewels Galerie Florence de Voldère N. Vrouyr Waddington Custot Floris van Wanroij Fine Art Galerie Watteeu by Edouard & Andrea de Caters Victor Werner WHITFORD Willow Gallery
 

Verdini Antiques

Vincenzo Raffaelli Rome, Via del Babuino 93 Performed between 1835 and 1845 ca. Round top in colored marbles "pebble" samples 200 ca. Diameter 91.2 cm = 3 Roman feet Thickness 5.2 cm = 2 Roman inches The round top in colored marble that we are dealing with, is a real "pebble" sample made of ancient "excavation" marble and modern marble, that is, used after the sixteenth century such as Malachite, Portoro or Napoleonic Orbicular Granite etc. The particularity and rarity of this table is given by the fact that the samples of marbles used, in addition to being rare then (and even more so today), were worked differently from all the other types of samples that were made between the eighteenth and nineteenth centuries. The sample tables of this period generally have a frame in black marble from Belgium or other fine marbles, which contains all the rare colored samples committed.

 

Galerie Taménaga

Jean Fautrier (1898–1964) Tête 1927 Oil on canvas 35 x 27 cm Signed upper right: “Fautrier” Provenance Jean-Paul Ledeur, Paris Exhibitions Hamburg, Kunstverein, Jean Fautrier, 19 May–17 June 1973, no. 16. Amsterdam, Stedelijk Museum / Zurich, Kunsthaus, Jean Fautrier, 11 January–4 May 1986, no. 35, illustrated p. 25. Paris, Galerie Jeanne Castel, 1986. Bibliography Marcel-André Stalter, Recherches sur la vie et l'œuvre de Jean Fautrier (1898–1964) de leurs commencements à 1940. Essai de catalogue méthodique et d'interprétation, doctoral thesis, Université de la Sorbonne, Paris IV, 1982, no. 319. Marie-José Lefort, Fautrier. Catalogue raisonné de l'œuvre peint, Éditions Norma, Paris, 2023, no. 256, illustrated p. 199.

 

Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM)

PICASSO (P.) – PARMELIN (H.). Les Dames de Mougins. Paris, Imprimerie Union, 1964, presentation copy from Picasso to Dr. René-Albert Gutmann, one of his physicians, with an original drawing. PICASSO (P.). Felt-tip pen drawing. 298 x 270 mm. Signed and dated "Diego Picasso, 8.11.65, and Jacqueline [Picasso]". Librairie Lardanchet, Antiquarian bookseller

 

Gallery Sofie Van de Velde

Victor Servranckx (1897 Diegem BE – 1965 Vilvoorde BE) Opus 20, (Calm Blocks Fallen from an Obscure Disaster), 1927 Signed and dated lower left: SERVRANCKX 1927 Oil on canvas 146 × 81 cm Thanks to a photograph showing the artist during his solo exhibition at the Palais des Beaux-Arts (Brussels) in January 1929, we know that the painting was exhibited there. Félix Carlier acquired the work at the group exhibition (featuring works by De Boeck, Flouquet, Gailliard, and Servranckx) at Galerie Le Centaure in Brussels in 1929. Provenance: Félix Carlier, Waermael-Boisfort (purchased from Galerie Le Centaure, Brussels, 1929) Galerie J.-P. Alaerts, Brussels London, Christie’s, 16 October 1990, lot no. 61 (illus.) Lokeren, De Vuyst, 6 October 2001, lot no. 489 Private collection, Brussels Galerie Ronny Van de Velde, Antwerp Exhibitions: Brussels, Palais des Beaux-Arts, 1929 (no catalogue) Brussels, Galerie Le Centaure, Exhibition De Boeck, Flouquet, Gailliard, Servranckx, 1929, no. 33 Brussels, Palais des Beaux-Arts, 1947, no. 45 “146 × 92 cm” Brussels, Musée d’Ixelles/Museum van Elsene, Retrospective Le Centaure. Homage to Walter Schwarzenberg, 1963, no. 117 Brussels, Musée d’Ixelles/Museum van Elsene, 1965, no. 107 Hasselt, Provinciaal Begijnhof, 1970, no. 57 (illus.) Literature: La Nation belge (Brussels), 12th year, no. 48, 17 February 1929, p. 3 (illus.) Le Peuple (Brussels), 5th year, no. 48, 17 February 1929, p. 1 (illus.)

 

Bernardini Milano

Patek Philippe, Genève. Rare waterproof chronograph in rose gold, 1945 Extremely rare and well preserved waterproof Patek Philippe Ref. 1463 chronograph in rose gold, made in 1945, bearing a uniquely spotless two-tone rose dial. The reference 1463, known in the collector’s community as “Tasti Tondi” (round pushers). This is a very sought after version of Patek’s chronograph produced between the early 40’s and mid 60’s. This watch is complete of its appropriate extensible Gay Frères bracelet. This example is one of the conditions ever appeared in the last years. [05/08/26, 16:39:03] Max bernardini: Patek Philippe, Geneve. Extremely rare and well preserved waterproof chronograph in rose gold, made in 1945, bearing a uniquely spotless two-tone rose dial. The watch is complete of its appropriate extensible Gay Frères. Previously unknown to the market. [05/08/26, 16:45:19] Max bernardini: Ref. 1463, known in the collector’s community as “Tasti Tondi”(round pushers) This is a very sought after version of Patek’s chronograph produced between the early 40’s and mid 60’s. This example is one of the conditions ever appeared in the last years.

 

Galerie Watteeu by Edouard & Andrea de Caters

Pia Manu Room Divider Belgium, 1977 Concrete and Glass H 254 cm x W 233 cm x D 32 cm

 

Univers du Bronze

Rembrandt BUGATTI (1884-1916) DEUX ANTILOPES GOUDOU or "DEUX AMIS" (c. 1911) Bronze, richly dark brown patina à patine brun richement soutenu. H : 23.1 cm, L : 43.2 cm, D : 11.9 cm Signed "R. Bugatti", original cast and edition by "A.-A. Hébrard cire perdue Paris" (seal and inscribed in the wax "Fondu en 1925"), engraved "(13)". Cast in 1925.

 

Galerie Flak

Okvik “Madonna” An exceptional, large female figure Okvik culture, Old Bering Sea I Archaic Eskimo St. Laurent Island (Sivuqaq), Alaska Marine ivory 250 BC – 100 AD Height: 6 ¼ in. – 15.9 cm Provenance Collection Perry J. Lewis, USA Collection Galerie Flak, 2021 Private collection, acquired from the above Exhibition & Publication: “Espíritus del Agua”, Fundación La Caixa, Madrid & Barcelone, 1999 – 2000, planche 2, page 76 “Arctic Dreams”, Parcours des Mondes, 2021 (Galerie Flak)

 

Galerie Nicolas Bourriaud

MEESTER Raymond de (1904–1995) Yawning Leopard Bronze with a nuanced brown patina, signed ‘Rd de Meester de B’, titled ‘Yawning Leopard’ and dated ‘1928–29’ Batardy cast, numbered I/III, bearing the stamp ‘BATARDY CIRE PERDUE BRUXELLES’, and the inscriptions ‘Épreuve d’Artiste’ and ‘cire perdue’ H. 45.2 x W. 41.6 x D. 15.5 cm. Circa 1928–1929 Bibliography: Léonard Dieleman, Raymond de Meester de Betzenbroeck, Animal Sculptor, Gallery Dieleman, Brussels 1989, reproduced under number 5 Xavier de Ghellinck Vaernewyck, ‘de Meester de Betzenbroeck’, Nouvelle Biographie Nationale, Part 6, Royal Academy of Belgium, Brussels, 2001, pp. 133–135

 

robertaebasta

Gabriella Crespi ( 1922-2017) "Fungo" ( mushroom) standing lamp, brass stem and details, metacrilate diffuser. Italy, 1970s. Dimensions: diameter cm 70, H cm 77. Provenance: Private collection, Italy. Certificate of authenticity by Gabriella Crespi Archives, Milano.

 

Almine Rech

Hans Op de Beeck (b.1969, Turnhout, Belgium), 'Lily (White)', 2026. Mixed Media, 180 x 39 x 39 cm - 71 x 15 1/2 x 15 1/2 in. Edition 1/5 plus 2 APs. Provenance: Artist Studio . Exhibitions: Hans Op de Beeck, 'Vanishing Point', Sep 10 — Nov 7, 2026 | Almine Rech Brussels

 

Galerie Flak

Goli Glin Buffalo Mask Baule Ivory Coast Carved wood and pigments Early 20th century Height: 65.5 cm – 25 ¾ in. Provenance Collection Frank Crowninshield, New York, acquired before January 1936, presumably with the assistance of John D. Graham, New York Jacques Seligmann Gallery, New York, acquired from the above Collection of the Surrealist artist Enrico Donati (1909-2008), New York, acquired in the 1940s Exhibitions Jacques Seligmann Gallery, New York, “Exhibition of Sculptures of Old African Civilizations”, January 4 – January 22, 1936 Brooklyn Museum, New York, “African Negro Art from the Collection of Frank Crowninshield”, March 20 – April 25, 1937

 

Maison D'Art

KAREL VAN VOGELAER called CARLO DEI FIORI (Maastricht 1653 – Rome 1695) Still Life with Flowers Oil on canvas, 64.5 x 46 cm Literature: From Light to Enlightenment, Exhibition catalogue, Shanghai Art Museum, 2005, N 30, pp. 114-116, 150. Exhibited: From Light to Enlightenment, Exhibition in the Shanghai Art Museum, China, 12 -17 November 2005.

 

Galerie de la Présidence

Hans HARTUNG (1904-1989) « T1966-E40 » 1966 Vinyl paint on canvas and scraping 27 x 35 cm – 10.62 x 13.77 in. Signed and dated lower left Titled on the reverse, dedicated and signed Provenance - Waintrob collection, USA - Galerie Applicat-Prazan, Paris - Private collection, Paris This work is registered in the Archives of the “Fondation Hans Hartung & Anna-Eva Bergman” under number : T 1966-E40

 

Galerie von Vertes

Patty Raynes and son 1985 Acrylic and silkscreen ink on canvas 40.2 × 40.2 in., 102 × 102 cm Verso signed and dated 'Andy Warhol 85' Provenance: · Patty Raynes, USA (1985 directly acquired from the artist) · Private collection, USA (2022 acquired from the above) Background information: In 1985, Patty Raynes commissioned two works, this one with a yellow background and a second one with a white background. ‘Patty Raynes and Son’ from 1985 is one of a series of portraits in which Warhol no longer exclusively depicted global celebrities, but increasingly portrayed members of his social environment - individuals whose social position exerted a symbolic aura, even if they remained outside the pop-cultural canon. Patty Raynes came from a respected family of American industrialists, socialite and daughter of oil tycoon Marvin Davis, a fact that inevitably lends the work the character of a status portrait. Warhol, who was always concerned with the relationship between appearance and identity, addresses the portrait here as an expression of social affiliation. The subject, the depiction of a mother and child, is immediately reminiscent of the archetypal motifof the Madonna and Child. Warhol adopts this traditional pictorial form but transforms it into a contemporary icon: the sacred content isdisrupted by the screen-printing technique, giving the scene a cool, distanced character. · Patty Haynes and son emerge from this mature period in Warhol’s oeuvre, when the artist extended his repertoire of subjects to include his panoply of famous friends, artists, actors, and socialites. A collection idolizing the who’s who of New York, Warhol intended for the 40 by 40-inch series to be exhibited together in a “Portrait of Society,” a dream eventually realized at the artist’s retrospective Andy Warhol—From A to B and Back Again at the Whitney Museum in New York in 2018.

 

Univers du Bronze

François-Xavier LALANNE (1927-2008) LAMPE PIGEON (Circa 1991) Copper with patinated bronze, polished glass H : 21.1 cm, L : 26.5 cm, D : 13.5 cm Monogramed "FXL" on the right side of the tail, stamped "Artcurial" and numbered "539/900" on the left side of the tail. Circa 2000

 

Meessen

Claudio Parmiggiani Senza titolo, 2018 Smoke and soot on wood 150 x 115 cm

 

Galerie Jean-François Cazeau

Niki de SAINT PHALLE (1930-2002) La Force (Strenght), 1987 Painted polyester resin Edition of 10, numbered 3/10 Artist's signature and number « 3/10 Niki de Saint Phalle » (on a plaque affixed to the underside) 35 x 53.3 x 29.2 cm Provenance: Artist's studio Gallery Gimpel Fils, Londres Private collection, acquired in 1989 Private collection, France

 

Willow Gallery

André Lhote Bordeaux 1885 – Paris 1862 Pique-nique à Mirmande Oil on paper, laid down on canvas, signed. Painted in 1939 Paper size: 42 x 50in / 106 x 127cm Frame size: 50.5 x 58.5in / 128 x 149cm Provenance: Simone Lhote, Paris (wife of the artist). Suzanne Bermann, Paris (by descent from the above). Soufer Gallery, New York (acquired from the above, 1988). Acquired from the above by the late owner, March 1991. Private Collection, Chicago Exhibited: New York, Soufer Gallery, André Lhote: Cubism and Later Periods, April-May 1988 (illustrated in color; dated 1927). Literature: This work is accompanied by a certificate of authenticity from Dominique Bermann Martin and will be included in her forthcoming Lhote catalogue raisonné.

 

Guy Pieters Gallery

Pierre Alechinsky Paysage impressionné 1959 Oil on canvas H 205 cm x W 289 cm

 

Epoque Fine Jewels

René Lalique (1860 – 1945) Materials: 18-karat yellow gold, 'plique-à-jour' enamel and polychrome enamel, old mine cut diamonds, citrine and pearls. Description: An important Art Nouveau dragonfly brooch by René Lalique, in 18-karat gold, designed as two opposing dragonflies with delicate wings of translucent plique-à-jour enamel, accented with old mine-cut diamonds. At the centre, the dragonflies clasp a cushion-shaped orange citrine, their bodies and legs enhanced with polychrome enamel. Graduated pearls trace the extremities of the wings, lending the composition a graceful sense of movement and lightness, characteristic of Lalique’s jewellery at the height of the Art Nouveau period. Signed Lalique. Paris, circa 1903. Dimensions: 11.6 x 4.4 cm Accompanied by its original fitted case marked R. Lalique, 40, Cours-la-Reine, Paris, monogrammed 'E.A.'

 

rodolphe janssen

Gert & Uwe Tobias (R., 1973, Brasov) Untitled (GUT/H 3381/01), 2026 Coloured woodcut on canvas 140 x 120 cm 55 1/8 x 47 1/4 in Ed. 1/2 Provenance: Artists Studio

 

Desmet Fine Arts

A silver and coral crown of thorns 'Corona di spine' Sicily (probably Trapani) 18th century In the tradition of Sicily's Trapani silversmiths and coral-workers Silver and coral (Corallium Rubrum) H 6 x W 22 cm

 

Dei Bardi Art

Saint Peter Circle of Daniel Mauch
 Upper Rhine, circa 1490
 Walnut bust 39,2 x 49,5 x 26 cm (with base) Provenance: private Rhenish collection Literature: Antlitz des Mittelalters Mittelalterliche Bildwerke aus rheinischem Privatbesitz, ed. Reinhard Karrenbrock and Claudia Lichte, with technical studies by Michael Rief and Ulrike Villwock, Rottweil/Aachen, 1999, n° 33, pp. 108–110 Exhibitions: Dominikanerforum, Rottweil, 31 October 1999 – 6 January 2000; Suermondt-Ludwig-Museum, Aachen, 4 March – 21 May 2000

 

Dr. Nöth kunsthandel

Raoul Dufy, CERES AU BORD DE LA MER, 1928, Gouache on paper, 49, 5 x 63, 5 cm, signed lower middle, Certificate Fanny Guillon-Laffaille, will be published in catalogue raisonné des Aquarelles, gouaches and pastels , Provenance: Hartford, Wadsworth Atheneum 1959, No. 24; Fr. Gershwin Godowski collection, Sotheby´s New York, 12.05.1999, lot 373

 

Galerie Taménaga

Pierre ROY-CAMILLE (b.1979) Ancinel 2026 Acrylique sur toile - Acrylic on canvas 182 x 99 cm Artist's studio

 

robertaebasta

 

Brame & Lorenceau

Olivier Debré (1920-1999) Bleu signe personnage, 1960-1961 Huile sur toile Signé, daté et titré au dos 200 x 97 cm Exposition Musée Galliera, Paris, Olivier Debré, 1968, No. 29

 

Maison D'Art

SANTI DI TITO (Borgo San Sepolcro, 1536 - Florence, 1603) Holy Family with Saint Joseph Reading and the Young Saint John the Baptist Oil on wood panel 93.4 x 68.3 cm Provenance: Property sold by Order of the Trustees of Mrs. Hue-William Property Settlement and The Executors of. Mrs. Hue-Williams Estate Sotheby's Old Master Paintings, 20th April 1994, as Florentine School, 16th Century, The Holy Family, lot 138.

 

Galerie Flak

U’u Club Marquesas Islands, Polynesia 18th or 19th century Carved wood and fibers Height: 138.5 cm – 54 ½ in. Provenance Collection David Petty, London Collection Pierre-Richard Royer, Paris Collection Alexandre Bernand, Paris Private collection, acquired from the above in September 2016 Exhibition TEFAF 2024, Maastricht, Serge Schoeffel, catalogue T3, p. 28

 
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