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LUDORFF
Heinz Mack (1931, Lollar – lives & works in Mönchengladbach & Ibiza) Couleur et lumière, 2004 Acrylic on canvas 317 × 292 cm | 124 13/16 × 114 15/16 in Signed and dated. Signed again, dated and titled on the verso Provenance: The artist’s studio; Park Hyatt Zurich Collection Exhibitions: Galerie Ludorff, "Recent Acquisitions Fall 2026", 4. Oct. - 16. Jan., Düsseldorf 2026 Literature: Galerie Ludorff, "Recent Acquisitions Fall 2026", Düsseldorf 2026, p. 96; Heinz Mack, "Ars urbana - Kunst für die Stadt: 1952-2008", München 2008, Nr. 276, p. 314
Univers du Bronze
Jean-Baptiste Carpeaux (Valenciennes 1827-1875 Courbevoie) Les trois Grâces (Trial example, variant), 1873-1874 Bacchant crowned with ivy, Bacchant with roses et Bacchant with laurels Terracotta with pinkish patina, 'Atelier-Dépôt à Auteuil, 71 rue Boileau, Paris' H 79.2 x W 44.5 x D 36 cm Trial example, earlier version prior to the final composition, signed ‘J B-te Carpeaux’ and dated '1873' with 'Propriété Carpeaux' seal : variations in the respective positioning of the Bacchantes with laurel and ivy, and a variation in the right leg of the latter; vibrations in the particularly subtle modelling of the figures; sketch-like modelling, rough indications in the central plant stem, the quiver, and the laurel, ivy and rose leaves crowning the Bacchants, with an improvised rose in a different position than the edited examples. Artist’s intervention. Kilned in 1873
Galerie des Modernes
Geer Van Velde (Lisse 1898-1977 Cachan) Composition, circa 1950 Oil on canvas 80 x 85 cm Signed lower right with the artist’s initials Certificate of authenticity by Pierre-François Moget To be included in the forthcoming catalogue raisonné of the works of Geer van Velde currently in preparation by Pierre-François Moget Provenance: the artist’s studio, Cachan; private collection, The Netherlands; private collection, France
Samuel Vanhoegaerden Gallery
Karel APPEL People, Birds and Sun, 1951 gouache and pastel on paper, mounted on canvas 65 x 100 cm Signée et datée en bas à droite PROVENANCE: Karel Appel estate Galerie Max Hetzler , London EXHIBITIONS: Karel Appel – Cobra / Non Cobra, Galerie Max Hetzler, London, Jan - Feb 2024
Galerie Jean-François Cazeau
Victor Vasarely (Pecs 1908-1997 Paris) EG-2, 1965 Acrylic on canvas 160 x 160 cm Signed in the centre Counter-signed, titled and dated on the reverse Provenance: artist’s studio; Galerie Denise René, Paris; private collection, France Certificate of Authenticity by Pierre Vasarely dated 26 July 2020
Galerie Oscar De Vos
Frits Van den Berghe (Ghent, 1883-1939) The companions, 1932 Oil on canvas 150 x 130 cm Signed lower right 'FVBerghe 32' Provenance: Alla and Bénédict Goldschmidt collection, Brussels Literature: Langui, Frits Van den Berghe en de jongere generatie, in: Kunst-Kultuur, yr. 1, 1940, p. 4; Van Hecke, Frits Van den Berghe, in: Les Peintres Contemporains, 1948, pp. 99-110, cat. 55; Van Hecke, A propos des deux expositions de Frits Van den Berghe, in: Les Arts plastiques, n° 5-6, 1948, pp. 240-242, pl. 55; Haesaerts, Sint-Martens-Latem. Gezegend oord van de Vlaamse kunst, 1965, n° 689; Langui, Frits Van den Berghe. Catalogue raisonné de son oeuvre peint (Bruxelles: Laconte, 1966), n° 396; Langui, Het Expressionisme in België, 1970, pl. 81, p. 128; Hoozee, Tahon-Vanroose & Bown-Taevenier, Frits Van den Berghe, 1983, p. 164; Boyens, Frits Van den Berghe, 1999, pp. 161, 233, n° 132; Boyens, Frits Van den Berghe, 1999, p. 290, n° 753; Pauwels, Als een fonkelenden spiegel, 2019, pp. 296-297 Exhibitions: Frits Van den Berghe en Joseph Cantré, 1933, Ghent, n° 6; Belgisk Konst, 1934, Stockholm, n° 204; Belgisk kunst - Belgisk utstillung av moderne kunst i Norge ordnet ved L'art contemporain i Antwerpen, 1934, Oslo, n° 204; Hedendaagse Belgische Kunst, 1937, Moscow & Leningrad, n° 9; Les Compagnons de l'Art, 1938, Brussels, n° 187; Deurle 6 July 1997 (The Deurle Conversation), 1997, Deurle; 1999, Ostend, Retrospectieve Frits Van den Berghe, n° 132
Snackers Antiques & Fine Art
Walter Pompe (Lith 1703-1777 Antwerp) Cross with ivory corpus Antwerp, 1770 Carved wood and ivory H 57.5 x W 27 x D 11 cm Signed Accompanied by a CITES certificate Walter Pompe was a very well-known sculptor, especially of Buxus/Palm and Ivory carvings. The richly decorated Calvary features ivory bones, skull, and the snake with apple. With CITES document.
Galerie Berès
Henri Hayden (Warschau 1883-1970 Paris) Le banjo, circa 1920 Gouache on paper 28 x 36.7 cm Signed lower left 'Hayden' Certificate of authenticity by Pierre Célice dated 15 April 2012 This work will be included in the forthcoming Henri Hayden catalogue raisonné currently in preparation Literature: Henri Hayden (1883-1970), Bibliothèque Polonaise de Paris, 12 June-12 July 2013, pp. 28 Exhibition: Henri Hayden, Soixante ans de peinture 1908-1968, Musée National d'Art Moderne de Paris, 3 May-2 June 1968
Gallery de Potter d’Indoye
An Empire writing table Jacob Frères, Paris, circa 1796-1803 Mahogany and gilded bronze H 73 x W 86.5 x D 54 cm Stamped JACOB FRÈRES Provenance: Ségoura collection, Paris Literature: Michel Beurdeley, Jacob et son temps, Saint-Rémy-en-l'Eau, 2002, p. 83, illustrated as belonging to the Ségoura collection The rectangular top is supported by four female caryatids in patinated and gilt bronze, modelled as canephorae, their bodies joined by an X-form stretcher. The table bears the stamp JACOB FRÈRES / RUE MESLÉE, used between 1796 and 1803 by the brothers Georges II Jacob (1768-1803) and François-Honoré-Georges Jacob, later known as Jacob-Desmalter (1770-1841). The brothers, sons of the celebrated Parisian menuisier Georges Jacob (1739–1814), took over their father's workshop in 1796 and produced furniture of marked neoclassical character, employing mahogany and richly chased gilt-bronze mounts in response to the developing Directoire and Consular taste.
Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM)
Pieter Bruegel the Elder (Brussels, 1525-1569) (After) The last judgement Engraved in 1558 by Pieter van der Heyden (1530-1584) 22.5 x 29.4 cm Published by Hiëronymus Cock (Antwerp, 1518-1570) References: New Hollstein Dutch first state of two Lex Antiqua, Antiquarian bookseller
Snackers Antiques & Fine Art
Louis Philippe mantel clock Paris, circa 1835 Produced by the clockmaker Douyon Partially fire-gilt and partially patinated bronze H 70 x W 75.5 x D 27 cm The goddess Victoria is depicted seated on a cushion, leaning against the clock and holding a laurel wreath. At her feet lie a caduceus and an anchor. Beneath the clock are ears of corn and fruit. The ears of corn and fruit signify abundance; the anchor symbolises fidelity; and the laurel wreath represents victory.
Dries Criel
EOS Ring Inspired by Eos, the Greek goddess of the dawn. She who brings the first light of day, casting a golden glow across the horizon before the world awakens. A symbol of renewal, radiance, and quiet transformation. Crafted in sandblasted 18kt yellow gold, the ring carries a soft, sunlit warmth. Its matte surface evokes the first rays of morning light diffused through the atmosphere - gentle, luminous, and timeless. Rather than reflecting light sharply, the gold seems to hold it within, creating a subtle glow that feels both ancient and contemporary. At its centre rests an elongated, natural, step-cut diamond. Surrounding white diamonds accentuate the composition, enhancing the contrast between the softness of the gold and the crystalline purity of the central stone.
Marjan Sterk Fine Art Jewellery
Van Cleef & Arpels Lion brooch, 1972 18k yellow gold, green agates and onyx H 62 x W 43.3 mm Total weight 37.7 gr Signed Van Cleef & Arpels Manufactured in Paris, dated and numbered Provided with the original case An eighteen carat yellow gold brooch depicting a lion with wide-spreading mane, eyes of navette cabochon-cut green agates, and a nose carved from onyx.