24 - UARY 31 JANUARY RUARY 2027

BRUSSELS EXPO | HEYSEL

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Artworks

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Galerijen
Galerijen Galerie bei der Albertina ▪ Zetter Franck Anelli Fine Art W. Apolloni - Laocoon Gallery Argento Gallery Ars Antiqua d'Arschot & Cie Artimo Fine Arts Galerie Ary Jan Galerie BA - Berthet Aittouarès HELENE BAILLY MARCILHAC Véronique Bamps Galleria Barovier&Toso F. Baulme Fine Arts Beck & Eggeling International Fine Art Galerie Berès Bernardini Milano Bernier/Eliades Galeria Bessa Pereira Galerie BG Arts Boon Gallery Galerie Alexis Bordes Bernard Bouisset Galerie Boulakia Galerie Nicolas Bourriaud Brame & Lorenceau Brun Fine Art Burzio Cabinet of Curiosities - Honourable Silver Objects Galerie Capazza Caretto & Occhinegro Guillaume Castellano Galerie Jean-François Cazeau Galerie Cento Anni Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM) CKS Gallery Collectors Gallery COLNAGHI Costermans Couck Art Gallery Dalton Somaré De Brock De Jonckheere Galerie Oscar De Vos De Wit Fine Tapestries De Zutter Art Gallery Dei Bardi Art Thomas Deprez Fine Arts Patrick Derom Gallery Desmet Fine Arts Virginie Devillez Fine Art DIE GALERIE Douwes Fine Art b.v. Epoque Fine Jewels Finch & Co Galerie Flak A&R Fleury Galerie Christophe Gaillard Galerie des Modernes Grusenmeyer-Woliner Galerie Hadjer Galerie Haesaerts-le Grelle Heutink Ikonen Galerie Hioco Huberty & Breyne Galerie Hurtebize rodolphe janssen Francis Janssens van der Maelen Kunsthaus Kende Harold t’Kint de Roodenbeke Florian Kolhammer Labellov Alexis Lartigue Lemaire Galerie Lowet de Wotrenge LUDORFF Francis Maere Fine Arts Maison D'Art Martos Gallery MARUANI MERCIER MassModernDesign Galerie Mathivet Mearini Fine Art Galerie Greta Meert Meessen Galerie la Ménagerie Mulier Mulier Gallery Jan Muller Antiques Klaas Muller NARDI VENEZIA Spazio Nobile Gallery Nosbaum Reding Dr. Nöth kunsthandel Objects With Narratives Opera Gallery Galeria Jordi Pascual Galerie La Patinoire Royale Bach Pauline's Jewellery Box Pelgrims de Bigard Galerie Alexis Pentcheff Christophe Perlès Galerie Perrin Guy Pieters Gallery Gallery de Potter d’Indoye Galerie de la Présidence Van Pruissen Asian Art Maison Rapin Almine Rech Stéphane Renard Fine Art Repetto Gallery robertaebasta Rueb Modern and Contemporary Art Laurent Schaubroeck Serge Schoffel - Art Premier Segoura Fine Art Anthony Short Antiques Edouard Simoens Gallery Herwig Simons Fine Arts Snackers Antiques & Fine Art Stems Gallery Marjan Sterk Fine Art Jewellery Stern Pissarro Gallery Stone Gallery Stoppenbach & Delestre Galerie Taménaga TASCHEN TEMPLON Galerie Tiago The old Treasury Galerie Patrice Trigano unforget Decorative Arts Univers du Bronze Galerie Uzal Vagabond Antiques Gallery Sofie Van de Velde Van Herck-Eykelberg Galerie Raf Van Severen Samuel Vanhoegaerden Gallery Maurice Verbaet Collection (MVC) Verdini Antiques Galerie von Vertes Axel Vervoordt VKD Jewels Galerie Florence de Voldère N. Vrouyr Waddington Custot Floris van Wanroij Fine Art Galerie Watteeu by Edouard & Andrea de Caters Victor Werner WHITFORD Willow Gallery
 

Galerie Nicolas Bourriaud

MEESTER Raymond de (1904–1995) Yawning Leopard Bronze with a nuanced brown patina, signed ‘Rd de Meester de B’, titled ‘Yawning Leopard’ and dated ‘1928–29’ Batardy cast, numbered I/III, bearing the stamp ‘BATARDY CIRE PERDUE BRUXELLES’, and the inscriptions ‘Épreuve d’Artiste’ and ‘cire perdue’ H. 45.2 x W. 41.6 x D. 15.5 cm. Circa 1928–1929 Bibliography: Léonard Dieleman, Raymond de Meester de Betzenbroeck, Animal Sculptor, Gallery Dieleman, Brussels 1989, reproduced under number 5 Xavier de Ghellinck Vaernewyck, ‘de Meester de Betzenbroeck’, Nouvelle Biographie Nationale, Part 6, Royal Academy of Belgium, Brussels, 2001, pp. 133–135

 

Guy Pieters Gallery

Christo and Jeanne-Claude The Floating Piers (Project for Lake Iseo, Italy) 2014 Pencil, wax crayon, enamel paint, photographs by Wolfgang Volz, technical data and fabric sample H 56 cm x W 43 cm

 

Galerie Taménaga

Pierre-Auguste Renoir (1841–1919) Paysage de Cagnes 1900 Oil on canvas 24 x 54 cm Signed with initials lower left: “AR” This work will be included in the forthcoming catalogue raisonné of the work of Pierre-Auguste Renoir being prepared by the Wildenstein Plattner Institute. Provenance Ambroise Vollard, Paris Private Collection, Japan Bibliography Ambroise Vollard, Pierre-Auguste Renoir. Tableaux, pastels et dessins, Alan Wofsy Fine Arts, San Francisco, 1989, nos. 612, 1185 and 1330, illustrated pp. 155, 258 and 279.

 

Dei Bardi Art

Saint Peter Circle of Daniel Mauch
 Upper Rhine, circa 1490
 Walnut bust 39,2 x 49,5 x 26 cm (with base) Provenance: private Rhenish collection Literature: Antlitz des Mittelalters Mittelalterliche Bildwerke aus rheinischem Privatbesitz, ed. Reinhard Karrenbrock and Claudia Lichte, with technical studies by Michael Rief and Ulrike Villwock, Rottweil/Aachen, 1999, n° 33, pp. 108–110 Exhibitions: Dominikanerforum, Rottweil, 31 October 1999 – 6 January 2000; Suermondt-Ludwig-Museum, Aachen, 4 March – 21 May 2000

 

Galerie Boulakia

Georges Mathieu Louis VII épouse Eléonore d'Aquitaine, 1958 oil on canvas 97 x 162 cm 38 3/16 x 63 3/4 in signed bottom left This artwork is referenced among the authentic artworks of the « Archives by Jean-Marie Cusinberche on Georges Mathieu ». An attestation of the « Archives by Jean-Marie Cusinberche on Georges Mathieu » will be provided to the buyer. Provenance Galerie Europe, Paris

 

Galleria Barovier&Toso

Fabrizio Plessi Bottle Sculpture, 2025 Signed by the artist 'Plessi' Murano glass by Galleria Barovier&Toso 33 x 12 cm 13 x 4 3/4 in

 

Galerie Boulakia

KENNY SCHARF Infinitum, 1996 Huile et acrylique sur toile 81.7 x 107 cm 32 1/8 x 42 1/8 in Signé, titré et daté 'Kenny Scharf Infinitum '96' (au dos) Provenance Tony Shafrazi Gallery, New York Dennis Hopper Collection (acquis auprès de ce qui précède en 1999). Christie's NY, 2011 Acquis à la vente par l'actuel propriétaire

 

Galerie des Modernes

Jean Dubuffet (Le Havre 1901-1985 Paris) Personnage (buste) M. 406, 29 March 1967 Marker pen and gouache on paper with cut and pasted elements 45,5 x 26 cm Signed with the artist’s initials and dated lower right Annotated lower right Provenance: Jean Dubuffet collection, Paris; Ludovic Massé collection (1900–1982), Perpignan (gift from the artist, March 1968); private collection, France Literature: Max Loreau, 'Catalogue des Travaux de Jean Dubuffet, Fascicule XXII: Cartes, Ustensiles', Weber Publisher, Lausanne, 1972, pp. 145 and 188, ill. p. 145, n° 371

 

Galerie Boulakia

PIERRE ALECHINSKY Fenestron V, 2012 Acrylique sur papier marouflée sur toile 60 x 50 cm 23 5/8 x 19 3/4 in Signé (en bas à gauche) Provenance Galerie Lelong, Paris Collection Privée

 

Stern Pissarro Gallery

PIERRE-AUGUSTE RENOIR (1841 – 1919) Coco mangeant sa soupe Executed in 1905 Oil on canvas 46.3 x 37.9 cm Signed lower right, Renoir. Provenance: Ambroise Vollard, Paris Private collection, Zürich, circa 1930 Fine Arts Gallery of San Diego, March 1942 (on loan from a Private collection) Dalzell Hatfield Galleries, Los Angeles, 1943-1949 Van Diemen-Lilienfeld Galleries, New York, 1953 Chapin and Mary Alexander Riley, Malibu/Worcester, acquired in 1953 Worcester Art Museum, Massachusetts (inventory no. 1991.238) (one third gifted in 1992 and a second third gifted in 1997) Literature: Principales acquisitions des musées en 1992, Gazette des Beaux-Arts, 1993, p. 65 G.-P & M. Dasuberville, Renoir: Catalogue raisonné des tableaux pastels, dessins et aquarelles, no. 3415 Exhibitions: Amsterdam, Stedelijk Museum, Vincent van Gogh en zijn Tijdgenooten, 1930, no. 269 San Diego, Fine Arts Gallery, 1942 Los Angeles, Dalzell Hatfield Galleries, Renoir (1841-1919), 1943, no. 5 Los Angeles, Dalzell Hatfield Galleries, A Superb Exhibition: Modern French Masters, 1949, p. 5 (travelled to New York, Barbizon Plaza Hotel) Madrid, Museo Thyssen-Bornemisza, Renoir: Intimidad, 18 October 2016 - 22 January 2017, p. 149 (travelled to Bilbao, Museo de Gellas Artes de Bilbao, 7 February - 15 May 2017)

 

Galerie Ary Jan

Jean-Pierre Cassigneul (né en 1935 ) Profile Oil on canvas, signed "CASSIGNEUL" lower left Countersigned and titled 'Profil' on the reverse Dimensions : 65 x 54 cm Provenance: Tamenaga Gallery, Japan Private collection, acquired from the gallery

 

Snackers Antiques & Fine Art

Impressive French Louis Philippe mantel clock, circa 1835. Partially fire-gilt and partially patinated bronze, circa 1835, Douyon, Paris. The goddess Victoria is depicted seated on a cushion, leaning against the clock housing. She holds a laurel wreath. At her feet lie a caduceus and an anchor. Beneath the clock are ears of corn and fruit. The ears of corn and fruit signify abundance; the anchor symbolizes fidelity; and the laurel wreath represents victory. The clockmaker, Douyon, was active in Paris during this period. H. 70 cm W. 75.5 cm D. 27 cm.

 

Galerie Ary Jan

Goudji ( né en 1941 ) L'envol du cerf volant Silver 1st title, lapis lazuli, labradorite, sodalite, amphibolite Dimensions : 38 x 58 x 27 cm Provenance: Goudji

 

Desmet Fine Arts

Odoardo Fantacchiotti (Rome 1809 – 1877 Florence) Musidora, Firenze 1859 Inspired by the James Thomson’s poem ‘Summer’, originally published in 1727 Marble H 167,6 x W 49 x D 49 cm Plinth: H 95,3 x D 63 cm (at base) Total height: H 262,9 cm Signed 'Per commis del meritis / ... / Odoardo Fantachiotti / Scolpiva in Firenze / l'anno 1859 Provenance: commissioned by August Belmont (1813-1890) USA; Randall family, Clarendon Court (Newport – USA) Art Loss Register: S00258863 Literature: Ricordi fotografici degli artisti contemporanei in Toscana : ‘La Musidora’(Firenze-1858); V. Lia Bernini, G. Moradei, Odoardo Fantacchiotti scultore (1811-1877): atti delle giornate di studio nel bicentenario della nascita 1811-2011, (Toscana 2021), Volume 227, pp. 37-41 Other verions: 1862, for Baron Belper, Edward Strutt (Israele collection); 1865, for the king of Portugal (Lisbon Palacio Nacional da Ajuda)

 

HELENE BAILLY MARCILHAC

PIERRE-AUGUSTE RENOIR (1841-1919) Les colettes à Cagnes Signed lower right: Renoir Oil on original canvas 27 x 46 cm / 10 5/8 x 18 1/8 in. This work will be included in the Digital Catalogue Raisonné currently being prepared by the Wildenstein Plattner Institute. Notice of inclusion dated March 14, 2000. © Julien Pépy

 

Univers du Bronze

Rembrandt BUGATTI (1884-1916) DEUX ANTILOPES GOUDOU or "DEUX AMIS" (c. 1911) Bronze, richly dark brown patina à patine brun richement soutenu. H : 23.1 cm, L : 43.2 cm, D : 11.9 cm Signed "R. Bugatti", original cast and edition by "A.-A. Hébrard cire perdue Paris" (seal and inscribed in the wax "Fondu en 1925"), engraved "(13)". Cast in 1925.

 

MassModernDesign

Jorge Zalszupin L'Atelier, Brazil 1960 Componivel sideboard Hardwood, metal 69h 301w 40d

 

d'Arschot & Cie

A Belgian silver chocolate pot Brussels, 1742–1745 Lambertus Millé (master in 1738) Engraved silver and fruitwood H : 31.5 cm 1,258 gr

 

Maison Rapin

KAM TIN, « Dolmen » dining table in Traonyx, 2026, H 73 x W 230 x D 90 cm

 

Galerie Watteeu by Edouard & Andrea de Caters

Pia Manu Room Divider Belgium, 1977 Concrete and Glass H 254 cm x W 233 cm x D 32 cm

 

Anthony Short Antiques

Exceptional and Very Rare 18th-Century George III Thomas Chippendale Period Mahogany Bookcase *English, circa 1770 – all original and highly authentic* An outstanding and extremely rare 18th-century George III period mahogany bookcase, in the manner of Thomas Chippendale, a true statement piece that combines refined architectural design, exceptional craftsmanship and superb, entirely original condition. The upper section is crowned by an impressive broken arch pediment above a finely carved blind fret frieze, giving the bookcase great presence and elegance. Below, a pair of beautifully panelled cupboard doors, retaining their original brass escutcheons, key and fully working lock, open to reveal generous shelving, ideal for books or treasured objects. The lower section is equally distinguished, fitted with two short and three long graduated oak lined drawers, all retaining their original swan neck brass handles. The whole is raised on classic original blocked ogee bracket feet, which, together with the original panelled oak backboards, confirm the authenticity and integrity of this important piece. Made in England circa 1770, this bookcase displays a superb, rich mahogany colour and a warm, mellow patina developed over more than two centuries. The surfaces, proportions and details are all in remarkable original condition, clearly reflecting the skill of the Georgian cabinetmaker and the careful stewardship it has enjoyed throughout its life. Bookcases of this calibre, period and originality are exceptionally scarce on the market. A very fine example of Georgian library furniture in the Chippendale tradition, this piece offers a rare opportunity to acquire a genuinely period, all authentic masterpiece that unites grandeur, elegance and practicality. A superb focal point for a drawing room, library or study, and an ideal choice for any serious collector or refined interior seeking a museum quality statement piece of outstanding 18th?century craftsmanship. Height 197cm (77.6in) Width 108cm (42.5in) Depth 54cm (21.3in)

 

Collectors Gallery

Pablo Picasso (1881–1973), after 
“Rond” medallion in 23-karat gold, 1975 Circular 23-karat gold medallion, decorated with a stylised face. Stamped with Picasso’s signature and Pierre Hugo’s maker’s mark, numbered 7/20. Hugo workshop no. 1678–2143, dated 5 October 1975. Provenance : COLLECTION NAILA DE MONBRISON

 

Galerie Hurtebize

Marc Chagall (Vitebsk 1887-1985 Saint-Paul de Vence) Lumière du Cirque, 1969 Watercolour, pastel, gouache, coloured inks, and pencil on a black print lithograph M.566 38 x 52,3 cm Signed 'Marc Chagall' lower right Certificate of authenticity from the comité Marc Chagall Provenance: private collection, France

 

WHITFORD

Joseph Lacasse (Tournai 1894 - Paris 1975) Dominante Rouge (Dia 385) 1948-1950 Oil on canvas 130 x 89 cm Signed and dated upper left Signed, dated and inscribed verso Lacasse Estate Inventory Dia no. 385 Certificate of Authenticity by Mme Joostens-Koob Provenance: The Estate of the Artist

 

Véronique Bamps

Black-lacquered white gold cuff bracelet featuring two detachable platinum clips set with brilliant-cut and baguette diamonds.. Cartier circa 1930

 

Willow Gallery

Henri Martin Toulouse, France 1860 - Labastide-du-Vert, France 1943 La Maison de Marie-Louise Oil on canvas, signed. Canvas size: 35.5 x 46 in / 90 x 117cm Frame size: 43 x 53.5in / 109 x 136cm Provenance: Private Collection, Argentina This painting is accompanied by a certificate of authenticity from Marie-Anne Destrebecq-Martin

 

Galerie la Ménagerie

Georges Collard (1881-1961) Scimitar Oryx Bronze with dark brown patina and gold rims. Signed and dated " Georges Collard 1926 " on the base Foundry stamp "Batardy Bruxelles cire perdue" sur la terrasse. Model created and cast circa 1926. 31 x 54 x 21 cm

 

Collectors Gallery

René Julien (1937–2016) "Phaeton" Unique necklace of impressive proportions and exceptional presence in 18-karat yellow and white gold and ceramic Ca 70 Provenance: Artist’s family

 

Galerie bei der Albertina ▪ Zetter

Vally Wieselthier Female Head with Green Flower, 1928 Manufactured by the Wiener Werkstätte, model number 494 Red pottery, polychrome glaze H 28.5 cm, W 13.5 cm, D 14.5 cm Marks: monogram VW, WW, MADE IN AUSTRIA, 494, I Hörmann WV-K 587 Minor chips professionally restored Exhibitions: Kaiserslautern, Museum Pfalzgalerie, "Vally Wieselthier - Golden Girls No. 2", 2022/23 New York, Austrian Cultural Forum, Vally Wieselthier, Sculpting Modernism, 15. 10. 25 - 09. 02. 26 Literature: cf WW-Archives, MAK Vienna, Photo-Archives WWF 110-42-3 cf Marianne Hörmann, Vally Wieselthier, Wien 1999, ill. p. 165, no 77f and p. 286, WV-K 587

 

Galerie Jean-François Cazeau

Armand Fernandez, known as ARMAN (1928–2005).
 ‘La grande nuit’, 1994 Acrylic and brushes on canvas, eight panels, signed on the edge, unique piece.
 Height: 292 – Width: 413 cm
 
 Provenance:
 Artist's studio Given by Arman to his daughter Anne Fernandez.
 Exhibitions:
 - Arman, "La Nuit Etoilée", Château Notre-Dame des Fleurs, Winter 1994/1995, Galerie Beaubourg, featured on the cover of the catalogue, illustrated across a double-page spread (pp. 28–29), illustrated on page 32 behind Arman.
 - "Arman s’installe aux Baux de Provence", 4 June to 16 October 2011, organised by the A.R.M.A.N Foundation, illustrated on page 22 of the catalogue.
 Bibliography: Illustrated in the Catalogue general of the official Arman website, Arman-Studio.

 
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