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Snackers Antiques & Fine Art
Cross with Ivory corpus, Walter Pompe, Antwerp 1770 Cross with ivory corpus Crafted by Walter Pompe, Antwerp 1770, Signed Walter Pompe was a very well-known sculptor, especially of Buxus/Palm and Ivory carvings The Calvary richly decorated, also featuring ivory bones, skull, and the snake with apple. With CITES document. H. 57.5 cm W. 27 cm D. 11 cm
Francis Janssens van der Maelen
Grand Vase Art Déco par Luigi Genazzi Matière : Argent 800/°°° 35 x 32 cm 2.900 gr Date : °1930 Milan Grand vase ou rafraîchissoir à vin en argent martelé, agrémenté de deux anses géométriques et rehaussé d’un décor aux détails d’une grande finesse. Œuvre-témoin de la ‘Milanesità’, l’orfèvrerie de Milan, élégante et intemporelle. Porte les poinçons de l’orfèvre Luigi Genazzi et sa signature.
Galerie de la Présidence
Geer van VELDE (1898-1977) “Composition” Circa 1953 Oil on canvas 81 x 100 cm – 31.88 x 39.37 in. Signed with the initials “GvV” lower right Signed on the reverse “G. van Velde” Provenance - Collection Michel Guy, Paris - Private colletion, Paris - Private collection, France Bibliography - This work will be included in the “Catalogue Raisonné” of Geer van Velde Painted Work currently in preparation by Pierre François Moget son of Piet Moget, under the N°118 059. Certificate of Pierre François Moget.
Galerie von Vertes
Repetition GL.A 1996 Collage and acrylic on canvas 16.1 × 12.5 in., 41 × 31,8 cm Verso signed, dated and titled Provenance: · Shinwa Auction, 23 November 2014, lot 145 · Private collection, Japan (acquired from the above) · Bonhams, Hong Kong, 11 June 2016, lot 26 · Private collection, Asia (acquired from the above) · Christie's, Hong Kong, 3 December 2020, lot 517 · Private collection, London (acquired from the above) Expertise: · Certificate of authenticity from the Yayoi Kusama Studio on 21 August 2012 Background information: Repetition or seriality would become her signature technique in everything that she created: “Repetition of the same patterns, an action which stems from my disease, is applied in my writing just as it is in my artwork. Dreams and hallucinations are actually occurring. This obsessional image is what I have transformed my disease into, and is therefore, to me, irreplaceable.”
Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM)
PICASSO (P.) – PARMELIN (H.). Les Dames de Mougins. Paris, Imprimerie Union, 1964, presentation copy from Picasso to Dr. René-Albert Gutmann, one of his physicians, with an original drawing. PICASSO (P.). Felt-tip pen drawing. 298 x 270 mm. Signed and dated "Diego Picasso, 8.11.65, and Jacqueline [Picasso]". Librairie Lardanchet, Antiquarian bookseller
Snackers Antiques & Fine Art
Flemish art or collection cabinet with paintings of Biblical scenes. Belgium, circa 1650. Flemish Cabinet on later base with torsted legs. Biblical scenes. A flap at the top with a mirror in the middle. Behind the door a tiled floor and pillars of ivory and mirrors. This art or collection cabinet is a good example of a luxury piece of furniture such as that manufactured in Flanders and especially in Antwerp in the 17th century. In these types of cabinets were collectibles such as coins, perfume bottles, shells, jewelry etc. keep. Many of these art cabinets not only have many drawers but also a so-called ‘aedicula’. This Latin word means "little house" or " House of God." Made from native fruit wood, probably pear wood which is then polished to make it black and look like Ebony. The paintings on the doors and drawers represent the following New Testament stories or persons: (behind the relevant story there is always one reference to a gospel text; in some cases the same story is in several Gospels) if there is no textual reference, this means that the scene in question is a biblical concept but not a story in a certain chapter. The base of the art cabinet was manufactured in the 19th century. Provenance: Private collection, The Netherlands With CITES document. H. 127 cm W. 63 cm D. 38 cm
Desmet Fine Arts
Odoardo Fantacchiotti (1809 – 1877) MUSIDORA Inspired by the James Thomson’s poem ‘Summer’, originally published in 1727 Marble Firenze, 1859 Signed: PER COMMIS DEL MERITIS / … / ODOARDO FANTACHIOTTI / SCOLPIVA IN FIRENZE / L’ANNO 1859 Provenance: Commissioned by August Belmont (1813-1890) USA Randall family, Clarendon Court (Newport – USA) Published: Ricordi fotografici degli artisti contemporanei in Toscana : ‘La Musidora’(Firenze-1858). V. Lia Bernini, G. Moradei, Odoardo Fantacchiotti scultore (1811-1877): atti delle giornate di studio nel bicentenario della nascita 1811-2011, (Toscana 2021), Volume 227, pp. 37-41 Other verions: 1862: for Baron Belper, Edward Strutt (Israele collection) 1865: for the king of Portugal (Lisbon Palacio Nacional da Ajuda) Musidora H 167,6 x W 49 x D 49 cm H 66 x W 19 1/ x D 19 1/3 inch Plinth H 95,3 x D 63 cm (at base) H 37 1/2 x D 24 4/5 inch Total height H 262,9 cm (103 1/2 inch) Art Loss Register: S00258863
Caretto & Occhinegro
The Master of Antwerp Adoration (Active in Antwerp first decades of XVI century) "The Annunciation to St Anne" Oil on panel cm 59x62 1525 c. Expertise Peter van den Brink Bibliography: Van den Brink 1997, pp. 32, 35 note 22, fig. 5 Van den Brink 2007, pp. 168, 175, 179 note 38, fig. 16b Cécile Scailliérez, in Paris 2017, pp. 84, 86, fig. 32
Dei Bardi Art
Saint Peter Circle of Daniel Mauch Upper Rhine, circa 1490 Walnut bust 39,2 x 49,5 x 26 cm (with base) Provenance: private Rhenish collection Literature: Antlitz des Mittelalters Mittelalterliche Bildwerke aus rheinischem Privatbesitz, ed. Reinhard Karrenbrock and Claudia Lichte, with technical studies by Michael Rief and Ulrike Villwock, Rottweil/Aachen, 1999, n° 33, pp. 108–110 Exhibitions: Dominikanerforum, Rottweil, 31 October 1999 – 6 January 2000; Suermondt-Ludwig-Museum, Aachen, 4 March – 21 May 2000
Galerie von Vertes
Patty Raynes and son 1985 Acrylic and silkscreen ink on canvas 40.2 × 40.2 in., 102 × 102 cm Verso signed and dated 'Andy Warhol 85' Provenance: · Patty Raynes, USA (1985 directly acquired from the artist) · Private collection, USA (2022 acquired from the above) Background information: In 1985, Patty Raynes commissioned two works, this one with a yellow background and a second one with a white background. ‘Patty Raynes and Son’ from 1985 is one of a series of portraits in which Warhol no longer exclusively depicted global celebrities, but increasingly portrayed members of his social environment - individuals whose social position exerted a symbolic aura, even if they remained outside the pop-cultural canon. Patty Raynes came from a respected family of American industrialists, socialite and daughter of oil tycoon Marvin Davis, a fact that inevitably lends the work the character of a status portrait. Warhol, who was always concerned with the relationship between appearance and identity, addresses the portrait here as an expression of social affiliation. The subject, the depiction of a mother and child, is immediately reminiscent of the archetypal motifof the Madonna and Child. Warhol adopts this traditional pictorial form but transforms it into a contemporary icon: the sacred content isdisrupted by the screen-printing technique, giving the scene a cool, distanced character. · Patty Haynes and son emerge from this mature period in Warhol’s oeuvre, when the artist extended his repertoire of subjects to include his panoply of famous friends, artists, actors, and socialites. A collection idolizing the who’s who of New York, Warhol intended for the 40 by 40-inch series to be exhibited together in a “Portrait of Society,” a dream eventually realized at the artist’s retrospective Andy Warhol—From A to B and Back Again at the Whitney Museum in New York in 2018.
Bernardini Milano
Rolex, Bienne. Rare yellow gold “oyster chronograph” in pristine condition, 1956 One of the 36 made of this version of chronographs in 18kt. gold in the late 50’s. The untouched case and extensible bracelet host a perfect creamy silvered dial. The watch is complete of its original box, papers, invoice and various communications between owner and the Swiss Maison.previously unknown to the market, it’s a benchmark in terms of rarity and conservation.
Galerie Hurtebize
Maurice Utrillo (Montmartre, Paris 1883-1955 Dax,France) Commune de Maixe (Meurthe-et-Moselle) 1924 Oil on canvas 98.4 x 131.3 cm Signed and dated lower left Certificate by Hélène Bruneau, President of the Utrillo-Valadon Committee Provenance : Private collection, France Literature : P. Pétridès, L’Œuvre complet de Maurice Utrillo, Paris, 1974, vol V, p. 238, no.2720 (illustrated p.239)
Dr. Nöth kunsthandel
Raoul Dufy, CERES AU BORD DE LA MER, 1928, Gouache on paper, 49, 5 x 63, 5 cm, signed lower middle, Certificate Fanny Guillon-Laffaille, will be published in catalogue raisonné des Aquarelles, gouaches and pastels , Provenance: Hartford, Wadsworth Atheneum 1959, No. 24; Fr. Gershwin Godowski collection, Sotheby´s New York, 12.05.1999, lot 373
Bernardini Milano
Patek Philippe, Genève. Rare waterproof chronograph in rose gold, 1945 Extremely rare and well preserved waterproof Patek Philippe Ref. 1463 chronograph in rose gold, made in 1945, bearing a uniquely spotless two-tone rose dial. The reference 1463, known in the collector’s community as “Tasti Tondi” (round pushers). This is a very sought after version of Patek’s chronograph produced between the early 40’s and mid 60’s. This watch is complete of its appropriate extensible Gay Frères bracelet. This example is one of the conditions ever appeared in the last years. [05/08/26, 16:39:03] Max bernardini: Patek Philippe, Geneve. Extremely rare and well preserved waterproof chronograph in rose gold, made in 1945, bearing a uniquely spotless two-tone rose dial. The watch is complete of its appropriate extensible Gay Frères. Previously unknown to the market. [05/08/26, 16:45:19] Max bernardini: Ref. 1463, known in the collector’s community as “Tasti Tondi”(round pushers) This is a very sought after version of Patek’s chronograph produced between the early 40’s and mid 60’s. This example is one of the conditions ever appeared in the last years.
Dr. Nöth kunsthandel
Armand Guillaumin (1841 Paris - 1027 Orly, Val-de-Marne), LES HAUTEURS DE LA SEDELLE, CROZANT, 1910, pastel on paper, 48 x 63 cm, signed lower left, on the reverse a label of Galerie Marcel Bernheim, Paris; Certificate Comité Guillaumin, the pastel will be included in the second volume of the forthcoming catalogue raisonné, Provenance: Galerie Marcel Bernheim, Paris; Collection F., Paris
Galerie Hurtebize
Marc CHAGALL (Belarus, Vitebsk 1887-1985 Saint-Paul de Vence, France) Lumière du Cirque 1969 Watercolor, pastel, gouache, colored inks, and pencil on a black print of lithograph M.566 38 x 52.3 cm Signed “Marc Chagall” at the bottom right Certificate of authenticity from the Comité Marc Chagall Provenance: Private Collection, France
Dr. Nöth kunsthandel
Armand Guillaumin: "BORDS DE L´ORGE Á EPINAY", 1890, Oil on canvas, 81 x 65 cm, signed lower right, Certificate Comité Guillaumin, will be included in the second volume of the forthcoming catalogue raisonné , Provenance: Galerie Durand-Ruel, Paris; Clara de Plessis Whelan, New York; Sale Parke-Bernet Galleries, New York, 7th Nov 1946, lot 65; Mr. Jussaume, Buenos Aires; Mr. Foret, Buenos Aires; private collection , France (acquires from the above in 1956); sale: Christie`s London 7th Febr. 2001, lot 127; private collection Texas
Desmet Fine Arts
Egidius Van den Vliete, called Egidio della Riviera (Mechelen, circa 1535 – Rome, 1602) (Workshop of) ALLEGORY OF SLEEP Morpheus, Phobetor and Phantasos, the Oneiroi of Greek myth Marble Rome, late 16th – early 17th century Provenance: The Estate of Stanley Moss, New York Related versions: Galleria Borghese, Rome, inv. no. CLXXXIV (acquired by Cardinal Scipione Borghese by 1609) Formerly Giustiniani collection, Rome Formerly Palazzo Colonna, Rome A further group of this subject, photographed under the same title in the Palazzo Pitti, Florence H 25.4 x W 64.8 x D 59.7 cm H 10 x W 25 ½ x D 23 ½ inch
