24 - UARY – 31 JANUARY RUARY 2027

BRUSSELS EXPO | HEYSEL

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Artworks

This section will be available this Autumn.

Galerijen
Galerijen Galerie bei der Albertina ▪ Zetter Franck Anelli Fine Art W. Apolloni - Laocoon Gallery Argento Gallery Ars Antiqua d'Arschot & Cie Artimo Fine Arts Galerie Ary Jan Galerie BA - Berthet Aittouarès HELENE BAILLY MARCILHAC Véronique Bamps Galleria Barovier&Toso F. Baulme Fine Arts Beck & Eggeling International Fine Art Galerie Berès Bernardini Milano Bernier/Eliades Galeria Bessa Pereira Galerie BG Arts Boon Gallery Galerie Alexis Bordes Bernard Bouisset Galerie Boulakia Galerie Nicolas Bourriaud Brame & Lorenceau Brun Fine Art Cabinet of Curiosities Galerie Capazza Caretto & Occhinegro Guillaume Castellano Galerie Jean-François Cazeau Galerie Cento Anni Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM) CKS Gallery Collectors Gallery COLNAGHI Costermans Couck Art Gallery Dries Criel Dalton Somaré De Brock De Jonckheere Galerie Oscar De Vos De Wit Fine Tapestries De Zutter Art Gallery Dei Bardi Art Thomas Deprez Fine Arts Patrick Derom Gallery Desmet Fine Art Virginie Devillez Fine Art DIE GALERIE Douwes Fine Art b.v. Epoque Fine Jewels Finch & Co Galerie Flak A&R Fleury Galerie Christophe Gaillard Galerie des Modernes Grusenmeyer-Woliner Galerie Hadjer Galerie Haesaerts-le Grelle Philippe Heim Heutink Ikonen Galerie Hioco Huberty & Breyne Galerie Hurtebize Pauline Janssen rodolphe janssen Francis Janssens van der Maelen Kunsthaus Kende Harold t’Kint de Roodenbeke Florian Kolhammer Labellov Alexis Lartigue Lemaire Galerie Lowet de Wotrenge LUDORFF Francis Maere Fine Arts Maison D'Art Martos Gallery MARUANI MERCIER MassModernDesign Galerie Mathivet Mearini Fine Art Galerie Greta Meert Meessen Galerie la Ménagerie Mulier Mulier Gallery Jan Muller Antiques Klaas Muller NARDI VENEZIA Nosbaum Reding Dr. Nöth kunsthandel Objects With Narratives Opera Gallery Galeria Jordi Pascual Galerie La Patinoire Royale Bach Pelgrims de Bigard Galerie Alexis Pentcheff Christophe Perlès Galerie Perrin Guy Pieters Gallery Gallery de Potter d’Indoye Galerie de la Présidence Van Pruissen Asian Art Maison Rapin Almine Rech Stéphane Renard Fine Art Repetto Gallery robertaebasta Rueb Modern and Contemporary Art Sceners Gallery Laurent Schaubroeck Serge Schoffel - Art Premier Segoura Fine Art Anthony Short Antiques Ltd. Edouard Simoens Gallery Herwig Simons Fine Arts Snackers Antiques & Fine Art Spazio Nobile Stems Gallery Marjan Sterk Fine Art Jewellery Stern Pissarro Gallery Stone Gallery Stoppenbach & Delestre Galerie Taménaga TASCHEN TEMPLON Galerie Tiago The old Treasury Galerie Patrice Trigano unforget Decorative Arts Univers du Bronze Galerie Uzal Vagabond Antiques Gallery Sofie Van de Velde Van Herck-Eykelberg Galerie Raf Van Severen Samuel Vanhoegaerden Gallery Maurice Verbaet Collection (MVC) Verdini Antiques Galerie von Vertes Axel Vervoordt VKD Jewels Galerie Florence de Voldère N. Vrouyr Waddington Custot Floris van Wanroij Fine Art Galerie Watteeu by Edouard & Andrea de Caters Victor Werner WHITFORD Willow Gallery
 

De Zutter Art Gallery

Christo (Gabrovo 1935-2020 New York) and Jeanne-Claude (Casablanca 1935-2009 New York) Over The River, project for Arkansas river, State of Colorado, 1995 Pencil, pastel, charcoal, wax crayon, photograph by Wolfgang Volz, map and tape 244 x 144 cm

 

Caretto & Occhinegro

Jan Provoost (Mons 1465-1529 Bruges) Crucifixion with a view of the city of Bruges, circa 1512-1515 Oil on panel 31.5 x 25 cm Expertise by Peter van den Brink

 

Almine Rech

Farah Atassi (Brussels, 1981) The Shadow, 2026 Oil on canvas 195.3 x 114.3 cm Signed and dated on the back Provenance: the artist's studio Exhibitions: Farah Atassi, 'Metamorphosis', 26 June-31 July 2026, Almine Rech New York 'The Shadow' comes from a recent body of work in which Farah Atassi explored themes of metamorphosis and freedom. The central figure is a chimeric half woman-half flower that appears to flourish before our very eyes. Daphne - the nymph turned into a laurel tree to escape the god Apollo - comes to mind, a representation of transformation and transcendence. In 'The Shadow' the flower woman is organic, yet sculptural, retaining a distinct humanity that the artist has simplified, symbolised. While the composition is dreamlike and ethereal, a bold shadow brings a touch of realism, anchoring the twisting form to the pictorial plane. This work is a painting within a painting, a formal choice that allows Atassi to contrast two distinct realms while also interrogating the metamorphic potential of art. Notes of Magritte’s uncanny, atmospheric beauty emerge as the flower woman in 'The Shadow' is captured in the act of liberating herself from a canvas, striking out into the rosy dawn.

 

Bernardini Milano

Patek Philippe, Genève. Rare waterproof chronograph in rose gold, 1945 Extremely rare and well preserved waterproof Patek Philippe Ref. 1463 chronograph in rose gold, made in 1945, bearing a uniquely spotless two-tone rose dial. The reference 1463, known in the collector’s community as “Tasti Tondi” (round pushers). This is a very sought after version of Patek’s chronograph produced between the early 40’s and mid 60’s. This watch is complete of its appropriate extensible Gay Frères bracelet. This example is one of the conditions ever appeared in the last years. [05/08/26, 16:39:03] Max bernardini: Patek Philippe, Geneve. Extremely rare and well preserved waterproof chronograph in rose gold, made in 1945, bearing a uniquely spotless two-tone rose dial. The watch is complete of its appropriate extensible Gay Frères. Previously unknown to the market. [05/08/26, 16:45:19] Max bernardini: Ref. 1463, known in the collector’s community as “Tasti Tondi”(round pushers) This is a very sought after version of Patek’s chronograph produced between the early 40’s and mid 60’s. This example is one of the conditions ever appeared in the last years.

 

Galerie des Modernes

Jean Dubuffet (Le Havre 1901-1985 Paris) Personnage (buste) M. 406, 29 March 1967 Marker pen and gouache on paper with cut and pasted elements 45.5 x 26 cm Signed with the artist’s initials and dated lower right Annotated lower right Provenance: Jean Dubuffet collection, Paris; Ludovic Massé collection (1900–1982), Perpignan (gift from the artist, March 1968); private collection, France Literature: Max Loreau, 'Catalogue des Travaux de Jean Dubuffet, Fascicule XXII: Cartes, Ustensiles', Weber Publisher, Lausanne, 1972, pp. 145 and 188, ill. p. 145, n° 371

 

Galerie Ary Jan

Jean-Pierre Cassigneul (Paris, 1935) Profil Oil on canvas 65 x 54 cm Signed 'Cassigneul' lower left Countersigned and titled 'Profil' on the reverse Provenance: Taménaga Gallery, Japan; private collection, acquired from the gallery

 

Martos Gallery

Keith Haring Untitled 1984 sumi ink on paper 39 3/8 x 27 1/2 in; 100 x 69.8 cm

 

Galerie Taménaga

Pierre Roy-Camille (Paris, 1979) Ancinel, 2026 Acrylic on canvas 182 x 99 cm Provenance: the artist's studio

 

Opera Gallery

Pieter Obels (The Netherlands, Kruisland, 1968) Breath you in my dreams, 2026 Corten steel 220 x 130 x 135 cm Unique piece Provenance: the artist's studio

 

Jan Muller Antiques

Master of the Legend of Saint Lucy (1480-1510) 'Maria Lactans' Oil on panel 45 x 34 cm The gallery is grateful to Didier Martens for his attribution.

 

Galerie Oscar De Vos

Frits Van den Berghe (Ghent, 1883-1939) The companions, 1932 Oil on canvas 150 x 130 cm Signed lower right 'FVBerghe 32' Provenance: Alla and Bénédict Goldschmidt collection, Brussels Literature: Langui, Frits Van den Berghe en de jongere generatie, in: Kunst-Kultuur, yr. 1, 1940, p. 4; Van Hecke, Frits Van den Berghe, in: Les Peintres Contemporains, 1948, pp. 99-110, cat. 55; Van Hecke, A propos des deux expositions de Frits Van den Berghe, in: Les Arts plastiques, n° 5-6, 1948, pp. 240-242, pl. 55; Haesaerts, Sint-Martens-Latem. Gezegend oord van de Vlaamse kunst, 1965, n° 689; Langui, Frits Van den Berghe. Catalogue raisonné de son oeuvre peint (Bruxelles: Laconte, 1966), n° 396; Langui, Het Expressionisme in België, 1970, pl. 81, p. 128; Hoozee, Tahon-Vanroose & Bown-Taevenier, Frits Van den Berghe, 1983, p. 164; Boyens, Frits Van den Berghe, 1999, pp. 161, 233, n° 132; Boyens, Frits Van den Berghe, 1999, p. 290, n° 753; Pauwels, Als een fonkelenden spiegel, 2019, pp. 296-297 Exhibitions: Frits Van den Berghe en Joseph Cantré, 1933, Ghent, n° 6; Belgisk Konst, 1934, Stockholm, n° 204; Belgisk kunst - Belgisk utstillung av moderne kunst i Norge ordnet ved L'art contemporain i Antwerpen, 1934, Oslo, n° 204; Hedendaagse Belgische Kunst, 1937, Moscow & Leningrad, n° 9; Les Compagnons de l'Art, 1938, Brussels, n° 187; Deurle 6 July 1997 (The Deurle Conversation), 1997, Deurle; 1999, Ostend, Retrospectieve Frits Van den Berghe, n° 132

 

Finch & Co

Devotional crucifix of Christ Portuguese Goa, 17th Century Coromandel wood, gilded ivory, silver mounts H 107 x W 26 cm (Christ height 32 cm) Provenance: private collection, Ireland Belgium CITES: 2025/BE01024/CE A Fine and Large Portuguese Goa Devotional Crucifix the Polychromed and Gilded Ivory of Christ Crucified on a Coromandel Wood Cross Ornately Embellished with Baroque Silver Mounts standing on an integral Coromandel plinth The agonising Christ on the cross his head falling to his right with closed eyes mouth open in his call to God long hair carved in undulating locks to his shoulders the well defined torso with flexed muscles and rib cage the arms with veins threaded along their length his hands and feet pierced by silver nails his wounds polychromed red the edges of the perizonum gilded

 

Galleria Barovier&Toso

Fabrizio Plessi (Reggio Emilia 1940-2026 Dolo) Bottle Sculpture, 2025 Murano glass by Galleria Barovier&Toso 33 x 12 cm Signed by the artist 'Plessi'

 

Victor Werner

Svend Rathsack (Fredericia 1885-1941 Frederiksberg) Eve with the Serpent, 1941 Bronze garden sculpture with natural green patina H 128 x W 47 x D 37 cm Signed with the artist's monogram, dated '1941', and inscribed 'n°1' on the base Bears the foundry mark 'Lauritz Rasmussen, broncestøber, København' Provenance: acquired by the previous owner's aunt in 1941, where it remained in a garden in Charlottenlund until 2016; thence by descent

 

Galerie Greta Meert

Nathalie Du Pasquier ciotola di scudel 2026 oil on canvas 100 x 100 cm

 

Dries Criel

EOS Ring Inspired by Eos, the Greek goddess of the dawn. She who brings the first light of day, casting a golden glow across the horizon before the world awakens. A symbol of renewal, radiance, and quiet transformation. Crafted in sandblasted 18kt yellow gold, the ring carries a soft, sunlit warmth. Its matte surface evokes the first rays of morning light diffused through the atmosphere - gentle, luminous, and timeless. Rather than reflecting light sharply, the gold seems to hold it within, creating a subtle glow that feels both ancient and contemporary. At its centre rests an elongated, natural, step-cut diamond. Surrounding white diamonds accentuate the composition, enhancing the contrast between the softness of the gold and the crystalline purity of the central stone.

 

Galerie Hadjer

Fernand Léger (Argentan 1881-1955 Gif-sur-Yvette) Les Oiseaux dans les fleurs (mural composition), 1958 Aubusson tapestry, woven in wool 189 x 265 cm Signed 'F. LÉGER' Woven by the Pinton workshop, Aubusson, France Edition of 6 + 2 AP Accompanied by a certificate of authenticity from the Comité Fernand Léger Provenance: atelier Pinton, Aubusson, France; private collection, London Exhibitions: F. Léger, tapisseries, céramiques, bronzes, lithographies, Palais de la Méditerranée, Nice, 20 July - 30 September 1962; F. Léger et les arts décoratifs, Biot & Aubusson, 2002-2003; Literature: F. Léger et les arts décoratifs, exhibition catalogue, Biot & Aubusson, 2002-2003, another example from the edition ill. p. 34; Georges Bauquier, Fernand Léger, Catalogue raisonné de l’œuvre peint, 1952-1953, Paris, 2013, n° 1492, the related painted version ill. p. 57.

 

rodolphe janssen

Léon Wuidar (Liège, 1938) PLACES, 22 october 1973, 1973 Oil on canvas 82.7 x 116.8 cm Provenance: the artist's studio

 

MassModernDesign

Jorge Zalszupin (Warschau 1922-2020 São Paulo) and Julio Katinsky (Brazil, Salto 1932-2026 São Paulo) L'Atelier, Brazil 1959 Coffee table Hardwood, glass H 25 x W 140 x D 80 cm

 

Franck Anelli Fine Art

Ecole Anversoise du 16 ème siècle (vers 1540) Marie Magdalène Huile sur panneau, 47,7 x 32,7 cm Portrait en buste, le visage légèrement tourné vers la gauche, tenant une coupe en or. Elle porte une robe rouge à manches bouffante et ruban vert, orné de pierre et de perles avec des rubans incrusté à l’encolure et un collier son chapeau bleu violet est bordé d’un ruban à motif de diadème

 

Francis Maere Fine Arts

Louis Van Lint (Brussels, 1909-1986) Soleil Révélateur, 1968 Oil on canvas 148 x 200 cm Signed and dated 'Van Lint 68'

 

Galerie Alexis Bordes

Arsène Chabanian (Erzurum 1864-1949 Neuilly-sur-Seine) Moonlight on the Mediterranean coast Pastel on canvas 60 x 73 cm Signed lower right 'A. Chabanian' Provenance: private collection, France

 

Galerie Hurtebize

Marc Chagall (Vitebsk 1887-1985 Saint-Paul de Vence) Lumière du Cirque, 1969 Watercolour, pastel, gouache, coloured inks, and pencil on a black print lithograph M.566 38 x 52.3 cm Signed 'Marc Chagall' lower right Certificate of authenticity from the Comité Marc Chagall Provenance: private collection, France

 

Galerie Capazza

GOUDJI (1941-) Rhyton au zébu argent 1er titre (1st title silver) : 1 946 g, agate Poids total (total weight) : 2 376 g Poinçon de maître (master's mark) Atelier de l'artiste (artist's studio) Exposé à la galerie Capazza - Exhibited at galerie Capazza

 

Bernard Bouisset

Important diamond ring Fancy Yellow Intense 10,21 carats Clarity VS1 GIA Certificate Set with two white troïdias diamonds Signed Pederzani (Milano)

 

Maison Rapin

KAM TIN Dolmen, 2026 Dining table in Traonyx H 73 x W 230 x D 90 cm

 

Snackers Antiques & Fine Art

Pair of candelabra depicting Mercury and Fortuna Empire period, 1820 Gilded and patinated bronze H 100 x W 27 x D 27 cm Literature: Marie-France Dupuy-Baylet, L’Heure, Le Feu, La Lumière, Les Bronzes du Mobilier National 1800-1870, 2010, pp. 254-255 These impressive candlesticks are made of original gilded bronze and patinated bronze. An obelisk-shaped base with Mercury and Fortuna on it, symbolising trade and prosperity. This candlestick design is rare due to its dimensions, the beautiful detached bronze figure and the details in the form of RAM heads and claw feet.

 

Harold t’Kint de Roodenbeke

Pol Bury « L’étourdie » 1945 Oil on canvas 60 x 70 cm Signed lower right and dated 1945 Provenance Collection C. Matisse, La Louvière Vente Horta, Bruxelles, 12 oct 2009, lot 208 Private collection Liège This work is listed in the Catalogue raisonné of the Pol Bury paintings under number PO 46 Literature José Vovelle, « Le surréalisme en Belgique », Bruxelles, André De Rache éditeur, 1972, p. 248, illustrated p. 308. Viviane Baras-Flament, « Pol Bury, 2014 », ref bibliographiques, 1974, illustrated pl III. Philippe Roberts-Jones, « Naissance et triomphe du surréalisme en Wallonie », 1975, illustrated p. 297. Robert Hoozee, Piet Boyens, Inge Henneman, Monique Tahon-Vanroose, Helke Lauwaert, Serge Goyens de Heusch, Ronny Gobyn, « L’art moderne en Belgique 1900-1945 », Anvers, Fonds Mercator, 1992, illustrated p. 312 Rosemarie E. Pahlke, « Pol Bury », Gand, Crédit communal, 1994, p. 102-103, cat 45-6, illustrated p. 103. « Histoire de ne pas rire, le surréalisme en Belgique », Bozar et Fonds Mercator , 2024, illustrated p. 152. Exhibited Galerie Lou Cosyn, Bruxelles, Pol Bury, Juin 1946, n° 9. Musée des Beaux Arts de Liège, « L’apport Wallon au surréalisme », oct-nov 1955, n° 4, illustrated. La Louvière, « Introduction au surréalisme en Belgique », salle communale, avril-mai 1969, n°8 Kunstverein Hamburg, « René Magritte et le surréalisme en Belgique », janvier-mars 1982, n° 3, illustrated p. 229. Galleria Nazionale d’Arte Moderna, Rome, Avril-juillet 1982. Musées Royaux des Beaux-Arts de Belgique, septembre-decembre 1982. Château de Waroux, Alleur, « Pol Bury, du surréalisme aux ramollissements », avril-juin 2010. Château de Waroux, Alleur, « De Dali à Magritte, l’aventure surréaliste », mars-juillet 2011.

 

MARUANI MERCIER

Kasper Sonne (Copenhagen, 1974) The Balcony (female), 2026 Oil on linen 200 x 155 cm

 

d'Arschot & Cie

A silver chocolate pot Engraved silver and fruitwood Brussels, 1742-1745 Lambertus Millé (master in 1738) H 31.5 cm 1,258 gr

 
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