This section will be available this Autumn.
Galerie Jean-François Cazeau
Yayoi Kusama (1929 - 2026) Uchu/Universe, 1994 Acrylic on canvas 91 x 73 cm 35 7/8 x 28 3/4 in. Signed, titled and dated in Japanese on the reverse, « Yayoi Kusama 1994 » Provenance Ota Fine Art, Tokyo Private collection Sotheby’s Londres, 2022, Lot 318 Acquired by the current owner at Sotheby’s London Collection privée, France This work is registered in the Archives of Yayoi Kusama Studio as N° 1518.
Galerie des Modernes
Pierre Alechinsky (Schaerbeek 1927) Signes, 1951 Oil on canvas 19,5 x 30 cm Signed lower right, countrersigned, dated and titled on stretcher A CoBrA-period work executed in May 1951 Certificate of authenticity by Myriam Prévot-Douatte, director of Galerie de France. This document bears the following handwritten note by Pierre Alechinsky: 'P. Alechinsky, who would like to be able to borrow this small painting for a forthcoming retrospective.' Provenance: Galerie de France, Paris; private Collection, France Literature: Included in the Pierre Alechinsky catalogue raisonné, currently in preparation by the artist and Frédéric Charron, under n° 110
Desmet Fine Arts
Egidius Van den Vliete, called Egidio della Riviera (Mechelen, circa 1535-1602, Rome) (Workshop of) Allegory of Sleep (Morpheus, Phobetor and Phantasos, the Oneiroi of Greek myth) Rome, late 16th - early 17th century Marble H 25,4 x W 64,8 x D 59,7 cm Provenance: the Estate of Stanley Moss, New York; Related versions: Galleria Borghese, Rome, inv. n° CLXXXIV (acquired by Cardinal Scipione Borghese by 1609); Formerly Giustiniani collection, Rome; Formerly Palazzo Colonna, Rome A further group of this subject, photographed under the same title in the Palazzo Pitti, Florence
Bernardini Milano
Rolex, Bienne. Rare yellow gold “oyster chronograph” in pristine condition, 1956 One of the 36 made of this version of chronographs in 18kt. gold in the late 50’s. The untouched case and extensible bracelet host a perfect creamy silvered dial. The watch is complete of its original box, papers, invoice and various communications between owner and the Swiss Maison.previously unknown to the market, it’s a benchmark in terms of rarity and conservation.
Galerie Flak
Goli Glin Buffalo Mask Baule Ivory Coast Carved wood and pigments Early 20th century Height: 65.5 cm – 25 ¾ in. Provenance Collection Frank Crowninshield, New York, acquired before January 1936, presumably with the assistance of John D. Graham, New York Jacques Seligmann Gallery, New York, acquired from the above Collection of the Surrealist artist Enrico Donati (1909-2008), New York, acquired in the 1940s Exhibitions Jacques Seligmann Gallery, New York, “Exhibition of Sculptures of Old African Civilizations”, January 4 – January 22, 1936 Brooklyn Museum, New York, “African Negro Art from the Collection of Frank Crowninshield”, March 20 – April 25, 1937
Stern Pissarro Gallery
GLENN BROWN (b. 1966) Drawing 2 (after Delacroix/Raphaël) Executed in 2019 Acrylic on polyester film laid down on cardboard 109.2 x 94 cm Signed and dated lower right, Glenn Brown 2019 The work has the artist's signed label on the reverse Provenance: Galerie Max Hetzler, Berlin Private collection, Belgium, acquired from the above Exhibitions: Paris, Musée national Eugène Delacroix, Glenn Brown, 10 October - 9 December 2019 Berlin, Galerie Max Hetzler, And Thus We Existed, 30 October 2020 - 23 January 2021, no. 6, pp. 40-41, 43-44, 125, 152 (illustrated, p. 41, detail illustrated, p. 43, exhibition view illustrated, pp. 44, 125) Provenance Galerie Max Hetzler, Berlin Private collection, Belgium, acquired from the above Exhibitions Paris, Musée national Eugène Delacroix, Glenn Brown, 10 October - 9 December 2019 Berlin, Galerie Max Hetzler, And Thus We Existed, 30 October 2020 - 23 January 2021, no. 6, pp. 40-41, 43-44, 125, 152 (illustrated, p. 41, detail illustrated, p. 43, exhibition view illustrated, pp. 44, 125)
Galerie Nicolas Bourriaud
MEESTER Raymond de (1904–1995) Yawning Leopard Bronze with a nuanced brown patina, signed ‘Rd de Meester de B’, titled ‘Yawning Leopard’ and dated ‘1928–29’ Batardy cast, numbered I/III, bearing the stamp ‘BATARDY CIRE PERDUE BRUXELLES’, and the inscriptions ‘Épreuve d’Artiste’ and ‘cire perdue’ H. 45.2 x W. 41.6 x D. 15.5 cm. Circa 1928–1929 Bibliography: Léonard Dieleman, Raymond de Meester de Betzenbroeck, Animal Sculptor, Gallery Dieleman, Brussels 1989, reproduced under number 5 Xavier de Ghellinck Vaernewyck, ‘de Meester de Betzenbroeck’, Nouvelle Biographie Nationale, Part 6, Royal Academy of Belgium, Brussels, 2001, pp. 133–135
Galerie Hurtebize
Maurice Utrillo (Paris 1883-1955 Dax) Commune de Maixe (Meurthe-et-Moselle), 1924 Oil on canvas 98,4 x 131,3 cm Signed and dated lower left Certificate by Hélène Bruneau, President of the Utrillo-Valadon Committee Provenance : private collection, France Literature : P. Pétridès, L’Œuvre complet de Maurice Utrillo, Paris, 1974, vol V, p. 238, n° 2720 (ill. p.239)
Willow Gallery
Georges Mathieu Boulogne-sur-Mer, France 1921 - Boulogne-Billancourt, France 2012 Forêts attentives Alkyd on canvas, signed. Inscribed verso. Painted 1989 Canvas size: 58 x 45in / 147 x 115cm Frame size: 63 x 50in / 160 x 128cm Provenance: Galerie Guy Pieters, Brussels Private Collection, Brussels Private Collection, Savoie Sale, Maison R&C, France, 17 July 2021, Lot 93 Private Collection, Europe This painting is accompanied by a certificate of authenticity from Mr. Jean-Marie Cusinberche
Galerie Boulakia
KENNY SCHARF Infinitum, 1996 Huile et acrylique sur toile 81.7 x 107 cm 32 1/8 x 42 1/8 in Signé, titré et daté 'Kenny Scharf Infinitum '96' (au dos) Provenance Tony Shafrazi Gallery, New York Dennis Hopper Collection (acquis auprès de ce qui précède en 1999). Christie's NY, 2011 Acquis à la vente par l'actuel propriétaire
Galerie bei der Albertina ▪ Zetter
Egon Schiele Portrait of a Woman, 1918 Black crayon on paper 47 x 30 cm Signed and dated lower right: EGON / SCHIELE / 1918 Estate stamp on the reverse Kallir WV Nr. D 2223 Provenance: The artist’s estate (per stamp) Galerie St. Etienne, New York Georges Simon, New York (acquired from the above, 1947) Lore Müller Christie's, New York, Nov. 16, 1983, sale 5442/Egon, lot 141 (consigned by the estate of the above) Galerie Würthle, Vienna Private collection, New York (acquired from the above, 1986) Exhibitions: Tokyo, Tokyu Art Gallery, "Gustav Klimt und Egon Schiele mit Werken von Alfred Kubin: Künstler der Jahrhundertwende" Tochigi Prefectural Museum of Fine Arts, Utsunomiya Chiba Parco, Chiba Matsumoto Parco, Matsumoto Shimoneseki City Art Museum, Shimoneseki, 1985 New York, Galerie St. Etienne, "Egon Schiele's Women," 2012 Vienna, Leopold Museum, “Changing Times: Egon Schiele’s Last Years, 1914-1918”, 2025 Literatur: Jane Kallir, Egon Schiele: The Complete Works, Expanded Edition, New York 1998, ill. p. 609, D 2223 Exhibtion catalogue "Changing Times: Egon Schiele´s Last Years 1914-1918" ed. by Kerstin Jesse, Jane Kallir, Hans-Peter Wipplinger, Leopold Museum, Vienna 2025, ill. p. 253
Galerie Taménaga
Jean Fautrier (1898–1964) Tête 1927 Oil on canvas 35 x 27 cm Signed upper right: “Fautrier” Provenance Jean-Paul Ledeur, Paris Exhibitions Hamburg, Kunstverein, Jean Fautrier, 19 May–17 June 1973, no. 16. Amsterdam, Stedelijk Museum / Zurich, Kunsthaus, Jean Fautrier, 11 January–4 May 1986, no. 35, illustrated p. 25. Paris, Galerie Jeanne Castel, 1986. Bibliography Marcel-André Stalter, Recherches sur la vie et l'œuvre de Jean Fautrier (1898–1964) de leurs commencements à 1940. Essai de catalogue méthodique et d'interprétation, doctoral thesis, Université de la Sorbonne, Paris IV, 1982, no. 319. Marie-José Lefort, Fautrier. Catalogue raisonné de l'œuvre peint, Éditions Norma, Paris, 2023, no. 256, illustrated p. 199.
Pelgrims de Bigard
Anthonie Verstraelen (Gorinchem 1594-1641 Amsterdam) Winter landcape with ice skaters by the city edge Oil on panel, 43 x 71 cm Provenance: - With Kunsthandel P. de Boer, Amsterdam, 1937-1938. - Collection Ir. J. Th. Berkemeijer, Rotterdam, 1938. - Collection F.N. Meuter, 1972 (according to the label of P. de Boer attached to the reverse). - With Kunsthandel Waterman, Amsterdam, by 1982. - With Palm Court Galleries, Baarn, 1999. - Private collection, The Netherlands. Exhibited: - Rotterdam, Museum Boymans van Beuningen, ‘Meesterwerken uit vier eeuwen 1400-1800, tentoonstelling van schilderijen en teekeningen uit particuliere verzamelingen in Nederland bijeengebracht gedurende de veertigjarige regeering van H.M. Koningin Wilhelmina’, 25 June-15 October 1938. - Amsterdam, Kunsthandel P. de Boer, ‘Nederland water/land, de relatie tussen land en water in de Nederlandse schilderkunst van 1500 tot nu’, 13 January-19 February 1972, no. 38 (label attached to the reverse). - Amsterdam, Kunsthandel Waterman, ‘Hendrick Avercamp 1585-1634, Barent Avercamp 1612-1679, Frozen silence, paintings from museums and private collections’, 1982, no. 32. Literature: - Cat. expo, Rotterdam, Museum Boymans van Beuningen, ‘Meesterwerken uit vier eeuwen 1400-1800, tentoonstelling van schilderijen en teekeningen uit particuliere verzamelingen in Nederland bijeengebracht gedurende de veertigjarige regeering van H.M. Koningin Wilhelmina’, 25 June-15 October 1938, cat. no. 160, ill. 57. - Cat. expo, Amsterdam, Kunsthandel Waterman, ‘Hendrick Avercamp 1585-1634, Barent Avercamp 1612-1679, Frozen silence, paintings from museums and private collections’, 1982, no. 32, ill. p. 149; and ill. in Tableau, 15 February 1982.
