25 JANUARY 1 FEBRUARY 2026

BRUSSELS EXPO | HEYSEL

Artworks

This section will be available this Autumn.

Galerijen
Galerijen Galeries AB & BA Ars Antiqua d'Arschot & Cie Art et Patrimoine - Laurence Lenne Artimo Fine Arts Galerie Ary Jan HELENE BAILLY Paris-Genève J. Baptista Barbara Bassi Galerie de la Béraudière Galerie Berès Bernier/Eliades Gallery Galerie BG Arts Boon Gallery Bernard Bouisset Galerie Boulakia Galerie Nicolas Bourriaud Brame & Lorenceau Cabinet of Curiosities-Honourable Silver Objects Galerie Capazza Giammarco Cappuzzo Fine Art Galerie Jean-François Cazeau Galerie Cento Anni Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM) Claes Gallery Collectors Gallery COLNAGHI Cortesi Gallery Costermans Dalton Somaré De Brock De Jonckheere Galerie Bernard De Leye Galerie Oscar De Vos De Wit Fine Tapestries De Zutter Art Gallery Dei Bardi Art Thomas Deprez Fine Arts Patrick Derom Gallery Gallery Desmet DIE GALERIE Douwes Fine Art b.v. Epoque Fine Jewels Galerie Flak A&R Fleury Galerie La Forest Divonne Galerie Christophe Gaillard Galerie des Modernes Gilden's Art Gallery Gokelaere & Robinson Galerie Hadjer Philippe Heim Marc Heiremans Heutink Ikonen Galerie Hioco Hoffmans Antiques Huberty & Breyne Galerie Hurtebize rodolphe janssen Francis Janssens van der Maelen Kunsthaus Kende Harold t’Kint de Roodenbeke Florian Kolhammer Sylvia Kovacek – Vienna Kunstconsult 20th century art I objects DYS44 Lampronti Gallery Alexis Lartigue Lemaire Galerie Lowet de Wotrenge Francis Maere Fine Arts Galerie Marc Maison MARUANI MERCIER Galerie Mathivet Mearini Fine Art Meessen Montagut Gallery Galerie Montanari Jan Muller Antiques Klaas Muller Gioielleria Nardi New Hope Gallery Nosbaum Reding Dr. Nöth kunsthandel + galerie Galerie Nathalie Obadia, Paris/Brussels Objects With Narratives Galeria Jordi Pascual Galerie La Patinoire Royale Bach Pauline's Jewellery Box Galerie Alexis Pentcheff Christophe Perlès Guy Pieters Gallery Gallery de Potter d’Indoye Galerie de la Présidence QG Gallery Maison Rapin Stéphane Renard Fine Art Repetto Gallery robertaebasta Romigioli Antichità Rueb Modern and Contemporary Art Galerie Sophie Scheidecker Serge Schoffel - Art Premier Segoura Fine Art Selected by BRAFA, designed by Gert Voorjans Edouard Simoens Gallery Herwig Simons Fine Arts Stern Pissarro Gallery Stone Gallery Stoppenbach & Delestre Galerie Taménaga TEMPLON Galerie Patrice Trigano Valerio Turchi Univers du Bronze Gallery Sofie Van de Velde Van der Meij Fine Arts Van Herck-Eykelberg Galerie Raf Van Severen Samuel Vanhoegaerden Gallery Maurice Verbaet Gallery Galerie von Vertes Axel Vervoordt Galerie Dina Vierny VKD Jewels Galerie Florence de Voldère N. Vrouyr Floris van Wanroij Fine Art Victor Werner Whitford Fine Art Willow Gallery
 

Whitford Fine Art

joseph lacasse

Joseph Lacasse (Tournai 1894-1975 Paris) Balancement, 1948 Oil on canvas 81 x 100 cm Signed and dated lower right and signed, dated and inscribed verso Lacasse Estate inventory number dia n° 390 Provenance: the estate of the artist

 

Nosbaum Reding

JKB Fletcher (UK, Solihull 1982) Blue | Steichen, 2024 Oil on panel 100 x 70 cm Provenance: the artist's studio

 

Ars Antiqua

balthazar van den bossche

Balthazar van den Bossche (Antwerp, 1681-1715) The sculptor’s studio (Giambologna’s studio), 1710 Oil on canvas 72 x 85 cm Signed and dated 1710 on the right lower corner Published on RKD Provenance: sale Christie's 4 June 1943, lot 66

 

Stern Pissarro Gallery

tom wesselmann

Tom Wesselmann (Cincinnati 1931-2004 New York) Study for bedroom painting #31, 1972 Oil on canvas 20.3 x 26 cm Signed, dated twice and titled on the reverse This work is registered under n° 72-9 in the archive of the Tom Wesselmann Estate, New York Provenance: Sidney Janis Gallery, New York; private collection, USA, acquired from the above Exhibitions: Paris, Galerie Des 4 Mouvements, Tom Wesselmann: Peintures, 7-31 March 1974, n° 13 (ill.)

 

Maison Rapin

marc cavell

Marc Cavell (London 1911-1989 Paris) Untitled, 1974 Kinetic work in white lacquered wood 141 x 182 cm Signed 'Cavell 74' Unique piece

 

De Jonckheere

pieter brueghel the younger

Pieter Brueghel the Younger (Brussels 1564-1638 Antwerp) The Resurrection of Christ Oil on panel 47.20 x 34.30 cm Signed BRVEGHEL bottom left Provenance: Olive Dorothea Wentworth-Fitzwilliam, Countess Fitzwilliam (1911-1975); Christie’s, London, 12 December 1986, lot 37; private collection Literature: Klaus Ertz, Pieter Brueghel der Jüngere, Luca Verlag, Lingen 1998/2000, vol. I, pp. 439-440, cat. 435, fig. 318, repr.

 

Galeria Jordi Pascual

josé guerrero

José Guerrero (Granada 1914-1991 Barcelona) El Alba, 1967 Oil on canvas 146 x 114 cm Certificate of authenticity by Comité José Guerrero Provenance: Elliot M. Katz Living Trust, EE.UU; Galería Juana Mordó, Madrid; Galeria Buchholz, Lisbon Literature: Francisco Baena, Serge Guibault, Juan Antonio Ramírez, Yolanda Romero and Inés Vellejo Ulecia, José Guerrero Catálogo Razonado, Vol I 1931-1969, Ed. Diputación de Granada, 2008, p. 564, fig. 460 Exhibition: Galería Buchholz, Lisbon, 'José Guerrero', April 1967

 

Boon Gallery

günther uecker

Günther Uecker (Germany, Wendorf 1930) Wind, 2005 Nails and oil on canvas laid down on wood 200 x 160 cm Signed on reverse This artwork is registered in the Uecker Archive with the number GU.05.011 and will be included in the forthcoming catalogue raisonné Günther Uecker has for six decades developed his reliefs comprising dynamic arrangements of nails. Born in 1930 in Wendorf, Germany, Uecker studied at the Kunsthochschule Berlin Weissensee and Kunstakademie in Düsseldorf, where he lives and works today. In the 1950s, influenced by Eastern philosophy and Gregorian chanting, he began a ritual of hammering nails. These materials signify protection and creation to the artist, who remembers nailing planks over the windows of his home to deter Soviet troops after the Second World War. By 1957, he was hammering nails onto canvas to achieve a 'sundial' optical effect, casting light and shadow in ephemeral patterns. In 1961, Uecker joined Heinz Mack and Otto Piene in the anti-expressionist movement Group Zero, which prioritised expanding beyond the traditional dimensions of the canvas into kinetic, serial, and participatory realms. After the group's dissolution in 1966, Uecker's work incorporated aspects of conceptual and land art, and he began designing stage sets for operas. Uecker's work has been the subject of solo exhibitions at museums worldwide. Retrospectives of his work have been organised by the Central House of Artists, Moscow (1988) and Kunsthalle München (1993), and he participated in Documenta (1964, 1968, 1977) and the 1970 Venice Biennale. His work resides in such collections as the Art Institute of Chicago; Guggenheim and MoMa in New York; Museum Ludwig in Cologne; Centre Pompidou in Paris; Stedelijk Museum in Amsterdam; and Tate Modern in London.

 

Galerie des Modernes

jean dubuffet

Jean Dubuffet (Le Havre 1901-1985 Paris) Chien errant, 1957 'Assemblage d'empreintes' series Ink and cut paper collage on paper mounted on cardboard 105 x 67 cm Signed and dated lower left 'J. Dubuffet 57' Provenance: Galerie René Drouin, Paris; collection Madame F. Montel, Paris; the Redfern Gallery, London; Waddington Galleries, London; Andrew Crispo Galleries Inc, New York; Sid Deutsch Gallery, New York; private collection, New York; private collection, Belgium Literature: Max Loreau, Catalogue des Travaux de Jean Dubuffet, Fascicule XII: Tableaux d'assemblages, Weber éditeur, Lausanne, 1969, described p. 99 and p. 130 and reproduced p. 99, n° 119; Andreas Franzke, Dubuffet Zeichnungen, Rogner & Bernhard, Munich, 1980, repr. in black and white on p. 175 Exhibition: Summer Exhibition 1972, The Redfern Gallery, London, Summer 1972

 

Ars Antiqua

tommaso ruiz

Tommaso Ruiz (active between 1710-1750) View of the Port of Naples Oil on canvas 56 x 151 cm Signed lower right and dated 'Tommaso Ruiz 17..'

 

Galerie Berès

Olivier Debré (Paris, 1920-1999) 'Tout vert, taches violettes et jaunes', 1986 Oil on canvas 113.4 x 162 cm Signed, titled, situated and dated on the back 'O.DEBRÉ 'Tout vert, taches violettes et jaunes' Touraine 86' Certificate of authenticity COD.23.490 issued by Sylvie Debré-Huerre dated 20 November 2023 Exhibition: Lausanne, Fondation de l'Hermitage, Basquiat, Dubuffet, Soulages... une collection privée, June-October 2016, p. 195, n° 115

 

Epoque Fine Jewels

chaumet

Chaumet Art Deco bracelet Emerald and diamond bracelet of geometrical design by Chaumet, set throughout with old European cut and old single cut diamonds, highlighted with six engraved, baton-shaped Colombian emeralds, with rose cut diamond and black enamel caps, mounted in platinum and gold. Total emerald weight: approx. 14,67 ct. Total diamond weight: approx. 13,67 ct. Accompanied by the Chaumet certificate of authenticity Paris, December 1930

 

Galerie Flak

Shamanic 'Nepcetaq' plaque mask Yup’ik, Eskimo, Alaska, 19th century Carved wood H 45 x W 49 cm Provenance: former private collection, North America; Christie’s Paris, 19 June 2013, lot 76; former collection Daniel Hourdé, Paris, acquired at the above sale

 

Herwig Simons Fine Arts

Armor box 'Daimyo Hitsu' Japan, Edo period (1603-1868), 18th century Black lacquered wood 'ro-iru-nori' with a decoration of Man type 'Kuyō' H 64.5 x W 145 x D 64 cm Quadrangular shape decorated with the coat arms of the Hosokawa clan, in gold and green polychrome and coral scrolls of peony flowers. The brass fittings are incised with scroll decorations and two brass side handles Provenance: Ariane Dandois gallery, Paris (purchased in the 1990's) Note: History of the Hosokawa clan, YouTube Related works: a lacquer box with the coat of arms of the Hosokawa clan is presented in the Metropolitan Museum (ref.2015.500.2.28). A Jinbaori with the coat of arms of the Hosokawa clan is presented in the Eisei Bunko Museum (Japan)

 

Galerie Nicolas Bourriaud

Céline Lepage (Warsaw 1882-1928 Paris) Femme de Marrakech, circa 1920 Bronze with double shaded brown-green and medal patina H 80.5 x W 22 x D 22 cm Weight 12.7 kg Signed 'Céline Lepage' Sand casting probably made by the Rudier foundry. Publisher's stamp 'La Stèle', the artist's stamp with number 6 Literature: Paul Camille Lepage, 'Les conceptions artistiques de Céline Lepage', L’Art et les artistes, March 1933, model repr. p. 185

 

Maison Rapin

KAM TIN Turquoise coffee table, 2024 Turquoise mosaic top on a patinated brass structure H 36 x W 126 x D 82 cm Unique piece

 

Stern Pissarro Gallery

henri martin

Henri Martin (Toulouse 1860-1943 Labastide-du-Vert) Venise, palais et gondoliers sur le Grand Canal, circa 1909 Oil on canvas 68.5 x 96 cm Signed lower right 'Henri Martin' This work is accompanied by a certificate from Madame Marie-Anne Destrebecq-Martin and will be included in the forthcoming catalogue raisonné which is currently being prepared. Provenance: Jacques Martin-Ferrières, Paris (son of the artist); private collection, France, acquired from the above; sale Christie's, New York, 2018; private collection, acquired from the above

 

Galerie Raf Van Severen

paul klee

Paul Klee (Münchenbuchsee 1879-1940 Locarno) Kronen-Narr (Crown Fool), 1938 Gouache, brush and ink on newsprint laid on board 48.9 x 32.4 cm Signed bottom right ‘Klee’ Titled and dated on the paper backing, bottom centre Provenance: Hans and Erika Meyer-Bentelli, Bern until 1955; Berggruen & Cie, Paris, 1955-58; Saidenberg Gallery, Inc., New York, 1958-59; James Wise, Geneva, New York and Nice from 1959; Nahum Goldman, Jerusalem until 1983; collection of Sidney Rothberg, Philadelphia, Pennsylvania Literature: Paul Klee-Stiftung, Kunstmuseum Bern, Paul Klee: Catalogue Raisonné, Band 7, 1934-1938, Thames and Hudson, London, 1998-2004, p. 344, n° 7250 (ill.) Exhibitions: 1957, Amsterdam, Stedelijk Museum, Paul Klee; 1957, Brussels, Palais des Beaux-Arts, n° 97a

 

Klaas Muller

Frans Snijders (Antwerp, 1579-1659) Kitchen interior with two dogs, offal and a basket with fruits and vegetables, circa 1620 Oil on canvas 113 x 183 cm Signed upper left: F. SNIJDERS. Fecit Provenance: sale Campo, Antwerp, 13-15 December 1966, lot 90; sale Sotheby’s, London, 7 October 1981, lot 123, ill. p. 89; sale Sotheby’s, London, 7 July 1982, lot 233, ill.; private collection, Belgium In a kitchen, a dog (a Friesian Wetterhound) guards its booty from another dog that appears on the left. Apparently, he has pulled away from his chain and is not giving up his booty (entrails) lightly. On the right of the painting, we see an overturned basket with artichokes, asparagus, a lemon and apples. At the top left, the painting is proudly signed 'F. SNIJDERS.FECIT'. Frans Snijders had a predilection for depicting dogs and they appear frequently in his oeuvre. About seven -mostly larger works as is the case here- can be named as scenes in larders or front rooms of kitchens. The theme is usually similar: a dog defends its stolen loot against another dog (e.g. a painting on loan with a similar theme among others in the Snijders-Rockoxhuis 'Larder with dogs and a cows head'). It remains conjecture whether Snijders was pursuing a metaphor or deeper symbolism with this theme. However: each time, he shows himself to be a fantastic cinematographer and manages to render a scene just before the climax through which he builds the tension. Also typical is the dog's head on the left, which is only partially depicted (cut off from the composition it seems) which generates even more movement. The textures of the fur, meat, vegetables and fruit are fantastically rendered.

 

QG Gallery

keith haring

Keith Haring (Reading 1958-1990 New York) Plate 13 Photostat (from the Blueprint Drawings portfolio), 1981 Photostat on paper 105 x 125 cm Signed lower right ‘K. Haring’, signature and date stamped lower right ‘Jan 16 1981 Keith Haring’ Unique work Provenance: gift from the artist circa 1981; private collection, USA; private collection, USA; Wright, May 2024; private collection, Belgium Literature: Keith Haring: Editions On Paper 1982-1990, Littmann, p. 174 discusses series, p. 181 illustrates realized screenprint

 

Gallery Sofie Van de Velde

Kees Goudzwaard (Utrecht, 1958) Position, 2008 Oil on canvas 100 x 80 cm

 

Galerie de la Présidence

albert marquet

Albert Marquet (Bordeaux 1875-1947 Paris) Stockholm, Strandvägen ciel clair, 1938 Oil on panel 33.2 x 41.2 cm Signed lower left This work will be included in the Marquet digital catalogue raisonné, in preparation by the Wildenstein Plattner Institute Provenance: Albert Marquet collection, Paris; on consignment with Gösta Olson, Svensk-Franska Konstgalleriet, Stockholm; returned to Albert Marquet, Paris June 21, 1938; Madame Albert Marquet collection, Paris, by descent from above, (1947); Alex Maguy collection, Galerie de l’Elysée, Paris; sale Sotheby’s & Co, London, March 31, 1965, n° 110; private collection, Switzerland Exhibition: Utställning Albert Marquet, Svensk-Franska Konstgalleriet, Stockholm, April-May 1938, n° 38, p. 11

 

Galerie Hioco

Buddha Śākyamuni Grey schist Ancient Gandhāra region, 2nd-3rd century H 66 cm Provenance: Japanese collection, since 1980; then from an English private collection since 2003

 

Mearini Fine Art

Venetian Master (Michele Linder from Hamburg?) Crucifix, circa 1490 Alder wood H 115 x W 92 x D 16 cm Recto and verso hollowed out and juxtaposed to recompose the figure Expertise Prof.ssa Serenella Castri Provenance: private collection, Italy Exhibition: 'Sculptura' Capolavori Italiani dal XIII al XX secolo, Modena 2023 This is an absolute masterpiece in the corpus of wooden Crucifixes of the late fifteenth century in Venice. This is a sculpture of exceptional technical skill. The ‘construction’ technique is unique: the figure of the Christ has been obtained from two alder wood valves hollowed out and then fitted together more then perfectly. Even more emblematic is the dramatic introspection of its carving, whose executive value is comparable to that of ivories, and, above all we can date it to circa 1490, the apex of the Venetian Renaissance. In Venice, the reference model for the production of wooden crucifixes was the famous monumental Crucifix (ca.1468/75) of the basilica of Santa Maria Gloriosa dei Frari, from which a varied series of examples derived until the first decades of the sixteenth century. The expressive suggestion of ‘German’ models certainly contributed to the very original characteristic of these sculptures, especially thanks to the presence in Venice of skilled carvers from Northen Europe. The attribution to Michele Linder from Hamburg, resident in the district of Santi Marcuola and Fortunato, has been strongly corroborated. Linder was one of the most estemeed wood carvers in Venice and the most famous sculptor of ivory crucifixes.

 

Selected by BRAFA, designed by Gert Voorjans

corneille

Corneille (Guillaume Cornelis Van Beverloo, Liege 1922-2010 Auvers-sur-Oise) Untitled, Abstract blue, red and grey, 1960 Mixed media on canvas 28 x 35 cm Signed and dated upper right corner 'Corneille 1960' Certificate of authenticity issued by Fondation Guillaume Corneille in Brussels on 15 November 2024 Couck Art Gallery - Lucie Couck

 

Francis Maere Fine Arts

léopold survage

Léopold Survage (Moscow 1879-1968 Paris) Fisherwoman in Collioure, 1929 Oil on canvas 97 x 130.5 cm Signed and dated lower right 'Survage 29' Provenance: collection Jozef Rogatchewsky, director of the Opera La Monnaie, 1953-1959

 

Edouard Simoens Gallery

kenneth noland

Kenneth Noland (USA, 1924-2010) Greyed Brown, 1977 Acrylic on canvas 156 x 237.5 cm Provenance: private collection, Belgium

 

Van der Meij Fine Arts

carl holsøe

Carl Holsøe (Denmark, Aarhus 1863-1935 Asserbo) Lady at a desk, circa 1900 Watercolour and pencil on paper 38 x 34.5 cm Signed lower right: C.HOLSØE Provenance: private collection, The Netherlands

 

Galerie Sophie Scheidecker

Pol Bury (La Louvière 1922-2005 Paris) Angélique, after Ingres, 2002 Digital monotype on canvas 89 x 45 cm Signed and dated lower right Unique piece

 

Guy Pieters Gallery

christo and jeanne-claude .

Christo (Gabrovo 1935-2020 New York) and Jeanne-Claude (Casablanca 1935-2009 New York) The Mastaba (Project for Abu Dhabi, United Arab Emirates), 2013 Pencil, charcoal, wax crayon, pastel, hand-drawn technical data and map, enamel paint, wash and tape Left part: H 165 x W 38 cm Right part: H 165 x W 106 cm

 
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