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Galerie de la Présidence
geer van velde
Geer van Velde (The Netherlands, Lisse 1898-1977 Cachan, France) Composition - atelier, circa 1951 Oil on canvas 134 x 148 cm Signed lower right with initials This work will be included in the forthcoming catalogue raisonné of Geer van Velde - Painted Work, currently in preparation by Pierre François Moget, son of Piet Moget Provenance: Galerie Hautefeuille, Paris; private collection, Brussels
Heutink Ikonen
Anastasis Russia, circa 1600 32.5 x 26.5 cm The Anastasis (resurrection) of Christ and the victory over the realm of death are central to this icon. Christ, surrounded by a radiant mandorla, tramples the gates of the underworld and pulls Adam up from a stone coffin by his wrist. Behind Adam stands John, pointing to Christ with his hand and addressing a group of Old Testament prophets and forefathers. To the right of Christ are Eve, Kings David and Solomon, and the prophet Daniel, amongst others. At the bottom right, Christ can be seen rising from his own tomb
Galerie Alexis Bordes
léon spillaert
Léon Spilliaert (Ostend 1881-1946 Brussels) Mères et enfants sur le quai du port d’Ostende, 1910 Wax crayon and Conté crayon on paper 50.2 x 32.2 cm Signed lower right 'L. Spilliaert' This work will be included in the catalogue raisonné of Léon Spilliaert being prepared by Dr. Anne Adriaens-Pannier Provenance: Louis Sneyers collection, Brussels; Mr. and Mrs. Marcel Thomas, Brussels (by descent); Henriette Thomas-Bodart, Brussels (by descent); Galerie Ronny Van de Velde, 1997; Onzea-Govaerts collection, Belgium Exhibitions: Brussels, Palais des Beaux-Arts, 41st Antiques Fair of Belgium, January-February 1996; Brussels, Palais des Beaux-Arts, 42nd Antiques Fair of Belgium, January-February 1997
Willow Gallery
henri le sidaner
la neige
Henri Le Sidaner (Mauritius, Port Louis 1862-1939 Versailles) La Neige, 1899 Oil on canvas 66 x 75 cm Signed, dated and inscribed ‘Le Sidaner Bruges 1899’ Provenance: James Fulton, Paisley; Paisley Art Institute, Paisley, a bequest from the above in 1933 Literature: W. Philip Mayes, Illustrated Catalogue of Paintings, Drawings, Sculpture in the Collections of Paisley Corporation and Paisley Art Institute, Paisley, 1948, n° A189au., p. 49 (titled 'The Red House'); Y. Farinaux-le Sidaner, Le Sidaner: L'oeuvre peint et gravé, Milan, 1989, ill. p. 70, n° 86
Guy Pieters Gallery
fernando botero
Fernando Botero (Medellin 1932-2023 Monaco) Man with walking stick, 1987 Bronze H 140 x W 48 x D 28 cm Provenance: Veranneman-Kruishoutem foundation, private collection, Belgium Literature: Galerie Beyeler-Basel, Botero (exh. cat.), Basel, 1988, ill. in colour of another cast from same edition; Marlborough Gallery, Botero: Recent Sculpture (exh. cat.), New York, 1990, n° 24, p. 49, ill. in colour of work from same edition; Vittorio Sgarbi, Botero, Dipinti, Sculture, Disegni, Milan, 1991, p. 103, ill. in colour of the monumental version; Botero al Forte Belvedere di Firenze (exh. cat.), Florence, 1991, p. 31, ill. of the monumental version
Van Herck-Eykelberg
Asger Jorn (Denmark, Jutland 1914-1973 Aarhus) The girl and the bird, 1940 Oil on canvas 44 x 69 cm Signed and dated lower right Literature: Guy Atkins, Jorn in Scandinavia 1930-1953, London, 1968, n° 156, ill. p. 333 Exhibitions: 13 kunstnere i telt, Bellevue, Copenhagen, 17 May-8 June 1941, cat. n° 61; Jorn, Arken Museum for Moderne Kunst, Ishøj, Denmark, 14 September 2002-19 January 2003, Cobra Museum voor Moderne Kunst, Amstelveen, The Netherlands, 7 February-27 April 2003 and Kunsthalle zu Kiel, Germany, 17 May-10 August 2003, cat. n° 8, ill. cat. p. 56 (in colour); Jorn-Picasso. Myter og Møder. Myths & Meetings', Museum Jorn, Silkeborg, 7 September-8 December 2013, cat. n° 6, ill. cat. p. 72 (in colour); Cobra Museum voor Moderne kunst, Amstelveen, The Netherlands, 2013
Art et Patrimoine - Laurence Lenne
Transport case, for Louis XV at the Château de Versailles France, made between 1745-1749 Gilt-tooled leather, copper hinges H 11 cm - Ø 26.5 cm Provenance: Louis XV in Versailles Carrying and protective case for a silver porringer. The lid of the case is decorated with the coat of arms of Louis XV and the three facing crowns of the Château de Versailles, both gilt-tooled. All copper hinges are stamped with the crowned 'C' mark. The case was made between March 5th, 1745 and February 4th, 1749.
Vagabond Antiques
Monumental carved marble Sundial Portugal, Oporto region, mid-18th century H 357 x W 130 x D 62 cm Portugal has a rich tradition of country houses and manors indigenously known as solares or quintas. Some were modelled on the great 18th century gardens of Le Notre and other landscape architects in France. Under King João, himself a great patron of the arts, began the great 18th century period of Portuguese baroque. The previous austere architectural style, albeit heavily influenced by Renaissance Italy, was replaced with exuberance. With great profits from its colonies and especially gold and precious stones from Minas Gerais and the Sertão of São Paulo in Brazil, it was the golden era of Portuguese architecture and ornament. From it there emerged a new artistic language. Named the Joanine, in honour of the King, it was an architectural style that transformed quintas not only in Portugal but also in the nation’s Atlantic provinces and overseas colonies. This spectacular sundial, monumental in scale, incorporates many architectural elements synonymous with the baroque architecture of the mid-18th century. It was a highly creative Italian who created a form of this style of architecture perfectly suited to Northern Portugal. Born in 1691 and trained in Sienna, Nicolau Nasoni arrived in Oporto in 1725. Having established his reputation by modernising the city’s cathedral, he was commissioned by Jeronimo de Tavora e Noronha to build the Church of Clerigos, one of Oporto’s great 18th century churches. Commissions for other churches and quintas followed, the most famous of which being the grand solar de Mateus, known all over the world for the rose wine that bears its name. The architectural composition of this sundial probably owes more to the façade of the Cas dos Porto Carreiro. Similar works was commissioned by Antonio de Vasconcelos Carvalho e Menezes, a wealthy Portuguese noble who made part of his wealth in Brazil, it was constructed by a Spanish architect but heavily influenced by Nasoni’s work. The volute scrolls and the foliate elements as well as the stylised lambrequins all echo Nasoni’s designs for the gilt woodwork of Oporto churches.
Galerie BA - Berthet Aittouarès
pierre tal coat
Pierre Tal Coat (Clohars-Carnoët 1905-1985 Saint-Pierre-de-Bailleul) Untitled, 1968-1969 Oil on paint tube lid H 18.5 x W 9.5 x D 4.5 cm This work is listed in Tal Coat's online catalogue raisonné under number XD-1969-017 Provenance: private collection Literature: Rodari Florian, Pierre Tal Coat Biographie commentée par les textes, edited by the Domaine de Kerguéhennec, Département du Morbihan, 2017; Marc Donnadieu, Anne de Staël, Pierre Tal Coat - Surgissement de la peinture, exhibition's catalogue, Galerie Berthet-Aittouarès, 2023 Exhibitions: Pierre Tal Coat - Surgissement de la peinture, Galerie Berthet-Aittouarès, Paris, 2023; Tal Coat - L'image est émergence, 21 bis Mirabeau, espace culturel départemental, Aix-en-Provence, 2025
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Stern Pissarro Gallery
marc chagall
Marc Chagall (Belarus, Vitebsk 1887-1985 Saint-Paul de Vence, France) L'hiver procession de Nöel (Les quatre saisons), 1974 Gouache, tempera, pastel, ink, coloured crayon and graphite on paper 63 x 90 cm Signed lower right 'Marc Chagall' This work is accompanied by a certificate of authenticity from the Comité Marc Chagall Provenance: Pierre Matisse Gallery, New York, January 1975, acquired from the artist; private collection, Hawaii, 1984; The Hodge Companies, Thomas H. Wilson (Sausalito, California), 1987; private collection (Napa, California) by descent Exhibition: New York, Pierre Matisse Gallery, Marc Chagall, The Four Seasons, gouaches, paintings, 1974-1975, 1975, n° 16
De Zutter Art Gallery
corneille
Corneille (Liège 1922-2010 Auvers-sur-Oise) Le rouge itinéraire de l'été, 1964 Oil on canvas 73 x 92 cm Provenance: Galerie Delta, Rotterdam; kunsthandel Lambert Tegenbosch, Heusden; collection Dr. Johan B.W. Polak (1928-1992), Amsterdam; Christie's, Amsterdam, 10 December 1992, lot n° 325; private collection, Switzerland Literature: Catalogue Galerie Cimaise Bonaparte (Patrick d'Elme and Daniel Templon), 1967, Paris Exhibition: Galerie Cimaise Bonaparte (Patrick d'Elme and Daniel Templon), 1967, Paris
Carlucci Gallery
Roman Cabinat, circa 1780 Ebony veneered, marble and various polychrome stones H 208 x W 105 x D 62 cm Provenance: private collection Cabinet veneered in ebony, marble, and polychrome stones, with an architectural design. The upper section features a tympanum surmounted by Hercules holding the globe in flowering alabaster. A pierced balustrade is crowned with figures of a winged lion bearing a heraldic shield. The façade is articulated with a central door and two lateral doors, each concealing interior disappearing drawers. Materials include jasper, lapis lazuli, breccia, alabaster, and antique green marble.
Galerie Alexis Pentcheff
maurice utrillo
Maurice Utrillo (Paris 1883-1955 Dax) Belle Gabrielle, Montmartre, circa 1912-1914 Oil and gesso on cardboard mounted on panel, signed lower right 41 x 55.5 cm Provenance: London, Christie’s sale, 23 June 2004, lot n° 267; European private collection; Galerie Alexis Pentcheff; private collection, France Literature: Jean Fabris and Cédric Paillier, L’œuvre complet de Maurice Utrillo, Paris, 2009, repr. n° 332, p. 396; Maurice Utrillo, exhibition catalogue, Tokyo, Seiji Togo Memorial Sompo Japan Museum of Art, 2010, n° 1, p. 142 (ill. in colour in the section 'Works reproduced as archives') Exhibitions: Centenary of the Birth of Maurice Utrillo, Musée Jacquemart-André, Paris, May-August 1983, n° 13 (travelling exhibition to Liège, Musée Saint-Georges, and to Lille, Fondation Septentrion in Marcq-en-Barœul, until 15 January 1984); Maurice Utrillo, Tokyo, then Osaka, Kyoto, and Yamaguchi, Japan, 1 November 1985-5 May 1986, n° 17 (ill. cat. in colour); Maurice Utrillo: Solitude Urbaine, Galerie Alexis Pentcheff, Marseille, 22 September-4 November 2017, n° 3 (ill. cat. in colour)
Galerie BG Arts
Georges Clairin (Paris 1843-1919 Clohars-Carnoët) Portrait of Suzanne Lalique Oil on canvas 140 x 80 cm Signed 'Á Suzanne Lalique son ami G. Clairin' Provenance: property of Suzanne Lalique-Haviland; private collection, France Literature: Maritch-Haviland, N. de Léobardy, C., Lalique-Haviland-Burty Family Portraits, Limoges, 2009, p. 29, ill. in a group photograph, taken at Cours-la-Reine in Paris, showing Suzanne Lalique wearing this same dress for a costume ball to mark her birthday in about 1913 Georges Clairin is best remembered as an orientialist and portrait artist. He was a close friend and advisor to René Lalique. They regularly had dinner together and shared an interest in oriental objects, as well as travelling together to Venice. Clairin belonged to the bohemian world and painted Sarah Bernhardt, the celebrated actress of the day, in her different roles on numerous occasions. He also introduced her to Lalique, and she became one of Lalique’s most significant patrons for whom he designed jewellery. For both men, women were a constant theme of their work. As a family friend it is not surprising that Clairin should have painted Suzanne, René Lalique’s daughter, in costume for her birthday ball in 1913.
Gilden's Art Gallery
Gino Severini (Italy, Cortona 1883-1966 Paris, France) The dancer, 1959 Tempera painting on wove paper 39.5 x 28.5 cm Signed lower right 'G. Severini' and dedicated in pencil ‘al caro vecchio amico Raffaele Carrieri, affectuoso riccordi di Gino Severini’ [to a dear old friend Raffaelle Carrieri, with affectionate memories, Gino Severini] in the lower right corner The work comes with a photo-certificate of authenticity by Romana Severini Brunori dated 13 May 2025 Provenance: the celebrated poet Raffaele Carrieri (1905-1984); private collection, Milan
Beck & Eggeling International Fine Art
heinz mack
Heinz Mack (Germany, Lollar 1931) Weisse Vibration, 1958 Synthetic resin in wood (relief) H 28 x W 68 x D 4 cm Signed and dated lower middle 'Mack 58', verso titled 'Weiße Vibration' Provenance: estate of Franz Swetec, Düsseldorf (acquired from the artist)
COLNAGHI
Attributed to the Menzies group Red-figure epichysis in terracotta with Hermaphroditos and a woman Greek, Apulian, circa 330-310 B.C. H 21 cm Provenance: Eugène Piot collection (1812-1890); his sale, 3 May 1870, lot n° 21; private collection, France; purchased from the above, 2022 Literature: F. Lenormand, Collection d’Antiquités Grecques recueillies dans la Grande-Grèce, l’Attique et l’Asie Mineure par M. Eug. P., Paris 1870, p. 16, n° 21 This epichysis is noteworthy for its provenance, as it was once part of the prestigious collection of Eugène Piot (1812–1890) - the French art critic, journalist, publisher, collector, and photographer - and it still bears his collection label. The present example also stands out for its above-average size and exceptional quality. It is in excellent condition and is typical of 4th-century BC Apulian Greek pottery. This vessel, characterized by its elegant neck surmounting a coiled body, was probably used to contain precious liquids intended for sparing use. Its delicate mouth seems ill-suited for serving wine, as has sometimes been suggested in the past, with some even describing such vases as “low-shaped oinochoai with flat bottoms.” Rather, they were most likely used for oil or perfume. The dropper-like mouth is flanked by two small, stylized masks in relief. The wide, disc-like shoulder of the vase has been decorated with particular attention to detail and form. The border is adorned with a frieze of eggs. A hermaphroditic Eros kneels and presents a mirror to a seated young woman, who also holds a mirror and a crown. On the reverse, an elegant arrangement of palmettes unfolds from the base of the handle and frames the central scene. The concave sides of the body are decorated with a vegetal frieze, overpainted in white and incised. Comparable examples are held at the Getty Museum in Malibu and the Musée Saint-Raymond in Toulouse; both have been attributed to the Menzies Group, active during the third quarter of the 4th century BC.
Galerie Nicolas Bourriaud
marcelle delcour - guinard
Marcelle Delcour-Guinard (Switzerland, Meyrin 1896-1978 France) Bather, 1931 Marble sculpture H 172 x W 45.5 x D 46 cm Signed ‘M Delcour-Guinard’ and dated 1931 Unique piece Provenance: the artist's family collection Exhibition: Salon des Artistes Français, 1932, Baigneuse, statue de marbre, n° 3675 Born in Cointrain (Canton of Geneva), Marcelle Delcour trained at the Regional School of Fine Arts in Rennes and studied under the sculptors Laurent Marqueste (1848–1920) and Victor Ségoffin (1867–1925), the head of the sculpture studio for female students at the École nationale supérieure des beaux-arts in Paris. In 1920, she married the painter Robert Raoul André Guinard (1896–1989), with whom she spent two years in Morocco in 1934. Upon returning to France in 1936, the couple settled in a small village called Crécey, in the commune of Saint-Pair-sur-Mer: he painted, she sculpted. Benefiting from the post–Second World War reconstruction projects, she received numerous commissions from Canon Pinel to restore works of art preserved in the churches of the Manche region. Anne Delcour-Guinard exhibited regularly at the Salon des Artistes Français from 1924 to 1932. In 1924, the committee of the Association des artistes peintres, sculpteurs, architectes, graveurs et dessinateurs (Fondation Taylor) awarded her the Prix Galimard-Jaubert on May 27. In 1925, she received an honourable mention, and in 1932, a bronze medal for La Baigneuse, a marble sculpture. The work was then displayed in a place of honour at the centre of the nave of the Grand Palais. The sculpture is indeed remarkable for its life-size proportions and its distinctive 1930s style, which, in the spirit of Art Deco, celebrates the female form - elongated, elegant, and liberated. She is embodied here as the garçonne: short-haired, athletic, and modern, asserting her nudity without false modesty, revealed through the graceful gesture of her folded arm and offered to the viewer’s gaze.
Galerie Jean-François Cazeau
kees van dongen
Kees Van Dongen (Rotterdam 1877-1968 Monaco) La Chemise or Femme penchée sur un coussin jaune Oil on canvas 48.5 x 55 cm Signed lower right This work will be included in the forthcoming catalogue raisonné of Kees Van Dongen compiled by the Wildenstein Plattner Institute Provenance: studio of the artist, Paris; private collection, France (Marquise de X); Palais Galliera, 18 May 1964, Paris; Jacques Pignet, Neuilly-sur-Seine, France; Galerie Koller, Zurich, November 1981; Paul Petridès, Paris, France Ader-Picard-Tajan, 25 June 1987, Paris; acquired by the current owner at the above sale Exhibitions: Paris, Galerie de Paris, La Cage aux Fauves, Salon d'Automne, 1905; Paris, Musée National d'Art Moderne, Van Dongen, 13 October-26 November 1967, n° 68; Rotterdam, Museum Boymans van Beuningen, Van Dongen, 8 December 1967-28 January, n° 20; Monaco, Nouveau Musée de Monaco, Kees Van Dongen, 25 June-7 September 2008, n° 139
Repetto Gallery
valerio adami
Valerio Adami (Bologna, 1935) La firma del muro antico, Odisseo (per E. Pound), 1977 Acrylic on canvas 204 x 152 cm Signed, dated and titled on the reverse: Adami 8.8.77 17.11.77 La firma del muro antico. Odisseo (per E. Pound) Label on the reverse by Galerie Rive Gauche Marcel Strouk, Paris Certificate of authenticity by Archivio Valerio Adami n° 878 Provenance: Galerie Maeght, Paris; private collection, France (acquired from the above) Exhibition: Valerio Adami, 7 October-12 November 1978, Palais des Beaux-Arts, Charleroi; Valerio Adami. Ripensando la realtà, Dep Art Gallery, Milan, 6 March-17 May 2025
Herwig Simons Fine Arts
Game box with chess and backgammon Eger, 17th century 48 x 48 x 11.5 cm Provenance: Lothar Schmid (1928-2013), German chess Grandmaster Literature: publications World of Art: Art chamber games by the Kunsthistoriches Museum in Vienna Double-sided game box : one side shows a bas-relief depicting the meeting of Aeneas and Dido, accompanied by a Putto. The other side features a chessboard in finely executed marquetry. The interior reveals an elegant backgammon board decorated with double-tailed dolphins. Eger, a Bohemian Free City (now Cheb, Czech Republic), was well known in the 17th century for a specialised type of woodworking, particularly for intarsia panels. This set belonged to Lothar Schmid, the German chess Grandmaster and collector of chess books, boards and pieces. He is best known as the chief arbiter of the World Championship of chess in 1972 between Bobby Fisher and Boris Spassky in Reykjavik.